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Sold Date:
April 2, 2014
Start Date:
March 17, 2014
Final Price:
$80.00
(USD)
Seller Feedback:
1196
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
Medeski, Martin & Wood ~ End of the World Party (Just in Case)
Made in the U.S.A. Double Vinyl ~ 2LP Set 2004 Original, 1st pressing.
Blue Note Records - BTE 95633 12
Vinyl are Mint-: Record #2 has a very minor manufacturer imperfection; outer edge of the vinyl has a quick rase of less than .125" (eighth of an inch) on the outer edge, playback is not affected. Vinyl plays Mint- to Mint and have been played only twice on Audiophile equipment and handled with care.
Gatefold Cover is Mint-: very small and minor, micro corner-bends and wear with shrinkwrap.
Labels are Mint-, no spindle-marks.
Out of Print.
"More than a decade into their career, continue to expand their sound. This time out, they've enlisted (, , )
as producer and engineer, and he brings a left-field pop sensibility to
the table without ever sacrificing the personality and energy of the
band. OK, it's not really "pop," but the songs themselves are less
overtly "out" than the last couple records despite some wicked, nasty,
wonderful tones. The new sound is a thick one, with lots of different
layers and perhaps the largest keyboard arsenal ever assembled. On the
first track alone, "Anonymous Skulls," you can hear just about every
keyboard sound known to man, but it never gets too busy or
claustrophobic. In fact, it's almost like the overdubbing process made
them more aware of the tunes themselves rather than just the playing,
making the songs particularly focused. It's easy to tell this is , with 's rich basslines, 's often percussive virtuosity, and 's
easily identifiable beats, but all the different layers and bits of
ear-candy details really add a new element to the sound. There's also
the fairly prominent use of Mellotron, which adds great texture,
especially in the sometimes abusive hands of ,
who really demonstrates knowledge and mastery of every different
keyboard and keyboard style. Forsaking the plethora of guest stars of
the last two albums, the only guests are (on four tracks) with the horns ( and ) joining on one of those. plays with perhaps his thickest, most distorted tone on record on "New Planet," and really lets it rip on "Queen Bee." is probably the most intricately assembled of the
records, but the grooves are still unshakable and the bottom line is
that they're still a great band. The fact that they continue to push
their sound, even enlisting an almost mainstream "rock" producer to
spice things up, is almost a victory in itself in the generally too-safe
world of jazz, but the real success is that they keep putting out great
records. This is no exception."
-allmusic