PORTAL Vexovoid LP BLACK/BLUE MARBLED australian avant death Impetuous Ritual
Sold Date:
October 26, 2016
Start Date:
April 25, 2016
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PORTAL Vexovoid (BLACK/BLUE MARBLED VINYL) LP
PORTAL Vexovoid (BLACK/BLUE MARBLED VINYL) LP
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(Profound Lore)
*** This is a new and unplayed item, direct from the CRUCIAL BLAST shop. ***
DESCRIPTION FROM CRUCIAL BLAST:
Finaly back in print on vinyl in a new 2015 limited-edition repress, on 180 gram "black/blue marbled" vinyl in a heavy reverseboard jacket with a thick printed inner sleeve.
Vexovoid is the fourth album from Australian mutants Portal, a band that has continued to confound listeners with an idiosyncratic and otherworldly take on death metal that reached a new level of suffocating, eldritch weirdness on their albums
Swarth and
Outre. As with those albums,
Vexovoid features slippery, malformed death metal, discordant blackened chaos and visions of alien horrors, but there is a clarity to Portal's sound on this album that is markedly different from previous outings.
The pounding percussive violence that opens
Vexovoid is surprisingly straightforward, at least by Portal standards; the sludgy droning riffage and spastic, thunderous drumming that powers "Kilter"'s chaotic swarm is more defined and chunky than the sort of ultra-murky formless deathblast that their other albums are known for; at the same time, the discordant, reptilian horror you'd expect is fully formed here, alive in the slithering droning riffs and bizarre angular arrangement of the song, still sounding like an otherworldly, alien take on Incantation's early, sludgy death metal. And in its final minutes, this song lurches into a blasting minor key majesty that definitely feels like something new gouting from Portal's black maw.
On "The Black Wards", Portal continues to reveal this more coherent side to their music, the drumming taking on an almost industrial feel at certain points, the rapid chain-gun blastbeats rattling off mechanically below the slippery, surging riffs, and the Curator's bizarre inter-dimensional incantations are easier to pick out among the scattershot riffs, lines like "...
cognizant eschewal / plight of Gammon Psyche / the lightness Shrewd / Zugzwang Gordian blighting / Dissorderlies Strewn..." reading like excerpts from a Kenji Siratori novel. The rest of the album is still plenty psychotic, still like some bizarre interpretation of Gorguts and Disembowelment beamed back from some malevolent insect-controlled dimension, the songs swarming with crushing discordant guitars, ghastly gasping vocals and mutant anti-grooves, twisted counter-intuitive time signatures and sudden, wildly jarring shifts in tempo, and awesome breakdowns where the chaotic blasting suddenly downshifts into a soundtrack-worthy section of apocalyptic might; for instance, the end of "Plasm", where riffs turn into foghorn blasts and Portal's churning maelstrom begins to freeze into a backwards-moving wash of withered death-drone, and the strange depth-charge doom of closer "Oblotten".
It feels like Portal's most complex work so far, the swirling, vomitous riffs and dissonant leads interlocking with greater definition than before, revealing a monstrous complexity at work within the band's pounding, atonal, droning death metal chaos. One of my fave death metal albums of '13 so far. Its one of the band's coolest looking albums too, with artwork from both Rev. Kriss Hades and Industrie Chimere Noire gracing the sleeve.
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