ARTIST - THE TALLEST MAN ON EARTH

Kristian Matsson (born 30 April 1983) is a singer-songwriter from ,  who performs under the stage name of The Tallest Man on Earth. Matsson grew up in , and began his solo career in , having previously been the lead singer of the  band Montezumas. His music has often drawn comparisons to the music of .

                              TITLE - "THERE'S NO LEAVING NOW"  -

          LABEL - DEAD OCEANS -U.S.

RECORD NO. - DOCO68

YEAR - 2012                   

VINYL - EX/NM            

SLEEVE - EX/NM         

TRACK LISTING........

A1 To Just Grow Away Bass –  A2 Revelation Blues Bass – Drums –  A3 Leading Me Now A4 1904 Bass – Drums –  A5 Bright Lanterns B1 There's No Leaving Now Bass –  B2 Wind And Walls Bass –  B3 Little Brother B4 Criminals B5 On Every Page Companies, etc. Copyright (c) –  Phonographic Copyright (p) –  Mastered At –  Mastered At –  Credits Mastered By –  Mixed By – , * Photography By – * Producer – * Sleeve –  Written-By, Performer, Recorded By – 

 

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

SIX  LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

PLEASE WAIT FOR COMBINED INVOICE

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing. VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced. POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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