ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: THE ROLLING STONES

Album Title: Beggar’s Banquet

Producer(s): Jimmy Miller

TRACK LIST:

Side 1: Sympathy for the Devil; No Expectations; Dear Doctor; Parachute Woman; Jigsaw Puzzle.

Side 2: Street Fighting Man; Prodigal Son; Stray Cat Blues; Factory Girl; Salt of the Earth.

Label/Format: Decca – original unboxed format with matt surfaces, these have a very gentle hint of texturing with no ridges.

Label Conditions: Both in superb condition, fresh, clean and attractive with any spindle traces tiny, very few and faint. So hard to find this classic appearing so little played.

Catalogue Number: SKL 4955

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 142 grams. A typical very solid, very well pressed record by Decca.

Country of Manufacture: England

Rarity: Moderate, like Beatles albums, this record sold in considerable numbers, condition is always the paramount factor, and this copy delivers. Clean little used examples in stereo are more elusive and less easy to find.

Original Year of Release: December 1968

Matrix Nos: XZAL-8476-2K / XZAL-8477-3K

Mothers / Stampers: 1 CB / 1 CM

Musicians: Mick Jagger – lead and backing vocals, harmonica; Keith Richards – acoustic, electric and slide guitars, bass guitar, backing vocals, lead vocals [Salt of the Earth intro]; Brian Jones – slide guitar, harmonica, Mellotron, sitar, tamboura, backing vocals; Bill Wyman – bass guitar, backing vocals, maracas; Charlie Watts – drums, backing vocals, cowbell, clave, tabla.

With: Nicky Hopkins – piano, organ; Rocky Dijon – congas; Ric Grech – fiddle; Dave Mason – shehnai, Mellotron; Jimmy Miller – backing vocals; Watts Street Gospel Choir – backing vocals.

Brief Info: The seventh Rolling Stones album that needs few introductions. Regarded by many as one of their very best from a long catalogue. With the experimental psychedelia of the previous album largely gone, ‘Beggar’s Banquet’ reverted back to their more trademark popular rock format. Well received and predictably selling strongly, this features two of the bands greatest ever singles in ‘Sympathy For the Devil’ and ‘Street Fighting Man’, and there are no filler songs of the 10 included. This a very impressive early unboxed stereo copy appearing little used. A very fine excellent all-round example, it plays very impressively as well.

Cover Grade and Format: NEAR EXCELLENT: a gatefold format with the outside laminated, the inside is matt and smooth. Printed and made in England by Garrod & Lofthouse, includes the polylined inner sleeve.

Lamination – Front & Back: This is a deceptively wear-prone cover – it dulls, creases and darkens regularly and is seldom seen without major issues, the spine area especially. The laminate on both sides retains excellent shine, fine freshness and clarity with no lifting and minimal hint of dulling. There are some fine creases – a few half moons away from the sides, with modest visibility and some mostly fine edge types, mostly on the spine. The spine on this cover is always difficult, it goes out of shape and wear so easily, so creasing on this edge is very hard to avoid. There are a couple of fine, quite small name press marks on both sides near the top, and a small indentation on the back towards the top. All these blemishes on plain white areas so showing relatively lightly. The predominately white surfaces have only gently darkened to give an attractive hint of age, but yellowing or browing has been avoided. Given the deceptive wear-prone traits of this vintage cover, this has fared generally quite well and remains attractive as-seen.

Cover Inner Gatefold: Slight surface rubbing only near the bottom right edge, there is no pulling to the laminate ends on the top edges. These dark unprotected surfaces remain attractive with little overall to fault.

Top Edges: Both thin, but still straight with no bowing and remaining flush. No wear to the actual printed gold surface, the laminate smooth and unpeeled.

Bottom Edges: As above, the end panel on the inside back has thicked a little near the right corner.

Right Edge(s), and Type: All still neat with any thickening or burring gentle and light as seen viewed end-on. The front is closed, so the record enters on the back, no trimming or enhancements, a little thicking to very thin card is almost the least to be expected.

Spine and Text: Arguably this is the most critical and difficult part of this cover. The inside hinge has a raised ridge type of construction. This means the spine will rarely keep it’s original shape, and many over time, especially when opened a lot, will become very badly misshapen, flattened or totally crushed and damaged. Most shed the laminate as well. This one is in very respectable condition, again as-seen. Solid, straight with a little compression, but minimal tilt. No recess has formed, so the unworn text is still mainly easy to read. All laminate intact with no peeling or flaking, a few hairline creases and crinkle. No perfect, few will be these days, but given the tatty nature many are seen in, this has fared quite well.

Corners: Any tip rubs are very small and light, very fine shape mostly retained with any creasing light. No knocks and any evidence of dinks small and light.

Cover Summary: A strong all-round example of this very famous 1968 cover, this the original made by Garrod & Lofthouse, later ones were made by other manufacturers. Lacking the usual ageing most seem to acquire over time, but a few blemishes. Not for perfectionists, but it should please many collectors.

The Inner Sleeve: EXCELLENT: mildly aged with a little darkening of the white paper, mostly near the seam adhesive that is seldom avoided as a bare minimum. Date-coded 11-68 (November 1968, a month prior to release), it has two crisp undamaged window circles, the polylining very clear and fresh with any creasing to the paper little and light. All edges unsplit with no repairs and no writing.

Vinyl Condition/Visual Grading: EXCELLENT: arguably better. A very fine visual copy that is very clean with equally fine shine and very solidly pressed on high quality Decca vinyl. A copy with minimal plays on all the evidence with any surface marks few, mostly very light and faint as seen critically under bright light. No penetrating stylus scratches, viewed in average room light, little even registers. Given the popularity and era, visually this is a super record that should please many collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This timeless classic album plays even above it’s high visual grading with very little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and this is an exceptional clean pressing with no tracking issues*. The odd sporadic tick on a record this age near impossible to avoid, but little else. Few available unboxed stereo copies will outperform this very early pressing significantly I feel sure. Remember, the unboxed label was changed in 1969, so unboxed copies are seen less often than boxed. Both channels are clean and sharp, I am certain this record has been played only lightly and has been generally well stored and carefully handled, almost certainly in a non-smoking environment. Nothing of any real note spoilt my pleasure when play-grading this wonderful record. It could prove difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programs. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14­ years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.