Sold Date:
November 29, 2020
Start Date:
August 23, 2020
Final Price:
£17.49
(GBP)
Seller Feedback:
506
Buyer Feedback:
6
Tasha - Alone at Last
New & Sealed - Mint
only 500 copies pressed Worldwide.
Baby Blue Coloured Vinyl (also includes Download code)
Great album, likely to go down well with fans of Lianne La Havas. Tasha brings a similar vibe, with her own twist on things. The whole record has a lovely mood to it. People have also made comparisons to Jamila Woods.
+ Also includes a Poetry Zine "with contributions from Tasha Viets-VanLear,
Imani Jackson, Keisa Reynolds, Kara Jackson, Jamila Woods, and Stella
Binion -- (all Chicago based, black women writers.)"
Jamila Woods also has her own album now, (also well worth checking out)
-fans of her will also likely enjoy this too.
Grab a copy while you can... New and still sealed.
Record will be posted within 2 days of cleared payment,
Any questions just ask :)
**International bidders please ask for a postage quote to your specific location before purchasing, thanks**
Tracklist
1
01:37
2
03:14
3
04:21
4
04:38
5
03:18
6
03:30
7
04:25
Taken from site:
'On her debut album Alone at Last, Tasha celebrates the radical
political act of being exquisitely gentle with yourself. For
years, the Chicago songwriter has dreamed hard of a better
world—she's worked with the local racial justice organization
Black Youth Project 100 and has been on the front lines at
protests around the city. But as she returned to the guitar,
an instrument her mother first taught her to play when she
was 15 years old, she began exploring the ways music can be a
powerful force for healing. It might not fix a deeply broken
world all by itself, but it can offer comfort and respite
for those who, like her, dare to imagine a thriving future.
Citing Robin D. G. Kelley's book Freedom Dreams as a
foundational text to her artistic practice, she says, "Black
folks' imagination inherently is a radical thing. In a place
of oppression and colonization, the ability to imagine a
future, imagine magic, imagine something better, is subversive.
People don't want you to be able to imagine yourself outside
of the place that you've been put." So she started asking:
"What does my imagination mean tome as a radical thing?"
Because Tasha's music has served her so profoundly as she's
made it, she hopes it can be a source of
strength for others, too. "I'm only able to handle the world
because I can write these songs," she says, "so I'd like to
think that I help other people deal with the world for the
same reason."
Across Alone at Last's seven tracks, Tasha sings mantras of
hope and restoration over lush guitar lines inspired by the
stylings of Nai Palm and Lianne La Havas—both artists who,
like Tasha, opt for a sweetness in their playing over the
masculinized bravado that often accompanies the electric guitar.
"You/Take care of your little body," Tasha urges on the
record's spoken word opener. On "Kind of Love," she paints
falling for someone as the gateway to a new world where
anything's possible, and on "Something About This Girl," she
notes the profound strength that comes from vulnerability: "All
her softness make her tough."
"These songs are bed songs," Tasha says of Alone at Last.
"Songs about the place that one might go when they finally
need to be away from whatever it is that might be causing
them stress or anxiety or sadness or fear." In the world she
conjures within the album, there's plenty of room to forge
your own home where you can rejuvenate and heal—where you
don't have to be a superhero and you don't have to save the
world all by yourself, where nothing is expected of you
except that you just be. It's the kind of album you can curl
into after a hot summer day in the city: a powerful
talisman in a demanding world, and a reminder that kindness
toward the self can help unlock the way to a world a little
more livable than this one.'