HELMET Strap It On LP REISSUE Gatefold Amphetamine Reptile NYC noise rock unsane
Sold Date:
October 30, 2014
Start Date:
March 21, 2013
Final Price:
$27.99
(USD)
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HELMET Strap It On LP
HELMET Strap It On LP
__________________________________________________________
(Let Them Eat Vinyl)
*** This is a new and unplayed item, direct from the CRUCIAL BLAST shop. ***
DESCRIPTION FROM CRUCIAL BLAST:
As far as my own collection goes, Helmet's catalog starts with
Strap It On and ends with
Meantime; to my ears, the band never recaptured the power of these first two records after their move to the majors and the various stylistic and tonal shifts that have occurred over the course of their twenty-plus year existence. Albums like
Betty might have garnered a good bit of positive press from rock crit circles and expanded on their sound in interesting ways, but their early work (and especially
Meantime) still stand as some of the heaviest, most abrasive (and yet most accessible) noise rock of that era. It's been close to twenty years since either of these seminal albums have been available on vinyl, but British reissue label Let Them Eat Vinyl stepped in recently to present both
Strap It On and
Meantime in new high quality 180 gram reissues, packaged in heavy gatefold sleeves with the original artwork and album design intact (all the way down to the original typos).
1990's
Strap It On was a motherfucking
beast when it first appeared on the Amphetamine Reptile label (later to be re-released by major label Interscope), a monstrously percussive sludge rock assault laced with black veins of discordant hardcore, massive noise-damaged grooves informed by the harder fringes of the New York pigfuck gutter, and one of the most punishing dual-guitar assaults heard up to that point. Revisiting this album more than two decades later,
Strap It On still sounds monstrous, from the opening stop/start lurch of "Repetition"'s angular hardcore to the mechanized pummel that follows on "Rude", the band employs huge droning riffs and weird time signatures that immediately put the listener off-balance as they bludgeon you with their deceptively simple stripped-down riffing and tightly wound rhythmic tension. With these sheets of droning dissonant guitar noise, the huge lumbering mechanistic riffs and the crushing lockstep ugliness of songs like "FBLA", it sort of feels like Hamilton and crew were exploring a similar post-industrial headspace that the guys in Godflesh were doing around the same time, stripping away all of the excess from the rock band set-up to reveal a hulking percussive machine-music that feels more like the pneumatic crush of factory equipment than rock songwriting. That's not to say that Helmet didn't write some catchy fuckin' songs, though; songs like "Bad Moon" and the brooding "Sinatra" are totally infectious noise-rock bruisers, with dissonant but catchy hooks that collide with the squalls of feedback and atonal soloing, drawing a bit of melodic influence from old Killing Joke. It's also interesting to note how the almost Sabbathian sludgy crush of songs like "Blacktop" and "Make Room" basically foreshadowed the whole Buzzoven / Eyehategod swamp sludge sound that would start to spread later in the following decade. Both of Helmet's first two albums had a major influence on extreme metal that we're still feeling today, and with
Strap It On now reissued in vinyl, it's the perfect opportunity for fans of noise rock, sludge rock, extreme metal and avant-heaviness to discover (or re-discover) one of the heaviest, most crucial albums from this era of underground American music.
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