RUDIMENTARY PENI Death Church LP REISSUE cult UK deathrock/anarcho punk **NEW**
Sold Date:
December 19, 2014
Start Date:
August 29, 2014
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RUDIMENTARY PENI Death Church LP
RUDIMENTARY PENI Death Church LP
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(Outer Himalayan)
*** This is a new and unplayed item, direct from the CRUCIAL BLAST shop. ***
DESCRIPTION FROM CRUCIAL BLAST:
This classic slab of macabre Lovecraftian avant-punk is at last given an official release through Outer Himalayan's Rudimentary Peni reissue campaign, remastered from the original tapes and presented in gatefold CD packaging and a big poster sleeve for the LP version, which replicates the original 1983 design (while adding a digital download and heavier 180 gram vinyl).Like the other recent Peni reissues, this is essential for anyone into dark, macabre punk, early death-rock, and occult-obsessed hardcore.
It would be very hard to overstate just how influential these albums have been on an entire class of bands that followed in their wake, and you can now hear echoes of Rudimentary Peni's spiky, angular punk and Lovecraftian madness lingering on albums from all kinds of hardcore punk, avant-rock and even black metal bands. They have always been grouped in with the early 80's anarcho-punk scene that flourished in Britain, but aside from their early connections with the band Crass (having released their 1982
Farce 7" on Crass Records), Rudimentary Peni had very little in common both musically and thematically with most of the other punk bands that they were associated with. Their music was so much darker and more enigmatic than almost anything else happening in British punk at the time, with much of the unique sound and vibe coming from front-man Nick Blinko, a visionary lyricist and artist who has struggled with mental illness and long periods of hospitalization throughout the bands entire career, and who brought his increasingly deranged visions of disturbing deformed characters, rampant paranoia, and withered horrors to the bands music, drawing influence from the works of H.P Lovecraft and the occult. For fans of dark,
outré punk rock, the Rudimentary Peni records are absolutely essential; all three of the band's albums are crucial slabs of twisted, menacing rock, and even their EPs are minor masterpieces of macabre weirdness. They've never put out a bad record, and I actually think that their more recent stuff, while heavier and different from their classic early records, is just as amazing as their earliest, most legendary recordings. So far, we've gotten reissues of both Peni's second and third albums,
Cacophony and
Pope Adrian 37th Psychristiatric and both are absolute classic albums of malevolent weirdo punk, each one given a gorgeous reissue treatment that includes newly designed gatefold CDs and deluxe LPs that include complete lyrics and lots of Blinko's amazing obsessive pen-and-ink artwork.
Like I've mentioned at length in my write-ups of the Outer Himalayan reissues of
Archaic,
Cacophony and
Pope Adrian 37th Psychristiatric, Rudimentary Peni are one of my all time favorite bands from the 80's British punk underground, a band that was often associated with the UK anarcho-punk scene but who was in fact off on some weird, Lovecraftian death-rock trip that was totally unlike anything else going on at the time. The band's debut album
Death Church was wholly unique when it came out in '83, from frontman Nick Blinko's nightmarish, obsessively detailed black and white album art to the bizarre song writing and morbid atmosphere that hangs over the bands music. The macabre pogo power of the opening song introduces
Death Church's relentless buzzsaw punk assault, leading the charge for these twenty-one tracks of ripping rocking mid-tempo angular deathpunk, the songs comprised of simple four-chord riffs twisted into sinister angular hooks, the bass guitar bouncing like Peter Hook on cheap crank, Blinko's howling vocals the closest he ever came to a traditional hardcore-style delivery. The whole album has its gnarled and blackened roots digging deep into the rotting carcass of early 80s hardcore, but this ended up sounding unlike anything else in punk at the time thanks to Blinko's demented lyrical visions and bizarre artwork and the band's ferocious, pounding hypnotic buzzbomb punk. On some of these songs, the band even reveals a weird sort of proto-black metal sound on tracks like "Poppycock", with its furious tremolo picking and speedy assault; for fans of the current wave of blackened punk outfits like Malveillance, Bone Awl and the like, there are moments on
Death Church that could possibly provide an epiphany. That signature strain of Peni weirdness abounds, of course, with some of their punk-shanty stuff showing up on other tracks like "Vampire State Building" and the sepulchral shimmy of "Flesh Crucifix", all infested with bizarre squealing cries and the dank stink of the tomb. Can't recommend this album enough.
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