DAVID BOWIE Changesbowie 1990 UK EMI 2xLP DBTV1

Format:  Stereo 2xLP

Year of release:  1990

Cat: DBTV 1

Matrix:
DBTV 11 A-1-1-1-
DBTV 11 B-1-1-1-
DBTV 12 A-1-1-1-
DBTV 12 B-1-1-1-

Records:  Excellent

Sleeve:  Near Mint

Labels:  Excellent 

Tracklisting:

A1    Space Oddity
Drums – Terry Cox
Performer [Stylogram] – David Bowie
Piano – Rick Wakeman
Producer – Gus Dudgeon
5:13
A2    Starman    4:16
A3    John, I'm Only Dancing    2:46
A4    Changes
Piano – Rick Wakeman
3:33
A5    Ziggy Stardust    3:13
A6    Suffragette City    3:25
B1    Jean Genie
Piano – Mike Garson
Saxophone – Ken Fordham
4:06
B2    Life On Mars    3:48
B3    Diamond Dogs
Drums – Aynsley Dunbar, Tony Newman
Keyboards – Mike Garson
6:04
B4    Rebel Rebel
Drums – Aynsley Dunbar, Tony Newman
Keyboards – Mike Garson
4:26
B5    Young Americans
Backing Vocals – Ava Cherry, Luther Vandross, Robin Clark
Bass – Willie Weeks
Congas – Larry Washington
Drums – Andy Newmark
Percussion – Pablo Rosario
Piano – Mike Garson
Saxophone – David Sanborn
5:10
C1    Fame '90 (Remix)
Bass – Emir Kassan
Drums – Dennis Davis
Percussion – Ralph McDonald
Producer – Harry Maslin
Remix – John Gass
Written-By – Carlos Alomar
Written-By, Vocals, Guitar – John Lennon
3:38
C2    Golden Years
Drums – Dennis Davis, Roy Bittan
Guitar – Earl Slick
Producer – Harry Maslin
3:58
C3    Sound And Vision    3:02
C4    Heroes
Written-by, Synthesizer, Keyboards, Electronics [Guitar Treatments] – Brian Eno
3:35
C5    Ashes To Ashes
Backing Vocals – Chris Porter, Lynn Maitland, Tony Visconti
Guitar – Chuck Hammer
Piano – Roy Bittan
4:22
D1    Fashion
Backing Vocals – Chris Porter, David Bowie, Lynn Maitland, Tony Visconti
Synthesizer – Andy Clark
4:46
D2    Let's Dance    4:07
D3    China Girl
Written-By – Iggy Pop
4:14
D4    Modern Love
Backing Vocals – David Spinner, Frank Simms, George Simms
Baritone Saxophone, Flute – Steve Elson
Bass – Carmine Rojas
Drums – Omar Hakim
Guitar – Nile Rodgers, Stevie Ray Vaughn
Keyboards – Rob Sabino
Percussion – Sammy Figueroa
Tenor Saxophone, Flute – Robert Aaron, Stan Harrison
Trumpet – Mac Gollehon
3:56
D5    Blue Jean
Arranged By [Strings, Synthesizer], Conductor – Arif Mardin
Backing Vocals – Curtis King, George Simms, Robin Clark
Baritone Saxophone – Steve Elson
Bass – Carmine Rojas
Drums – Omar Hakim
Marimba – Guy St. Onge
Percussion – Sammy Figueroa
Producer – Hugh Padgham
Producer, Bass, Guitar, Synthesizer, Backing Vocals [Background] – Derek Bramble
Tenor Saxophone, Alto Saxophone – Stan Harrison
Tenor Saxophone, Clarinet – Lenny Pickett
Trumpet, Flugelhorn – Mark Pender
3:09

Please contact me if you have any questions

 

I prefer Paypal but I will accept uncrossed UK Postal Orders or cash on collection.

I only charge what it costs me to pack and send the item (including Ebay's new seller fees for Postage & Packing).


UK deliveries: 'Special Delivery' is required on all single or combined items valued at £50.00 or over, please wait for invoice.

 

International deliveries:  'International Signed For' is required on all single or combined items valued at £20.00 or over, please wait for invoice.

If you are unhappy with the item please notify me within 7 days and return the item in the same condition, using the same method of postage, within 14 days and I will send a full refund excluding your return postage costs. 

 

Established in 1997, Chunes is an independent record store situated in Weymouth, selling records, CDs, guitar strings, accessories and collectables.  

Record grading:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
NEAR MINT:  The record has one or two very light surface marks with no deterioration in sound quality. The cover and any extra items will be close to perfect.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.

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