ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

FINALLY: Late payers will now be blocked at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: KING CRIMSON

Album Title: In The Wake of Poseidon.

Producer(s): Robert Fripp & Peter Sinfield.

TRACK LIST:

Side 1: Peace—A Beginning; Pictures of a City; Cadence & Cascade; In the Wake of Poseidon.

Side 2: Cat Food; The Devil’s Triangle; Merday Morn; Hand of Sceiron; Garden of Worm; Peace—An End.

Label/Format: Island – early pink rim repress with matt, smooth surfaces.

Label Conditions: Clean, fresh with just the faintest tone traces viewed right up close. A tiny ‘crack’ blemish in manufacture on side two near the hole. Any spindle marks few, mostly fine and faint – most importantly of all – this record plays superbly with very little unwanted, that never easy on this, or any King Crimson album.

Cat Number: ILPS 9127.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 125 grams. A fine weight for this pressing.

Country of Manufacture: England.

Rarity: Strangely, I have found this one of the harder ones to find on the pink rim label compared to all other of their albums. Finding any early copy at all that plays with very clean sound and no pressing issues is immensely difficult. Like all King Crimson albums, this has extremes in volume ranging from silence to thunderous room-shaking sound. That including an immensely quiet beginning and end to the album, just where stylus placement and lifting becomes ultimately perilous. Hence many examples are scratched on these crucial areas. This copy plays most everywhere superbly well.

Original Year of Release: 1970 [this one from the early 1970s, and now pressed by EMI]

Matrix Nos: ILPS 9127 A-4U / ILPS 9127 B-3U

Mothers / Stampers: 2 MH / 1 MH

Musicians: Robert Fripp - Guitar, mellotron, devices; Greg Lake - Vocals; Michael Giles - Drums; Peter Giles - Bass; Keith Tippet - Piano; Mel Collins - Saxes and flute; Gordon Haskell - vocal; Peter Sinfield is credited with ‘words’.

Brief Artist & Album Info: After the astonishing groundbreaking magnificence of their debut album, how could this ever be followed up? – well the answer was to issue another similar album again. This one was not given the same adulation as the first by the critics of the day, that labelled it as another ‘In the Court of’. Sure I can see the similarities especially on side one – the formula of a loud first track, quieter second and epic third do the same format, but all the songs are treasures in their own right. Side two does vary more: after the somewhat bizarre jazzy ‘Cat Food’, that features brilliant piano work by Keith Tippet, it becomes awesomely powerful and compelling, as ‘The Devil’s Triangle’ instrumental builds with ferocious intensity with heavy use of the magnificent Mellotron. This incredible keyboard instrument is blasted to it’s limits by Fripp with an intensity that was probably never matched. Unfairly underrated in my opinion, ‘Poseidon’ is simply another Crimson classic. Beautifully packaged too (apart from maybe the use of silver ink inside that is always hard to see properly). It’s textured cover almost resemble oil on canvas and hence (sorry to mention it again) this is one is very prone to wear. Any friction to the front and back will literally strip off the ink from the very raised surfaces (I call this ‘speckle’) and this will rarely ever be found anything like perfect. This slightly copy has a Robor printed cover, so the texturing is not quite as deep as the E. J. Day ones, but is still delicate nonetheless. The quality of this album really depends on the pressing quality that with Island records was often uncertain. Well rest assured, this EMI-pressed copy offers very clean and immensely powerful sound. It’s of true audiophile quality and for those with massively expensive systems who take sound very seriously – the dictionary definition of ‘audiophile’ – this is simply of mastertape and studio quality. Even those incredibly fragile opening and closing vocals parts by Lake are immaculate and generally quiet. Those massive dynamics crystal clear, focused and precise. It hardly gets better than this on a highly complex and intense record like this. It has a massive dynamic range and detail and will take some beating, I enjoyed it immensely. The odd sporadic click or crackle trace nigh-on impossible to avoid totally. It is groovewear and distortion I hate and this has none. I would take a very clean repress rather than a noisy original any time.

Cover Grade and Format: EXCELLENT(+): an unlaminated gatefold format with lovely texturing on the front and back. The inside is matt and smooth. Printed and made by Robor, includes the blue Island ‘basing street’ inner sleeve.

Cover Front & Back: A genuine work-of-art that has the appearance of an old-master with textured surfaces – these with a different pattern to the ‘Day’ version and not quite as pronounced. This has not aged a great deal and remains an attractive one. The expecially is superb with just a small bottom right corner tip crease, the surface shows hardly any rubbing or speckle at all, both sides are clean and very fresh. The back again has the small crease and only mere traces of speckle (tiny surface rubs to texturing) near the bottom and right edge, almost as light as it gets on the unforgiving cover. The lack of ringwear is a real plus point as well.

Cover Inner Gatefold: The light tip creases apart, this inside has little else to fault. A tiny mark on the left edge I am sure is in the card and probably there from new.

Top Edges: Any rub traces are small and light and both very straight and sit flushly together.

Bottom Edges: Mainly light patchy rubbing. Again straight up to the right ends that have that small dink crease.

Right Edge(s), and Type: The front has a real tucked edge that has hardly any wear. The back opening is clean, mostly very sharp with minimal burring or thickening. No trimming guaranteed.

Spine and Text: An exceptional spine: solid, straight, barely compressed and folded square, so the edges meet up very closely and parallel. All text is present and unworn with any rubbing to the fragile surface so faint and light it barely even registers. Both folds also retain practically all ink which is an immense ask on this one.

Corners: Most of any rubbing on the right tips with a fairly light bottom dink crease as mentioned already. Very fine or better shape retained on the others.

Cover Summary: I cannot emphasise enough how intolerant this cover is to poor or inadequate storage, lack of protection or heavy-handling. Many are found in a poor or shabby states making one like this almost exceptional. The small corner dink apart, this little to fault and looks impressive, it should please many, if not most collectors.

The Inner Sleeve: EXCELLENT: with little more than natural crinkle and fairly gentle darkening of the seam adhesive. It retains its polylining and still deep blue colour with no edge splits or repairs. As stated further up, it has the ‘basing street’ address detail text.

Vinyl Condition/Visual Grading: EXCELLENT(+): this being very critical indeed. A very impressive visual copy that’s very clean, with excellent shine and solidly pressed. Any surface traces being ultra fine and faint as seen with utmost scrutiny under bright angled light. Some of the groove widths are incredibly fine which indicates very low volume in those areas. An album of immense contrasts in volume, thus difficult for any vinyl record. This impressive example appears little played and offers quality sound. So visually and audibly, it will please many, if not most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: All King Crimson albums are a vinyl collector’s nightmare – with the ultimate in extremes and I am always a little nervous when playing a ‘new’ found title. One minute virtual silence, like the very beginning of this album and last minute of side two. Also some segments of side two’s instrumental passages where there is barely any sound at all. Then ferocious crescendos of mass volume and swirling Mellotron that are captable of shaking the building’s foundations. This is the ultimate test for any vinyl record (and equipment) and I believe that hardly any copies will exist that will play absolutely ‘silent’ in their entirity, the format hardly allows it. Most sound enthusiasts are now used to CD silence, but records with ‘contact’ reproduction are a different matter altogether. The tiniest fragment embedded into any groove can sound as a light pop or crackle and can anyone honestly say a record over 40 years old will have none at all? – this is being totally honest and realistic – I play all my records from beginning to end on VERY revealing equipment and simply tell it the way it is.

So how does this one play? I almost hold my breath on every King Crimson record I play-grade to offer because even if they look like new they don’t always play like that. These ultra fine delicate opening grooves are so fragile and vulnerable, and so many will be marked or worse – this has little to fault anywhere. Few will look and sound much better for their entirety. A record that delivers in every department with incredibly powerful, totally distortion-free sound. All frequencies are sharp, clear and fully focused and offer truly awesome sound quality with a massive dynamic range with super original detail. Any surface sounds are minimal, faint and very infrequent. This is an immensely challenging record that for those familiar will already know. Most of the ultra quiet sections play very well indeed without that irritating constant crackle so many seem to have, any traces are minor and faint. This is near mastertape quality that takes you into the studio itself with a pressing standard of high (EMI) quality. As stated, some passages on side two have no instrumentation or vocal, pure silence and the reproduction here does it proud. On the other end of the scale, the sheer sonic power and difficult-to-track intense Mellotron sound on side two is perfect without any hint of high frequency breakup or stressing, all focused and precise, it’s just a question if your system can handle ‘The Devil’s Triangle’. Very complex groove patterns with wide and varying widths can clearly be seen with the naked eye and with close observation while playing, both the headshell and stylus can be seen ‘flicking’ from side to side just to try and stay in the groove and track perfectly, as this one does*. Both channels remain clean and sharp, yes even on the thunderous Mellotron climaxes, I am certain this record has been only lightly played, and then only on quality equipment, and has been mostly carefully stored. Like the cover, this record suffers any abuse badly and is very intolerant of ancient unforgiving equipment or overplaying on such – that is why so many pink label originals are found trashed and unlistenable. Nothing of any real note spoilt my pleasure when play-grading this progressive giant – ignore those critics from the past, this is a ‘Crimson Classic’. Visually and aurally this is a delight throughout and it will prove very difficult to find better from whatever pressing you choose. This merits strong recommendation, for those who are primarily interested in the music, not the label, this delivers.

End Piece: I adore King Crimson, they could little wrong for me right up to Red which I regard as their final masterpiece – although the later albums are interesting, the early-era Island albums are all essential and King Crimson remain in the premier league for real progressive rock. Along with van der Graaf Generator and early Genesis, their albums on vinyl are very hard to find in a fit state to really enjoy, so many being ruined by intolerable amounts of surface sound (or worse). How many copies of the debut will really play near silent? – few, if any to be honest, and this album is similar as we all know. So I am delighted to offer this very strong all-round pink rim copy. Still one of the most difficult and demanding conditionwise. Most progressive or Island collectors will enjoy this one, the sound and mix on the earlier pressings are vastly superior to the latter, thinner Polydor or other repressings that followed. This is what real high fidelity is all about and why many collectors invest vast amounts in audio equipment to enjoy the finer details. One to enjoy without the likely vast cost of a similar copy on the pink label.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Blue moving coil cartridge tracking at 2.2 grams.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Blue moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.