ZAPPA/MOI We're Only in it For the Money EX++ with ULTRA RARE REVERSE FOLD COVER

Sold Date: October 16, 2016
Start Date: October 9, 2016
Final Price: £68.66 (GBP)
Bid Count: 4
Seller Feedback: 7732
Buyer Feedback: 206


ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: THE MOTHERS OF INVENTION

Album Title: We’re Only In It For The Money.

Producer: Frank Zappa

Executive Producer: Tom Wilson

TRACK LIST:

Side 1: Are You Hung Up?; Who Need the Peace Corps; Concentration Moon; Mom and Dad; Telephone Conversation; Bow Tie Daddy; Harry, Your a Beast; What’s the Ugliest Part of Your Body?; Absolutely Free; Flower Punk; Hot Poop.

Side 2: Nasal Retentive Calliope Music; Let’s Make the Water Turn Black; The Idiot Bastard Son; Lonely Little Girl; Take Your Clothes Off When You Dance; What’s the Ugliest Part of Your Body (reprise); Mother People; The Chrome Plated Megaphone of Destiny.

Label/Format: Verve – Silver and matt black finish with MGM credits.

Label Conditions: Both immaculate with only a couple of faint spindle traces – this record appears hardly played.

Catalogue Number: SELECT 2317 034

What’s on Offer and Rarity: At first glance, this may appear to be a regular Select 1970s pressing, but the difference is the cover. When originally conceived, this controversial cover was to be the perfect ‘Sgt Pepper’ parody. In other words, the female dressed band members were to appear inside the gatefold as per The Beatles on their famous album. This was objected too and the cover was reversed. But this one has been manufactured so it naturally folds with the ‘Pepper’ front appearing as Zappa wanted it to – on the outside. These ‘incorrect’ folding covers are rare and seldom seen. This cover CANNOT be forced to do this without severe damage to the spine fold and I have seen very few of these covers that will actually do this. It NATURALLY opens ONLY this way, and cannot be folded as it should as most-all others do. If this was a manufacturing blunder or a wrong instruction was given – I do not know. But is certain, this cover looks fantastic folded as per ‘Sgt Pepper’ with the band members inside. This monumental album, that over the years has actually gained in accolades for its importance (as has most this great man’s music). This was regarded by those, who cared to listen, as a classic from the outset and its reputation, importance and stark messages are as revelant today as they were back in the late 1960s. The only reason I am offering this is because I own one myself – these very rarely surface, and I would be certain few were even manufactured like this, also this copy is in supreme condition – that is record and cover. So a very rare opportunity for Zappa/Mothers fans to own this famous cover as it should have been made back in 1968.

Original Year of Release: September 1968. This copy was first repressed in 1972, this one a little later. The record considerably different and in my opinion vastly superior to the first issues that were simply far too censored.

Matrix Nos: 2317034 A//1 420 1 1 6 & 2317034 B//1 420 1 1 1 0

Mode / Speed: Stereo / 33.3 rpm.

Weight of this Record: 115 grams. Quite light, but superbly pressed on quality pure vinyl.

Musicians: Frank Zappa – guitar, piano, lead vocals; Jimmy Carl Black – trumpet, drums, vocals; Roy Estrada – electric bass, vocals; Bunk Gardner – woodwinds; Billy Mundi – drums, vocals; Don Preston – keyboards; Euclid James ‘Motorhead’ Sherwood – baritone saxophone, soprano saxophone’; Suzy Creamcheese – telephone voice; Ian Underwood – piano, woodwinds; Pamela Zarubica – vocals; Eric Clapton – Male speaking part in ‘Are You Hung Up?’; Gary Kellgren – ‘creepy whispering’; Spider Barbour – vocals; Dick Kunc – ‘interruptions’ vocal; Vicki Kellgren – extra telephone vocals.

Brief Artist & Album Info: A priceless album and for me the greatest ever made. These early Zappa albums were treasured by the few and totally misunderstood by the majority – he put the sneer into underground rock. The brilliant satire of the Sgt Pepper cover should have guaranteed extra sales, but predictably they were modest. Zappa’s scathing wit homed in on modern middle-class America and the West Coast hippies and his fears of what was to later emerge. Nineteen amazing songs of avant garde rock, doo-wop, some almost routine pop and hilarious dialogue, which was so hip it has never dated. Zappa made us confront the obvious, and the results were alarming. This album reconstructs music and then turns it inside out - it was so far ahead of its time, as was the man himself, few but the open-minded could accept it. A surreal collage, a psychedelic masterwork that blends together to form the perfect ‘alternative’ album for that crazy time. Treated voices, strange sounds, a needle being scratched over a record, sections recorded backwards, phasing, short classical interludes, surf sounds and finally the band going off their heads on ‘The Chrome Plated Megaphone of Destiny’ which was Zappa’s answer to ‘A Day in the Life’ from the more famous album. It’s almost incredible how so much entertainment and sound can be compressed onto an album that lasts less than 40 minutes. Among all the weirdness (Zappa describes this as a ‘monstrosity’ on the cover’s inner) there are stark messages. ‘Who Needs the Peace Corps’ ran through a list of Frisco cliches, Augustus Stanley Owsley III, the scene’s acid-maker; the ‘psychedelic dungeons’ that were the hippie clubs; Bill Graham’s celebrated venue, the Fillmore. Zappa’s criticism of the hippies wasn’t just grouchy; it was urgent, political and frightening. ‘Concentration Moon’ made warnings about the internment camps Richard Nixon was readying for non-conformists, while ‘Mom and Dad’ was a chilling premonition of how establishment forces would respond to the anti-war movement (in 1971, when the National Guard University, Zappa’s lyric became a prophecy and a bloody reality). ‘Absolutely Free’ mocked flower Power. The album concludes with ‘The Chrome Plated Megaphone of Destiny’, an outrageous sonic-montage designed to outdo George Martin’s ‘mind blowing’ orchestration at the end of Sgt Pepper. What makes the 1970s copy more special is the relaxing of the censorship – Zappa hated censorship, and the first editions are somewhat ruined by it. So for me, this is the REAL and correct version of this album. The same can also be said of the cover, now folded as Frank wanted it, not turned inside out. Personally, I think this was a factory error, but what a great error to own. This only folds with the band on the inside, any attempt to fold it the other way, simply fails. Just look how square this cover is only stand-up picture – there is NO WAY this can be faked. At the age of 58, I have only seen three of these as a 1970s copy – they are seriously rare – this one in supreme condition. This was an album never mass-produced, simply enough made to keep large retailers with a stock copy or those who ordered one from the smaller shops. So if this possible error was spotted, it could have been made within a single small print run. Anyway, a fantastic item to own and the record looks hardly played and sounds superb. For sure, the much missed genius himself would have surely approved?

Cover Condition and Details: EXCELLENT(+): arguably better, this looks superb. An unlaminated gatefold format with matt, fairly smooth surfaces. As stated, this naturally folds the opposite way to ‘normal’. Printed and made in England by Howard’s Printers, includes the Polydor soft-lined inner sleeve.

Cover Front & Back: Nice to be able to view this the way Frank originally wanted it. Put simply, the front is fantastic with rich deep colour and little to fault at all. The back largely the same with a few gentle surface marks seen under light and a small corner rub on the bottom left tip.,P. Money hailed the arrived of Cal Schenkel, Zappa’s most suggestive visual interpreter. It replicates Sgt Pepper brilliantly, but turns it all around. It was photographed by Jerrold Schatzberg in his New York studio. The blue sky of The Beatles classic now becomes a black thunderstorm with lightning flashing. The flowers for the band name now are vegetables and the band are attired in dresses. The Mothers were flanked by executive producer Tom Wilson on one side, and Jimi Hendrix on the other. A photo of manager Herb Cohen’s daughter, Lisa, was placed in Hendrix’s arms. The lady on the right of Frank is Gail Zappa, heavily pregnant with Moon Unit (his daughter). Darker images of guests appear, MGM lawyers insisted on printing bars across the eyes of anyone in the collage who was still alive (other than players or those involved I would presume): their paranoia simply made it still more dark and sinister. In the sleevenotes, Zappa advised listeners to read ‘In the Penal Colony’, a short story by Franz Kafka that dealt with homoerotic abuse, colonialism and military/judicial atrocity – this album and cover remain a disturbing experience to this very day.

Cover Inside (the band sides): Superb with barely anything to fault, the spine text is seen here, so appears inside when closed. The Mothers from left to right are: Zappa; Mundi; Gardner; Estrada; Preston; Black and Underwood.

Top Edges: Straight, clean and unworn.

Bottom Edges: Again straight, a small fine press rub on the front centre (NO split). Also a moderate+ rub on the back right corner.

Right Edge(s), and Type: The back edge is closed and straight with no wear. The front is now the opening side, this has minimal wear or thickening. The manufacturer’s trim is not flush and naturally a little untidy.

Spine and Text: Perfect as seen, the text matter, as stated, is on the inside as per a standard copy. This only folds the one way (the ‘wrong’ way) compared to all standard versions. Again, I am sure this was a factory error and few will ever surface to be offered.

Corners: All corners are superb bar the back bottom right which has at least a moderate rub, this mostly on the actual edge end rather than the tip itself. Mostly excellent or better shape retained.

Cover Summary: Possibly the rarest Zappa cover of them all, I have seen so few of these. This is a certainly an interesting, and in my opinion priceless variant for the serious Zappa collector.

The Inner Sleeve: NEAR EXCELLENT: a soft-lined Polydor-style inner only lightly aged with the usual seam adhesive darkening that is seldom avoided. Two neat window circles, hardly creased and all edges unsplit with on repairs.

Vinyl Condition/Visual Grading: EXCELLENT(++): a lovely visual copy that is very clean with equally fine shine and quite solidly pressed. A copy with minimal plays on all the evidence with any surface trace marks few, very light and faint as seen critically under bright angled light. There are no penetrating stylus scratches. Visually a super record that should please many, if not most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This for me the definitive version of this classic album, and it plays even above it’s high visual grading with hardly anything to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. A massively complex recording, this does it superb justice. Any surface sounds are minimal indeed and this is an exceptional clean pressing with no tracking issues*. Few copies will outperform this uncensored version significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been generally well stored and carefully handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this wonderful record. It will prove very difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programs. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.