Sold Date: February 20, 2022
Start Date: September 25, 2018
Final Price: $67.49 (USD)
Seller Feedback: 12053
Buyer Feedback: 0

H. H. Stuckenschmidt - Einführung In Die Neue Musik Mit Ausgewählten Tonbeispielen
Rare Original Germany Pressing "WERGO ‎– WER 60005/I u. II" 2xLP
Tracks :
A1Analyse Von Hans Heinz Stuckenschmidt A2Tonbeispiel 1. Du Lehnest Wider Eine Silberweide Aus Op. 15 Composed By – Arnold Schönberg A3Analyse Von Hans Heinz Stuckenschmidt A4Tonbeispiel 2. Nacht Aus "Pierrot Lunaire" Composed By – Arnold Schönberg Lyrics By [German Translation] – Otto Erich Hartleben A5Analyse Von Hans Heinz Stuckenschmidt A6Tonbeispiel 3. Schlußsatz Aus "L'Histoire Du Soldat" Composed By – Igor Strawinsky Lyrics By – Ch. F. Ramuz A7Analyse Von Hans Heinz Stuckenschmidt A8Tonbeispiel 4. Aus "Hyperprism" Composed By – Edgard Varese
B1Analyse Von Hans Heinz Stuckenschmidt B2Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25 Composed By – Arnold Schönberg B3Analyse Von Hans Heinz Stuckenschmidt B4Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25 Composed By – Arnold Schönberg B5Analyse Von Hans Heinz Stuckenschmidt B6Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25 Composed By – Arnold Schönberg B7Analyse Von Hans Heinz Stuckenschmidt B8Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25 Composed By – Arnold Schönberg B9Analyse Von Hans Heinz Stuckenschmidt B10Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B11Analyse Von Hans Heinz Stuckenschmidt B12Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B13Analyse Von Hans Heinz Stuckenschmidt B14Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B15Analyse Von Hans Heinz Stuckenschmidt B16Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B17Analyse Von Hans Heinz Stuckenschmidt B18Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B19Analyse Von Hans Heinz Stuckenschmidt B20Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24 Composed By – Anton Webern B21Analyse Von Hans Heinz Stuckenschmidt
C1Tonbeispiel 7. 1. Satz Aus "Konzert Für Klavier Und Blasorchester" Composed By – Igor Strawinsky C2Analyse Von Hans Heinz Stuckenschmidt C3Tonbeispiel 8. 3. Satz Aus "Musik Für Saiteninstrumente, Schlagzeug Und Celesta" Composed By – Béla Bartók C4Analyse Von Hans Heinz Stuckenschmidt C5Tonbeispiel 9. Aus "Kontrapunkte" Composed By – Karlheinz Stockhausen
D1Analyse Von Hans Heinz Stuckenschmidt D2Tonbeispiel 10. "Etude Aux Allures" Composed By – Pierre Schaeffer D3Analyse Von Hans Heinz Stuckenschmidt D4Tonbeispiel 10. "Etude Aux Allures" Composed By – Pierre Schaeffer D5Analyse Von Hans Heinz Stuckenschmidt D6Tonbeispiel 11. Aus "Il Canto Sopreso" Composed By – Luigi Nono D7Analyse Von Hans Heinz Stuckenschmidt D8Tonbeispiel 12. "Le Marteau Sans Maitre" Composed By – Pierre Boulez Lyrics By [Text] – René Char D9Analyse Von Hans Heinz Stuckenschmidt D10Tonbeispiel 13. Aus "Kammermusik 58" Nach Hölderlins "In Lieblicher Blaue" Composed By – Hans Werner Henze

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Condition Vinyl   :        EX - / very few light marks / small pen marks on labels Condition Sleeve  :      VG ++ / light age wear / small pen marks on booklet *Condition is based on visual grading - Please Read scale below  WORLDWIDE & COMBINED SHIPPING 1 x Record  -  $12     2 x Records - $14     3 x Records - $16     4 x Records - $18 5 x Records - $20                                    __________________________________________  

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*Packaging : All vinyl sent in professional boxes. Vinyl is removed from covers to prevent seam split.

*IF YOU'RE NOT SATISFIED WITH YOUR ITEM PLEASE LET ME KNOW AND I'LL REFUND YOUR PAYMENT 

Gradings : (*Condition is based on visual grading)
 
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.

Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.