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Flick of the Switch by Released15 August 1983RecordedApril 1983Studio, Length37:02, , AC/DC chronology
(1981)Flick of the Switch
(1983)
(1984) from Flick of The Switch ""
Released: 14 September 1983 ""
Released: 1983 ""
Released: 27 July 1984

Flick of the Switch is the ninth studio album by Australian  band . Released in 1983, it followed the highly successful  and  albums. Flick of the Switch is the third AC/DC album to feature lead vocalist , and last to feature drummer  before his eleven-year break from the band. It is the band's eighth internationally released studio album, the ninth to be released in their native Australia. All songs on the album were composed by guitarists  and  and vocalist Johnson.

Flick of the Switch was re-released in 2003 as part of the AC/DC Remasters series.

Recording

AC/DC returned to  in the  to record their ninth album, the same studio where they had recorded  with  in 1980. Lange had produced AC/DC's three previous releases but this time the band chose to produce themselves. On the recorded commentary on the album for the  DVD, the band members state that the album was an attempt to make the band raw again, and were happy with the result. In the book AC/DC: Maximum Rock & Roll, AC/DC engineer  recalls:

There was a genuine desire to get back to the basics with Flick of the Switch. There was a general kind of consensus that we needed to find some way of moving on a little bit. You know the  version of ' '?' Where they're all shouting in the background? Basically what Mal had said was that he wanted to try and get that feeling of being in a room with it all happening. I don't think it really worked entirely.

The album is notable for its "dry" sound, with very little of the polish that is evident on their previous effort . In a 1983 interview that appears on ultimateguitar.com, Angus Young said of the LP, "We wanted this one as raw as possible. We wanted a natural, but big, sound for the guitars. We didn't want echoes and reverb going everywhere and noise eliminators and noise extractors." However, the album's birth was a troubled one; after having problems with Malcolm as well as drugs and alcohol, drummer  was fired midway through the album's recording sessions, although he had completed his drum parts. According to Murray Engleheart's band memoir AC/DC: Maximum Rock & Roll, Rudd had been struggling for some time; tour manager Ian Jeffrey recalls getting a phone call from a strung-out Rudd at four in the morning when the band was playing in Nebraska on the Back in Black tour and finding the drummer in his hotel room in a state of disorientated agitation. Eventually Rudd broke down crying and begged Jeffery "Don't tell Malcolm." Jeffery also reveals that Malcolm punched the drummer after he showed up two hours late for the band's show at 's  and was unable to play the last song of the encore. "It was an absolutely stupid thing that finished it, but it had been brewing for a long, long time," Jeffery remembers. "He got into drugs and got burned out," Malcolm later explained to KNAC.com in August 2000. Former  drummer  was hired to help complete the recording if needed, but his contributions were not used. Platt later recalled to band biographer Jesse Fink, "It wasn't a happiest of albums. There were all sorts of tensions within the band. They were all pretty knackered by that point. It was the album that copped the backlash, really." The drum position was eventually filled by future  drummer  after more than 700 auditions were held in the U.S. and UK.  of  and  fame, and  of  were two of the drummers auditioned. Wright appeared in the videos for "", "", and "". A second video for "Nervous Shakedown" was also shot at a pre-show rehearsal at  in . He also toured for the album, and is seen in the pro-shot video recordings from that period. The videos, which were shot in an aircraft-hangar sized area, seemed to reflect the stripped-down sound of the album and flew in the face of the growing infatuation that the music business was developing with the glitz of .

The songs on Flick of the Switch contain much of the outlaw bravado ("Guns For Hire," "Badlands") and sexual innuendo ("Rising Power," "Deep in the Hole") that fans had come to expect from the Australian rockers. "Badlands" features guitarist Angus Young playing slide guitar, a rarity on record. The song "Bedlam in Belgium" was inspired by the band's appearance at  when a riot nearly broke out when police tried to close down the show after the band allegedly ignored a strict 11 p.m. curfew. On tour in support of the album, "Guns For Hire" was the set opener. The tour resulted in more upheaval in the band's inner circle when Malcolm, frustrated by mixed reviews for Flick of the Switch and dwindling audience numbers in certain cities, fired tour manager Ian Jeffrey. In his  memoir Highway to Hell, author Clinton Walker observes:

...when the band reemerged in August 1983, with the album Flick of the Switch, they found they weren't able to just pick up where they'd left off. The production credit the album bore, to Malcolm and Angus themselves, was merely the tip of the iceberg of a purging the pair had effected throughout the entire band and its infrastructure. It's a classic syndrome: the successful campaigner who fears his own troops. But Malcolm and Angus never trusted anyone anyway. They sacked practically everybody: Mutt Lange, who had artisically engineered their breakthrough; drummer Phil Rudd; , who had himself usurped Michael Brown, even de-facto photographer Robert Ellis was ousted. The replacement of Rudd by Englishman Simon Wright meant that there wasn't an Australian-born member left in the band. Album cover

The Flick of the Switch cover features a simple, pencil-drawn picture of Angus that he himself had originally sketched out to reflect the simple, raw approach of the album, and  hated it. Angus had also wanted the album graphics to be embossed the same way that Back in Black had been but, according to Ian Jeffrey, Atlantic did not want to spend the money because they believed the album contained no hit singles.

Reception Professional ratingsReview scoresSourceRating

Recorded shortly after their 1982  at the beginning of 1983, the album was originally released with little promotion in the US on 15 August 1983. The album reached #4 in UK and #15 in the US, and has been certified platinum by the RIAA. In his original  review,  noted, "Produced by the band, Flick of the Switch isn't quite the monster blowout that 1980's Back in Black was, and the Youngs' retooling of old riffs for new hits also teeters on self-plagiarism at times." Steve Huey of  observes, "As perhaps indicated by the record's idiotic original title, the utterly generic I Like to Rock, AC/DC seemed to be running out of ideas at an alarming rate, and their record sales began to reflect that fact." Malcolm Young later said of the LP, "It was thrown together real quick. I wouldn't say it's a great album..."

Track listing

All tracks written by ,  and .

No.TitleLength1."Rising Power"3:432."This House Is on Fire"3:233.""3:134.""4:275."Landslide"3:576.""3:247."Deep in the Hole"3:198."Bedlam in Belgium"3:529."Badlands"3:3810."Brain Shake"4:00