Sold Date:
February 28, 2016
Start Date:
October 2, 2015
Final Price:
$19.20
(USD)
Seller Feedback:
1841
Buyer Feedback:
11
Beny More – Magia Antillana
Label:
Arcano – DKL1-3053
Format:
Vinyl, LP, 12", Stereo, 33 1/2 rpm
Country:
US
Released:
1964
Genre:
Latin, Folk, World, & Country
Style:
Son, Mambo
Tracklist
A1 La Culebra
A2 Pachito E'Che
A3 El Bobo De La Yuca
A4 San Fernando
A5 Magdalena
A6 Donde Estabas Tu
B1 Bonito Y Sabroso
B2 Yo No Fui
B3 Como Fue
B4 Esta Noche Corazon
B5 Mucho Corazon
B6 Miguel
Notes
- Beny More
Real Name:
Bartolomé Maximiliano Moré Gutiérrez
Profile:
Beny Moré was born 24th August 1919 in Santa Isabel de las Lajas, Cienfuegos, Cuba. Despite having an exceptional voice, leading his own orchestra and writing his own music he never had an academic music training. Moré was a master all the genres of Cuban music, including son montuno, mambo, guaracha, guajira, cha cha cha, Afro-Cuban, canción, guaguancó, and bolero.
Arriving in Havana in 1940 he sang in clubs, restaurants, bars and cafes accompanied by his guitar. His first breakthrough came when he sang on the CMQ radio station's talent show La Corte Suprema del Arte. He won first prize. Siro Rodríguez, of the Trío Matamoros, talent-spotted Moré singing in the bar El Temple. Following this meeting the mid-forties found him touring Mexico as lead singer with Conjunto Matamoros.
Moré settled in Mexico to record music and perform with one of the best Mexican bands at that time, Son Veracruz. He also produced around 60 records with Damaso Perez Prado Orchestra. He returned to Cuba in the late 1950s and formed the Giant Orchestra in August 1953. He and his orchestra achieved immense popularity in the US and Latin America. Moré remained in Cuba until his death in 1963.
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jacket. If the record does not live up to our grading upon receipt,
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General standards For Record Grading
(M) Mint Record still shrink wrapped, new copy of a record.
(NM) Near Mint Almost perfect record that has usually only
been played 1-3 times, in "like new" condition, no visual defects.
(NM-/ EX+) Almost near mint, maybe a few very light marks but
nearly perfect.
(VG+/ EX) Very Good Plus / Excellent Record
will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".
The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.
An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.
All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.
(VG) Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.
(VG-) Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent
playing copy, no skips. Cover may has heavier shelf wear, more discoloration
and split seams.
(G/ G+) Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise,
scuffs, and/or scratches. Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...
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