Sold Date:
November 30, 2020
Start Date:
May 27, 2019
Final Price:
$23.99
(USD)
Seller Feedback:
5271
Buyer Feedback:
9
(Visually Graded) Vinyl looks NM and Artwork looks EX. See pics and info for details.
Ma Rainey's Black Bottom, Original Broadway Cast Recording
Label:
Manhattan Records – SVBO 53001, Manhattan Records – SVB0-53001
Format:
2 × Vinyl, LP, Gatefold, 12", 33 RPM
Country:
US
Released:
1985
Genre:
Jazz, Non-Music, Stage & Screen
Style:
Musical, Dialogue
Tracklist
Act One – Part 1 (30:38)
A1a Dialogue
A1b Hear Me Talkin' To Ya
Written-By – Louis Armstrong
A1c Doctor Jazz
Written By – J. Oliver-W. Melrose
Act One – Part 2 (35:06)
B1 Dialogue
Part Two – Part 1 (31:37)
C1a Dialogue
C1b Ma Rainey's Black Bottom
Written-By – Ma Rainey
Part Two – Part 2 (24:27)
D1a Dialogue
D1b Hear Me Talkin' To Ya
Written-By – Louis Armstrong
Companies, etc.
Recorded At – RCA Studio C
Copyright (c) – Manhattan Records
Phonographic Copyright (p) – Manhattan Records
Record Company – Capitol Industries-EMI, Inc.
Pressed By – Capitol Records Pressing Plant, Jacksonville
Credits
Co-producer [Assistant To The Producer] – Heather O'Keefe
Design – Koppel & Scher
Directed By [Music Director] – Dwight Andrews
Directed By [Recording Director] – Lloyd Richards (3)
Engineer [Recording] – Dick Baxter, Mike Moran (7), Paul Goodman
Photography By – Bert Andrews
Producer – Mike Berniker
Voice [Cutler] – Joe Seneca
Voice [Dussie Mae] – Aleta Mitchell
Voice [Irvin] – Lou Criscuolo
Voice [Levee] – Charles S. Dutton
Voice [Ma Rainey] – Theresa Merritt*
Voice [Policeman] – Christopher Loomis
Voice [Slow Drag] – Leonard Jackson (4)
Voice [Sturdyvant] – John Carpenter (11)
Voice [Sylvester] – Scott Davenport-Richards
Voice [Toledo] – Robert Judd
Barcode and Other Identifiers
Barcode: 07777530011
Notes
- BIO - Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Pittsburgh Cycle by August Wilson – that chronicles the twentieth century African American experience. The play is set in Chicago in the 1920s (the only play in the group not set in Pittsburgh), and deals with issues of race, art, religion and the historic exploitation of black recording artists by white producers.
The play's title refers to a song of the same title by Ma Rainey referring to the Black Bottom dance.
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