September 15, 2020
Start Date: September 10, 2020
Seller Feedback: 448
Buyer Feedback: 132
Record has been played once and stored properly with THICK outer. Packaging with SRX hype sticker are still intact. Record has a few markets that appear to be during pressing and don't effect the play of the record, nothing to be concerned with. Light streaking or slight marbling to the transparent vinyl. Ships in proper LP mailer to avoid damage in transit. Ship via USPS Priority. Message with any questions.
Wayne Shorter made a major impact on the Jazz world during 1963-64. He left Art Blakey's Jazz Messengers to become a member of the Miles Davis Quintet, and he recorded Night Dreamer and Juju as a leader for Blue Note. Speak No Evil is even notable than those two gems, for Shorter had developed into not only one of the most original tenor-saxophonists of the 1960?s but also one of its most vital composers.
With superb playing by Herbie Hancock, Ron Carter, Freddie Hubbard and Elvin Jones, Shorter introduces six unique compositions including "Fee-Fi-Fo-Fum," "Speak No Evil" and "Infant Eyes." Hubbard and Hancock consistently raise the temperature with fiery solos. Shorter's playing and writing are both beyond description, utilizing a logic all his own which, over time, has become a major influence in Modern Jazz. Throughout "Speak No Evil," Shorter creates brilliant new music like no one else.
This pressing is on SRX Vinyl. SRX stands for “Silent Running Xperience.” SRX is our own proprietary formula, conceived and developed by Rick Hashimoto of Record Technology and manufactured by Neotech. Its noise floor is fathoms lower than any other vinyl we know of out there past or present. Records pressed with it look like normal black discs until you hold them up to the light and see that they are translucent and smoky, silvery gray in color. The near-perfect silence of SRX Vinyl virtually frees the music from groove noise and draws you further into the listening space, setting it in relief so distinct, full and spacious it’s nearly sculptural. You hear more of what’s on the original tapes, not only of the notes played on the instruments but the experience of the event itself. That's why we call it Silent Running Xperience.
Like all Music Matters Jazz releases, this is cut from the original analog tapes, mastered by Ron Rambach and Kevin Gray at Cohearant Audio, and pressed at Record Technologies Inc (RTI). The gorgeous gatefold jacket is from Stoughton Printing in City of Industry, California and includes exclusively licensed photos from the original session inside.