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MYRKUR Folkesange LP
Royal Blue Cloudy Effect Vinyl
Amalie Bruun has always paved her own path, challenging
underground preconceptions of heavy metal ever since the release of her
debut Myrkur EP in 2014. Her first two full-length studio albums, 2015’s
M and 2017’s Mareridt, recast black metal in the most personal yet
expansive of terms, their blending of Amalie’s Danish folk roots with
tempestuous internal struggles breathing new life into a subgenre whose
followers can be rigidly possessive.
With the release of her new
album, Folkesange, Amalie Bruun has set out to journey into the very
heart of the Scandinavian culture that marked her childhood. Folkesange
relinquishes black metal for a refined yet far-reaching evocation of
traditional folk, combining songs ancient and new to sublimely resonant
effect.
After the nightmare-induced visions that wrought themselves
throughout Mareridt, Folkesange offers an emotional sanctuary, a means
to reconnect to something permanent and nature-aligned. It’s an
awareness that’s become deeply bound to the album’s organic,
regenerative spirit, from the opening track Ella’s heartbeat, frame-drum
percussion and crystalline vocals that become the grounding for a rapt,
richly textured awakening, to the gentle carousel of the closing
Vinter, with its nostalgia-steeped connotations of seasonal,
snowfall-bewitched awe.
Storytelling, rites of passage, and the
invocation of a continuity that passes through time and generation are
all part of folk music’s tapestry, and Folkesange taps into all these
currents in their most essential form. In part a purist’s approach to
the genre, free from over-interpretation and fusion, the use of
traditional instruments throughout, such as nyckelharpa, lyre, and
mandola offer a deeper, more tactile connection to their source, an
unbroken line of communication back to the past.
But the album is
no museum piece; it resonates in the here and now, aided by the
spacious production of Heilung member and musical collaborator
Christopher Juul. Cinematic yet intimate, Folkesange exists in a state
of boundless reverie, bourne by string-led drones, cyclical, elegiac
rhythms and Amalie’s frictionless voice, all carrier signals for
deep-rooted, ancestral memories, and associations felt on an elemental
level.
It’s a binding of the otherworldly and the earthy that
echoes the the subject matter of many of the tales themselves. Written
by Amalie, Leaves Of Yggdrasil’s medieval cadences bind tragic love
story and mythology, full of both fairytale wonder and deeply human
foible. Tor i Helheim, its dreamily persistent rhythm redolent of both
innocence and encroachment, is based on a poem from the Icelandic Eddas,
relating a journey into the underworld of Hel where the sparse nature
of the accompaniment becomes the medium that carries you along in its
thrall.
An immersive experience in its own right, but also
belonging to a wider, pagan folk-based renaissance that has attracted a
devoted following worldwide, Folkesange answers a need that has become
ever more pressing in turbulent times. A zeroing in on a resonance that
is both intrinsic and enduring, it’s a rediscovery of personal
grounding, and an experience that reaches beyond culture to remind us of
a shared, deeply rooted inheritance. A tuning fork that binds the
personal and the universal, Folkesange is a reminder that the most
transcendent experiences are those closest to home.