Sold Date: March 18, 2024
Start Date: March 13, 2024
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Mongo Santamaria Sofrito LP 1976 VAYA  1st Pressing Afro-Cuban Jazz Sofrito is such a Killer tune starts with a piano intro then the band kicks in and you have to move....Fantastic Then O Mi Shango takes us Home
Sofrito is, perhaps, a timeless Latin soul-jazz classic. Recorded in New York by  with a killer band of salsa and jazz musicians, Sofrito is a wonderfully mixed bag of laid-back Latin-flavored jazz tunes such as "Cruzan," drenched in a beautiful baritone solo by , with 's electric piano and beautiful timbales and traps by , and Santamaria's congas. On "O Mi Shango," the lone traditional song on the set, killer bata drums by  work well in juxtaposition to the modern synthesizer and funk backdrops. The gorgeous son rhythms on "Spring Song," lend it a timeless, -feel as an Afro-Cuban orchestra is playing it on a Harlem street corner. Simmering, shimmering, soul-jazz harmony with gorgeous Latin percussion informed by age-old Cuban melodies and funky basslines make this one of the most beautiful tunes on the set. In all, there are no weak tracks on Sofrito, and it offers a near-perfect view of the seamless kind of transcultural music-making that was happening at the time that so informed virtually everything in both genres now.

Ramón "Mongo" Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the . Primarily a  drummer, Santamaría was a leading figure in the and   of the 1960s. His biggest hit was his rendition of 's "", which was inducted into the  in 1998. From the 1970s, he recorded mainly  and , before retiring in the late 1990s.

Mongo learned to play the congas as an amateur  musician in the streets of Havana. He then learned the  from Clemente "Chicho" Piquero and toured with various successful bands such as the  and . In 1950, he moved to New York City, where he became 's conguero and in 1957 he joined 's band. He then formed his own , while at the same time recording some of the first rumba and Santería music albums. By the end of the decade, he had his first  hit, "Para ti". He then became a pioneer of boogaloo with "Watermelon Man" and later signed record deals with ,  and . He collaborated with salsa artists and became a member of the , often showcasing his conga solos against . In his later years, Santamaría recorded mostly Latin jazz for and .