The Beatles - White Album * RARE FACTORY SAMPLE * NO EMI * NEAR MINT * UK 1st Press

   

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  Brief Summary
Highly desirable 'NO EMI' labels with rare Factory Sample stickers. Beautiful MINT- sleeve with intact spine!- rarely seen with the White Album. Incredible MINT- audio which excels during 'Martha My Dear' and 'Blackbird'. Both discs first pressings with disc 1 having low mother and stamper codes Complete with all original inserts. 

More details, including a comprehensive condition report and a full audio recording, can be found in the description below.

Album Background

As if unshackled by the constraints of EMI, the Beatles first LP release on their own, newly founded Apple Records label was a plethora of firsts: their first ever double LP; their first without cover art; the first to include a poster and four portrait photographs; and, boldly, their first without a title. The album title, or, the lack of one, was a statement: "In this album you will find 'The Beatles'" - quite literally on the photocards. Musically, the double LP is a tour-de-force of the Beatles range, vision and dexterity; elements of big-band can be found in "Bungalow Bill", country in "Rocky Raccoon", ska in "Ob-La-Di Ob-La-Da", folk in "Black Bird" and "Julia", heavy metal in "Helter Skelter", avante-garde anti-music in Revolution 9 and much, much more. Although some feel the album is clumsy in its inclusion of so much music, too much music, they may say, when the album is consumed as it was meant to be - as a double LP - it all makes sense.

 

Quite rightly, then, that The White Album is a must have for any and all record collections. Unlike many other records in The Beatles’ catalogue, there is no consensus on which mix, the mono or stereo, sounds better. Instead, the guidance is to have both! Although approximately 300,000 stereo records were sold in the UK first release, finding an archival condition final upgrade is extremely difficult. Finding a copy in this condition with 1st variant labels, Factory Sample stickers, early mother and stamper codes, aesthetically pleasing serial number #0370337, along with all original inserts is virtually impossible.

Pressing & Variant Information

Serial number: PCS 7067 / PCS 7068

 

Matrix number: YEX 709 - 1 / YEX 710 - 1 / YEX 711 - 1 / YEX 712 - 1 

 

Stamper codes: 1 LR / 1 HO / 4 TR / 2 HH

 

Pressing Information:

 

The -1 matrix numbers confirm that both records are true UK first pressings. The mother and stamper codes on disc 1 suggest it was one of the first few thousand stereo discs produced. (More details on this can be found in the ‘Glossary of Terms’ section below).  

 

Label Information:

 

The disc 1 labels are the first variant, the disc 2 labels are the second variant. Several notable features can be used to identify this:

 

The absence/presence of the text “An EMI recording” (first/second variant respectively); The presence of the text “Sold in the U.K. …” to all sides; and The stereo catalogue number ‘PCS ****’ on all four labels.

 

Sleeve Information:

 

The fully laminated gatefold sleeve is the first variant. Severable notable features can be used to identify this:

 

The embossed ‘The Beatles’ text and seven-digit serial number seen to the front; The two flip-backs seen on the outside edge of each of the centre panels; and The record openings present at the top of the sleeve.

 

Inner Sleeve & Extras

 

The album is complete all original inserts: two black die-cut inner sleeves, a six-panel fold out poster, four photo-card portraits, and the seldom seen photo-card spacer.

Condition Report

Disc: MINT - 

Labels: MINT - 

 

A wonderfully clean set bearing just a one or two dull spindle trails around each unworn centre hole. The ‘Factory Sample’ stickers are without damage.

Visual: EXCELLENT +

 

The vinyl retains as-new superb deep gloss playing surfaces which appear blemish free in bright daylight. Even under the glare my halogen inspection lamp it is difficult to see only the most feint paper hairline marks. Truly stunning.

Sound Quality: MINT -

 

I have recorded the full album audio to allow you to judge the quality of the audio reproduction for yourself. If you are having trouble playing the audio, please get in touch.

 

Side 1: 

 

 

Side 2: 

Side 3: 

 

Side 4:

 

 

As can be heard in the audio recordings, the playback on both discs is superb. The litmus test for any White Album, side 2, is breath taking. Martha My Dear and Blackbird are without interruption. This is hands down the best stereo copy of The White Album that I have heard. A superb 'final upgrade'.

Sleeve: EXCELLENT 

 

Like the vinyl record, the sleeve is in fantastic condition. All four sides are still a brilliant white, showing no discolouration or staining. The laminate is without scratching, has no thumbnail wrinkles and maintains a beautiful glossy lustre. The embossed ‘The Beatles’ text is crisp and the serial number perfectly legible without any fading. The corners are strong and are without bumps or bruising. Remarkably, the laminate is still intact through the entire spine – I have only seen one other example where this is the case.  All remaining edges are without wear. If not for extremely minor wear to the spine edge (see pictures) I would confidently grade it as MINT. 

 

Inner Sleeve: MINT - 

 

Attesting to the careful ownership of the album, all original inserts are present and in superb condition.

Additional InformationGrading ClassificationsShipping & ReturnsGlossary of Terms

All discs are cleaned using dedicated ultra-sonic and vacuum cleaners. We use a novel four-step approach. More information on the process can be found . 

 

Audio testing and recording is performed on a Technics SL-1200 G turntable fitted with a Nagaoka MP-500 stylus. 

 

After the audio test, each disc is placed within a brand-new mobile fidelity inner sleeve. The disc, sleeve, and any additional inserts are then placed inside a 4mm polypropylene outer sleeve.  

 

To protect the integrity of our listings, we ask that all individuals with less than 10 feedback get in touch prior to placing a bid. If this is not performed your bid will be cancelled. 

 

 

Vinyl record grading is, by it's very nature, extremely subjective. A globally accepted grading standard is yet to emerge. Because of this, differences between a sellers grade and a buyers expectation are still common. As collectors ourselves, we grew tired of receiving records that simply were not as described. How can a record be 'mint' if it has a skip and looks like my cat had a disco on it? Incredibly, some records are 'graded' without an audio test being performed. Consequently, purchasing vinyl records online can be extremely disappointing. 

 

We decided to do things differently. All of our listings include a detailed and objective condition report, a comprehensive selection of high-quality photographs, and a complete high-fidelity audio recording. In doing so, we hope to enable any potential buyer to make an informed evaluation of the condition of each item themselves.  

 

That being said, we do pride ourselves in preparing and grading vinyl records to the highest possible standards. Here is our process:

Prior to grading both the vinyl and sleeve are cautiously but thoroughly cleaned. All items of the album are inspected in both bright daylight and underneath a halogen desk lamp. Any defects are noted. The vinyl is played through on our high-end system at volume. The entire record is listened to and recorded. Any defects are noted. We evaluate each aspect of the album with respect to the grading table as set out below. 

 

Dissatisfied by ambiguity in well-established grading standards, we decided to create our own. Drawing inspiration from existing grading standards, constructive feedback from a global customer base, and the vast experience of friends and colleagues in the industry, we crafted a meticulous and comprehensive standard. For brevity, a shortened version is provided below. The full Blue Chip Vinyl Standard will be published and available on our soon to be finished website. Updates to follow. 

 

 

The Blue Chip Vinyl Standard

 

 

Mint:

 

The MINT (M) classification refers to an item that is perfect in every way. It is extremely rare that a used or unsealed vinyl record will meet the necessary criteria. In fact, many brand new items do not. 

 

The Disc:

The labels will be bright and clean. There will be no spindle marks and no wear to the centre hole. The centre of the label and the centre of the disc will be perfectly aligned. The vinyl surface will display an iridescent lustre. No surface marks are visible. The audio is clear and precise. The only surface noise present is the sound of the interaction with the stylus. 

 

The Sleeve:

The cover art will be vibrant. Any printed text will be clear and without smudging. There will be no staining. The corners, the spine, and all other edges will be without wear. The laminate has no creases, bubbles or ripples. Period original point-of-sale price and shop advertisement stickers are permitted.

 

The Inserts:

Any original additional inserts, such as an inner sleeve, lyric sheet, booklet or poster, are included and in perfect condition.

 

Excellent: 

 

An accurate description of an EXCELLENT (EX) vinyl record is: "from a distance it looks mint". Upon closer inspection, however, several minor flaws will be evident. Only a small percentage of used vinyl records fall into this classification. As such, an EX record will be considered a final upgrade for the majority of collectors. In fact, some even prefer purchasing items in excellent condition to mint as they still look and sound exceptional, but the visible signs of use add character and authenticity. 

 

The Disc:

The labels will be bright and clean with no writing or stickers present. A small number of spindle marks will be visible. Slight misalignment between the label and disc centres may be evident. The vinyl surface will retain the original lustre but light, non-feel-able marks will be present. Quiet surface noise will be audible during the lead-ins, dead wax and quieter sections, although it will never distract. There will be no lessening in the sound quality of the actual audio reproduction. 

 

The Sleeve:

Not all, but some of the following defects will be present: minor rubbing/discolouration to the cover art and printed text; small, light stains/handling marks; corner softening; minor rubbing/wear to the spine and edges; short laminate ripples. Unless otherwise flawless, neither writing nor seam splits are permissible. 

The Inserts:

Any original inserts, such as an inner sleeve, lyric sheet, booklet or poster are included and show only minor deterioration in condition.

 

Very Good:

 

A VERY GOOD (VG) vinyl record will display obvious signs of prior handling and use but is still visually presentable and very useable. 

 

The Disc:

The defects as set out above for an EX classification above will be more pronounced and/or more numerous. Several additional defects may be present. A neatly written or a non-original sticker may be present one or both labels. An increased number of surface marks will be visible including some which can be felt. Pops and clicks will be audible. One or two may repeat for a small number of revolutions. Groove wear distortion may be audible during the introduction or for a short section during the remainder of the recording. Skips and sticks are not permissible. 

 

The Sleeve:

The defects as set out above for an EX classification above will be more pronounced and/or more numerous. Several additional defects may be present: neat writing; a non-original sticker; minor creases, especially near corners; small areas of laminate lift; import/export cut-out holes. 

 

The Inserts:

The original inner sleeve will be present and will still be capable of holding a record securely. Discolouration, minor seam splits, creasing and writing may be present. If additional inserts were originally included, some, if not all, will not be present. 

 

It is extremely rare that all aspects of a vinyl record  will be accurately described by a single grading classification. To all for circumstances when an item does not, a plus or minus will be added to the grading classification. For example, if the majority of the audio plays EX but a small number of tracks are M, an EX+ will be used. If, instead, a small number of tracks play VG, an EX- classification will be used. 

 

 

We worked hard to find a shipping solution that is appropriate for the Blue Chip items that we sell. Nearly 500 records later we are yet to have any shipping related damage reported. All of our items are sent with full-value insurance and are packed and shipped within 24hrs of purchase.

 

To protect your record during transit we use high quality, double-walled corrugated cardboard vinyl mailers with each and every order. Additional cardboard stiffeners are used when appropriate and required. The disc, sleeve, and any inserts are all housed inside a high-density polypropylene outer sleeve. And yes, before you ask, the disc is housed outside of the sleeve. 

 

Royal Mail Special Delivery Guaranted By 1pm is our preferred shipping partner for all UK orders. No fee is charged for this service. 

 

is utilised for all international orders. Through experience, I have found this to be the quickest, most reliable, and most comprehensive service. eBay manage all aspects; pricing, invoicing and fee collection. When more than one item is purchased, the shipping cost is combined and spread across each item individually. Shipping occurs as follows:

 

We pack and ship the item from our location to eBay's global delivery partner, Geodis. To reflect our UK shipping policy, we do not charge for this service. 
We upload a tracking reference number. Tracking updates can be viewed on the relevant order details page on eBay or alternatively on you can visit Royal Mail's website. 
Geodis accept the item at their UK distribution centre. They manage all aspects of the shipment from here. A second tracking number will be provided by Geodis. Regular tracking updates will be provided on the relevant order details page. 

 

For buyers in the EU, North America and Australasia we are also able to offer direct shipping through a third party in certain cases. Please get in touch prior to bidding to discuss this. 

International purchases may be subject to import tax and/or duty. Please make yourself aware of what these charges may be prior to placing a bid. 

Please contact us if there is a problem with your purchase and we will work with you to find a resolution. 

 

 

There are several terms that we frequently use in our listings that may be unfamiliar to some. To help define these terms, we will first outline the way in which vintage vinyl records were produced.

The original audio was recorded on tape. A lacquer engineer used this to produce a lacquer plate. This is also referred to as the father plate.  The lacquer plate was used to produce a mother plate. A mother plate was then used to produce a stamper plate. A stamper plate was subsequently used to press a record. 

 

The matrix number identifies which lacquer plate was used. It is usually a catalogue number followed by a number/letter combination

 

The mother code identifies which mother plate was used. It is usually a number

 

The stamper code identifies which stamper plate was used. It is usually a codified letter. Each record company uses a different code. For example, EMI used GRAMPHLTD where G=1, R=2 etc. 

 

All of this information can be usually be found on the central dead-wax of each disc. Sometimes additional information, such as a signature from the lacquer engineer, can be found here too. 

 

Through use, the stamper, mother, and lacquer plates all become worn. Consequently, the quality of the audio reproduction deteriorates. This is why first pressings with early mother & stamper codes are so highly prized by audiophile collectors. Although exacts figures are unknown, it is thought that each stamper produced ~1000 records, each mother ~100 stampers, and each lacquer ~15 mothers. 

 

We are sometimes questioned regarding our use of the terms 'pressing' and 'variant'. These terms are often used interchangeably which we believe is incorrect.

 

We use the term pressing to refer exclusively to the lacquer plate that was used to produce the disc. If the first lacquer plate was used, the disc is a first press. The second lacquer plate, a second press and so on.

 

We use the term variant to distinguish between differences in design introduced during the production process. 

 

A crossover pressing, or, equally, a crossover variant, refers to an item in which more than one pressing/variant are present on a single vinyl record. 

 

We make this distinction as it is not always the case that discs with first variant labels were produced before discs with second variant labels. We have seen countless examples where the mother and stamper codes confirm this. We believe, therefor, that it is misleading to conflate the terms as it always suggests that a disc with a first variant label was produced before the equivalent record with second variant label. 

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

 

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