Tigger2's Music Madness Terry Reid: Seed of Memory FACTORY SEALED LP

Format: Sealed LP
Country: U.S.A. Record Company & Release Number: ABC: ABCD-935
Original release date: 1973
Bar Code: NONE Condition of the cover: Mint
Condition of the record: Sealed - Assumed Mint Shipping Weight: 1 pounds, 1 ounces
My inventory number: 209178C Notes: - - -

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Songs

Faith to Arise Seed of Memory Brave Awakening To Be Treated Rite Ooh Baby (Make Me Feel So Young) Way You Walk Frame Fooling You

Credits

Lee Miles: Bass Al Perkins: Pedal Steel Soko Richardson: Drums Alan Robinson: Liner Notes Clifford Solomon: Horn Fred Wesley: Horn Jesse Ehrich: Cello Al Schmidt: Engineer Terry Reid: Guitar, Vocals, Main Performer Ben Keith: Pedal Steel Joel Bernstein: Guitar (Acoustic) Jesse Erlich: Cello James Gadson: Drums Don Gooch: Engineer Mark Harmon: Engineer David Lindley: Guitar (Acoustic), Slide Guitar, Violin Graham Nash: Vocals, Producer, Harmony, Vocals Plas Johnson: Saxophone Blue Mitchell: Horn Tim Weisberg: Flute Al Viola: Balalaika

Album Review

Terry Reid moved to California in the mid-'7s, befriending a number of musicians from those parts and broadening his sound in the process. One result was this album, produced by Graham Nash and featuring David Lindley on acoustic and slide guitars. Seed of Memory isn't as heavy as his earlier work, and not remotely the bold, strident virtuoso rock production of his first LP -- most of it, apart from the vaguely Led Zeppelin-ish "The Way You Walk," is fairly laid-back by Reid's standards. "Ooh Baby" tries for a kind of meld of funk and British blues. But several numbers, like "Brave Awakening," with its relaxed beat, high harmonies, and understated backing orchestration, or the ominous acoustic-textured "To Be Treated Rite," seem more like outtakes from Nash's Songs for Beginners or his subsequent albums, or one of Neil Young's mid-'70s albums, than they do like the work of one of England's most promising '60s bluesmen. The album ends on a disjointed note, with the ambitious but not wholly successful "Fooling You," which makes extensive use of the saxophone. It all just might not be what fans look for in Reid's work, and lacks some of the excitement of his other albums. ~ Bruce Eder, All Music Guide

Biography

Terry Reid biography by Richie Unterberger, All Music Guide

A minor but interesting late-'60s British rock singer, Terry Reid could have been a lot more famous if he had been able to accept the slot of lead singer for the New Yardbirds in 1968. That slot, of course, went to Robert Plant, and the New Yardbirds became Led Zeppelin. Unlike Plant, Reid was also a guitarist, and the opportunity to head his own group no doubt played a part in his decision to gun for a solo career. Leading a guitar-organ-drums power trio, he recorded a couple of respectable, though erratic, hard rock albums while still a teenager in the late '60s. Some bad breaks and creative stagnation combined to virtually bring his career to a halt, and he never cashed in on the momentum of his promising start. A teen prodigy of sorts, Reid had turned professional at the age of 15 to join Peter Jay & the Jaywalkers. His first couple of singles as a headliner found him singing in a sort of poppy blue-eyed soul vein. But by the time of his 1968 debut Bang, Bang You're Terry Reid, produced by Mickie Most, he'd switched to more of a hard rock approach. Most was also handling Donovan and the Jeff Beck Group at the time, and similarities to both of those acts can be heard in Terry Reid's first two albums -- proto-hard rock on the louder tunes, sweeter folk-rock on the mellow ones (Reid in fact covered a couple of Donovan compositions, although he wrote most of his own material). Reid's high voice was reminiscent of Robert Plant's, though not nearly as shrill, and his folky numbers especially are reminiscent of Led Zeppelin's most acoustic early cuts. Reid, oddly, was considerably more well-known in the U.S. than the U.K. His first album, very oddly, was not even issued in Britain, although it made the American Top 200. It's been reported that he at least in part declined Jimmy Page's offer to join Led Zeppelin owing to his contractual commitments to record for Mickie Most as a solo artist, and to perform as an opening solo artist on the Rolling Stones' late-'60s U.S. tour. He did influence Led Zeppelin's history in a big way by recommending Plant and drummer John Bonham as suitable candidates for the group's lineup, after Plant and Bonham's pre-Led Zep outfit (the Band of Joy) played support at one of Reid's early gigs. Reid felt confident enough in his solo prospects to also turn down an offer to join Deep Purple (Ian Gillan was recruited instead). An opening spot on the Rolling Stones' famous 1969 tour of America seemed to augur even brighter prospects for the future, but this is precisely where Reid's career stalled, at the age of 20. First he became embroiled in litigation with Mickey Most, which curtailed his studio activities in the early '70s. After a couple of personnel changes, he disbanded his original trio, leading a group for a while that included David Lindley and ex-King Crimson drummer Michael Giles (this quartet, however, didn't release any records). He moved to California in 1971 and signed to Atlantic, but his long-delayed third album didn't appear until 1973. Reid would release albums for other labels in 1976 and 1979, but none of his '70s recordings were well-received, critically or commercially (though 1976's Seed of Memory did briefly chart). He's barely recorded since, though he did play some sessions, and The Driver appeared in 1991.

This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua. Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value. All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling. All pictures are of the exact item being sold. I always leave feedback before your item ships. Please consider leaving feedback for me after you have had a chance to inspect and enjoy your purchase. Please avoid questions on the last day of the auction. I might not have enough time to give you an answer before the auction ends. All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release. Shipping and pick-up Shipping is calculated by the weight of your package. I do not charge a handling fee.
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