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Sold Date:
June 4, 2017
Start Date:
May 28, 2017
Final Price:
£15.00
(GBP)
Bid Count:
1
Seller Feedback:
3270
Buyer Feedback:
2
All my items have a full money-back guarantee - if it's not as described you can return it for a full refund.
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P&P
charges for bidders outside the UK: Please note that I send ALL international items tracked and insured, which costs more than the standard airmail rate.
For further information please see below for full P&P and insurance details.
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THERE ARE 12 PHOTOS IN THIS LISTING. USE THE SCROLL BAR BESIDE
THE THUMBNAILS TO SEE THEM ALL.
Genuine 1st pressing which has a superb cover and the following 1st press matrix numbers:
Side 1: SSK.59402.A1
Side 2: SSK.59402.B1
Detailed description
Cover: The embossed
cover (band and title embossed on the front and Swansong logo embossed on the
rear) has no damage, writing, splits, tears or stickers etc, and just very light
signs of use. Because the cover is white and matt, it’s very hard to find superb
examples, but this is one of the best I’ve seen. It is a very
presentable example of a cover which is often hard to find looking nice.
Edge wear: There is virtually no wear to the edges. The spine is solid
and firm, with just some minor tarnishing and the text is all 100% readable.
Corner wear: Minimal
Inner sleeve: Original inner sleeve has one small split in the bottom seam but very few other signs of handling and use: a very nice example.
Vinyl: The
vinyl has retained its original high sheen with some fine hairlines and small
surface marks, but there is nothing significant anywhere. I've played the
entire record and much of it sounds fantastic with very little to report. These
original A1/B1 pressings are a ‘loud cut’ with a deep, full sound and superb
bass notes which just can’t be matched by later pressings. There is some
background noise which can be heard in the run-ins/outs, fades, silent grooves
and intros, but nothing loud or intrusive. Side one had nothing else to report
and so I would play-grade side one as Near Mint (NM). The second half of
side two sounds great too, but there are some issues near the beginning of the
side. The opening track ‘Nobody’s Fault But Mine’ starts with some bad noise,
clicks and pops in the intro, although it sounds okay once the drums come in, with just a
few clicks later in the track, and after that it sounds great. For the sake of completness I would mention that there is little bit of background noise and a few
clicks in ‘Candy Store Rock’ but most of it sounds fine and
the rest of side two sounded superb,
including the notoriously difficult ‘Tea for one’ which would play-grade as an
EASY Excellent (Ex). So, the first minute sounds pretty bad, then there are a few clicks here and there but it ends up
sounding Excellent which makes it hard to give an overall play-grade for side two, but side
one sounds virtually flawless throughout and the majority of side two sounds great too.
Detracting features not covered above: None.
Please check out my other items and take advantage of reduced postage costs for multiple buys.
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Information about descriptions and gradings.
My items are always described accurately and fairly. I always do my best to
point out any blemishes which might detract from the item and all
photographs are of the actual item you will get. I am aware that different grading systems have different definitions and so I try as much as possible to describe items in plain English, rather than simply using gradings. Where gradings are given these are based on the UK RECORD COLLECTOR
GRADING SYSTEM. This grading system differs from some other grading
systems, in particular the Goldmine grading system. Please make sure
that you are familiar with the UK record collector grading system before
you bid.
Visually-graded vinyl vs play-graded vinyl: Many people collect vinyl and never play it, whereas other people collect records because they want to play them. A visual grading will identify physical flaws (such as scratches) and can help determine whether a record has been cared-for properly, but it will not identify noise or crackle caused by non-visible sources. Most vintage records are likely to have some background noise even if they look perfect. I believe that records are for playing and so I try to play-grade records whenever possible. I always state in the listing if I have played a record prior to listing it. If I have play-graded the record I will usually only give a brief description of how the record looks (i.e. not a visual grading). The grading in the listing will be a play-grading and may be slightly different from the grading that the record would receive from a purely visual inspection. Most vintage records are not 100% perfectly flat and so I will only mention this aspect if it is very significant or has an impact on the way the record sounds. If I haven't play-graded the record, it will be given a visual grading.
Play-grading MONO records: Mono records and stereo records have different grooves. A stereo record produces a stereo sound via both lateral and vertical groove modulation whereas a mono record is not intended to produce any sound from vertical modulation. Playing a mono record with a stereo cartridge will create distortion because it is trying to pick-up the vertical (stereo) part of the signal, whereas this is not intended to be heard on a mono record and so is just noise. Using a pre-amp with a mono switch will eliminate the noise caused by vertical modulation leaving just the lateral groove signal which is how the record was intended to be heard. Based on the assumption that most people choosing to listen to a mono record will have the right equipment to listen to it, I play all mono records via a pre-amp with a mono switch. My play-grading is based on how the record sounds when played through a mono switch. If you do not have a mono switch on your amp or pre-amp you will be reproducing the noise from the vertical part of the signal and so the record will not sound as good. This is not any fault of the record, it is inherent to playing any mono record through a system that it was not designed for.
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I have some very simple terms and conditions. Please read them and ensure that you understand them before bidding. Thank you.
TERMS & CONDITIONS
My items are fully guaranteed - if it is not as described you can return it for a full refund, including postage. Refunds for visually graded records which are returned based upon the buyer's assessment of the record's playgrade, will not include postage costs in either direction. Your bid is binding, so please make sure you have READ and UNDERSTOOD the WHOLE LISTING before you bid. I will not accept returns where the buyer has not read or not understood something which is stated/shown in the listing.******************************************
POSTAGE
& PACKING
I care about the records I sell and believe that they need to be carefully and securely packaged to ensure that they survive their journey through the post. Vinyl is removed from the sleeve for posting and the contents will be protected with rigid cardboard stiffeners. Packages are labelled "Do not bend" and securely sealed with "FRAGILE" parcel tape.
I support
the use of recycled materials and so I may sometimes use recycled packaging.
If you wish your item to be sent in entirely new packaging please let me know
before paying for it. Thanks.
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P&P charges
My P&P charges are 'totally transparent'. Please read below and if you have any questions about P&P costs please contact me BEFORE you bid. Thank you.
Sending items costs more than just the stamps on the package, but I try not to charge more for packing and posting your item than it actually costs me to do so. I need to cover the cost of packing materials, plastic sleeves, new inner sleeves (where applicable), transportation, fees and charges associated with sending the item (including fees incurred to receive the cost of postage and, where applicable, currency exchange) etc. To cover some of these expenses I add a nominal figure to the basic cost charged at the post office athough the actual cost to me is always higher than this. I do not view P&P costs as a means of making money.
To quote an exact cost for every LP is difficult because of the wide variance in weight (e.g. Abbey Road weighs around 230 grams whereas Led Zeppelin III weighs around 390 grams). But the majority of single LPs, when packed, will weigh around 550 grams and I have based my P&P rates on this.
Double LPs will be charged as two LPs, triple LPs will be charged as three LPs. Box sets etc will be charged according to weight.
If, when you receive your item, there is a significant discrepancy in your favour, please contact me and I will refund the difference.
UK P&P costs
I offer three UK services. I DO NOT offer 'click and collect', 'collection in person' or FREE postage, so please do not select these options if they appear in the invoice.
UK Standard service - sent using Hermes courier. One to three LPs = £3.45. Usually delivered within 3-5 days of despatch.
For more than three LPs please enquire before bidding.
UK First class recorded post. The cost for one to three LPs is £5.20. Usually delivered within one day of despatch.
For more than three LPs please enquire before bidding.
UK Special Delivery - Any order valued over £80 will be sent fully insured using Royal Mail Special Delivery (next day delivery guarantee) and the total cost of this will be £9.35 for one to four LPs and £12.00 for five or more LPs . Please wait for my invoice before paying.
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Airmail (tracked and/or signed) to any country OUTSIDE the UK
Overseas orders will ONLY be sent tracked and/or signed.
Europe
First LP or 12" = £13.60, each additional LP or 12" add £2.20.
Rest of the world (anywhere outside Europe)
First LP or 12" = £17.50, each additional LP or 12" add £3.80.
Overseas orders valued over £80 will be insured for an additional £2.90.
Please note that overseas orders outside the EU need a customs declaration with the value of the package.
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If you have any queries please email BEFORE you bid.
Thanks for your interest in this listing and for taking the time to read these details.