SEALED LP: HALL & OATES: NO GOODBYES

Sold Date: July 21, 2019
Start Date: June 24, 2019
Final Price: $15.00 (USD)
Seller Feedback: 2811
Buyer Feedback: 41


Hall & Oates: No Goodbyes FACTORY SEALED LP Format: Sealed LP
Country: U.S.A.
Record Company & Release Number: Atlantic: SD-18213
Original release date/year: 1977
Bar Code: NONE
Condition of the cover: Mint
Condition of the record: Sealed - Assumed Mint
Shipping Weight: 1 pounds, 1 ounces
My inventory number: 209059D
Notes: - - -
Please contact me if you have any difficulty viewing the photos.
The Sealed LP shown in the photos is the exact one being sold.
I DO NOT END ANY OF MY AUCTIONS EARLY. PLEASE DON'T ASK (unless you are willing to offer enough to pay off my mortgage. Songs
It's Uncanny I Want to Know You For a Long Time Can't Stop the Music Love You Like a Brother Las Vegas Turnaround She's Gone Lilly (Are You Happy?) When the Morning Comes Beanie G and the Rose Tattoo 70's Scenario
Credits
John Oates: Synthesizer, Guitar, Vocals, Keyboards Daryl Hall: Synthesizer, Guitar, Vibraphone, Vocals, Keyboards Hall & Oates: Main Performer Todd Rundgren: Producer, Engineer
Album Review
Released after the success of their first RCA album, No Goodbyes is a compilation of their three Atlantic albums and includes three unreleased tracks. No Goodbyes concisely sums up the high points of the duo's early years (in particular with the soaring single "She's Gone"), and confirms the fact that Hall and Oates were still developing their signature style. ~ Stephen Thomas Erlewine, All Music Guide
Biography
Hall & Oates biography by Stephen Thomas Erlewine & J. Scott McClintock, All Music Guide
From their first hit in 1974 through their heyday in the '80s, Daryl Hall and John Oates' smooth, catchy take on Philly soul brought them enormous commercial success -- including six number one singles and six platinum albums -- yet little critical success. Hall & Oates' music was remarkably well constructed and produced; at their best, their songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave and hard rock. Daryl Hall began performing professionally while he was a student at Temple University. In 1966, he recorded a single with Kenny Gamble and the Romeos; the group featured Gamble, Leon Huff, and Thom Bell, who would all become the architects of Philly soul. During this time, Hall frequently appeared on sessions for Gamble and Huff. In 1967, Hall met John Oates, a fellow Temple University student. Oates was leading his own soul band at the time. The two students realized they had similar tastes and began performing together in an array of R&B and doo wop groups. By 1968, the duo had parted ways, as Oates transferred schools and Hall formed the soft rock band Gulliver; the group released one album on Elektra in the late '60s before disbanding. After Gulliver's breakup, Hall concentrated on session work again, appearing as a backup vocalist for the Stylistics, the Delfonics, and the Intruders, among others. Oates returned to Philadelphia in 1969, and he and Hall began writing folk-oriented songs and performing together. Eventually they came to the attention of Tommy Mottola, who quickly became their manager, securing the duo a contract with Atlantic Records. On their first records -- Whole Oates (1972), Abandoned Luncheonette (1973), War Babies (1974) -- the duo were establishing their sound, working with producers like Arif Mardin and Todd Rundgren and removing much of their folk influences. At the beginning of 1974, the duo relocated from Philadelphia to New York. During this period, they only managed one hit -- the number 60 "She's Gone" in the spring of 1974. After they moved to RCA in 1975, the duo landed on its successful mixture of soul, pop, and rock, scoring a Top Ten single with "Sara Smile." The success of "Sara Smile" prompted the re-release of "She's Gone," which rocketed into the Top Ten as well. Released in the summer of 1976, Bigger than the Both of Us was only moderately successful upon its release. The record took off in early 1977, when "Rich Girl" became the duo's first number one single. Although they had several minor hits between 1977 and 1980, the albums Hall & Oates released at the end of the decade were not as successful as their mid-'70s records. Nevertheless, they were more adventurous, incorporating more rock elements into their blue-eyed soul. The combination would finally pay off in late 1980, when the duo released the self-produced Voices, the album that marked the beginning of Hall & Oates' greatest commercial and artistic success. The first single from Voices, a cover of the Righteous Brothers' "You've Lost That Lovin' Feeling," reached number 12, yet it was the second single, "Kiss on My List" that confirmed their commercial potential by becoming the duo's second number one single; its follow-up, "You Make My Dreams" hit number five. They quickly released Private Eyes in the summer of 1981; the record featured two number one hits, "Private Eyes" and "I Can't Go for That (No Can Do)," as well as the Top Ten hit "Did It in a Minute." "I Can't Go for That (No Can Do)" also spent a week at the top of the R&B charts -- a rare accomplishment for a white act. H20 followed in 1982 and it proved more successful than their two previous albums, selling over two million copies and launching their biggest hit single, "Maneater," as well as the Top Ten hits "One on One" and "Family Man." The following year, the duo released a greatest-hits compilation, Rock 'N Soul, Pt. 1, that featured two new Top Ten hits -- the number two "Say It Isn't So" and "Adult Education." In April of 1984, the Recording Industry Association of America announced that Hall & Oates had surpassed the Everly Brothers as the most successful duo in rock history, earning a total of 19 gold and platinum awards. Released in October of 1984, Big Bam Boom expanded their number of gold and platinum awards, selling over two million copies and launching four Top 40 singles, including the number one "Out of Touch." Following their contract-fulfilling gold album Live at the Apollo with David Ruffin & Eddie Kendrick, Hall & Oates went on hiatus. After the lukewarm reception for Daryl Hall's 1986 solo album, Three Hearts in the Happy Ending Machine, the duo regrouped to release 1988's Ooh Yeah!, their first record for Arista. The first single, "Everything Your Heart Desires," went to number three and helped propel the album to platinum status. However, none of the album's other singles broke the Top 20, indicating that the era of chart dominance had ended. Change of Season, released in 1990, confirmed that fact. Although the record went gold, it only featured one Top 40 hit -- the number 11 single "So Close." The duo mounted a comeback in 1997 with Marigold Sky, but it was only partially successful; far better was 2003's Do It for Love and the following year's soul covers record Our Kind of Soul. The issuing of "greatest-hits" albums reached a fever pitch during the 2000s, with no fewer than 15 different collections seeing the light by 2008. Live records were in proliferation as well, with the A&E Live by Request release Live in Concert hitting stores in 2003, a reissue of their Ecstasy on the Edge 1979 concert (titled simply In Concert this time around) in 2006, and the Live at the Troubadour two-CD/one-DVD set in 2008. As far as proper studio albums go, the 2000s were lean, with only three releases -- the aforementioned Do It for Love and Our Kind of Soul, topped off by Home for Christmas in 2006.
This Sealed LP came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua, Pennsylvania. Phantasmagoria used round colored stickers to indicate the price of the albums. They had a chart on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value. All Sealed LP(s) are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling. If I list an album as "New", but not sealed, it is because the album is probably an import or from a small USA record company. Back in the 70's, many imported albums were not sealed by the record companies, and the importers/distrubutors did not spend the time or money to seal them before being sent to the stores. I will not knowingly misrepresent an album as new if I have any doubts.
All pictures are of the exact Sealed LP being sold. I always leave feedback before your item ships. Please consider leaving feedback for me after you have had a chance to inspect and enjoy your purchase. Please avoid questions on the last day of the auction. I might not have enough time to give you an answer before the auction ends. All reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.
Shipping and pick-up
Your Sealed LP(s) will be shipped within 2 business days after I receive your cleared payment. When possible, if payments are made by 2 PM Eastern time, I will try to send your package the same day if my local Post Office is open.

I photograph all packages before taking them to the Post Office to confirm their condition prior to being handed over to the Post Office. Damage to your package after being handed over to the postal system will not be my responsibility. If you are concerned about damage during shipping, consider upgrading to Priority Mail. It includes free insurance.

If you have ANY special shipping requirements (extra padding, oversized boxes, etc., you must let me know BEFORE making your payment. The pre-calculated cost of your shipping is based my standard packaging (new boxes, padded envelopes, etc.).
WITHIN U.S.A. The default shipping is Media Mail. You can opt to pay extra for for Priority Mail if you choose. Priority MailĀ  is faster and includes free insurance. Pick-up is fine with me, but be prepared to pay by cash. E-mail me to setup a time and place that is convenient for the both of us.
OUTSIDE U.S.A. International Shipping is calculated by the weight of your package. If you purchase multiple items, please wait until after all the auctions end for eBay to send an invoice. I cannot ship by International First Class if it is not available to your country. The USPS discontinued this service to several countries. If it is not an available option, I will send a revised invoice with the least expensive option available to your country. This is non-negotiable because I have no control over the shipping options and rates to your country. The buyer is responsible for all customs regulations and fees in their own country. I will declare the value of all items at $10 each on the Customs Form. Please let me know if you want the actual winning bid price listed on the Customs Form. This is something to consider if you think there is a potential for damage or loss of your package. Insurance (if purchased by the buyer)will only reimburse you for the actual declared value. I collect Grand Funk Railroad's music and memorabilia. If you think you might have something to trade for this item, let me know well before the auction ends. I normally do not end an auction early, but I will make an exception if we can work out some sort of trade for something that I can add to my Grand Funk collection.
If you also collect Grand Funk, let me know if you have anything that you might want to sell or trade. I am always looking to add something new to my collection.