BUDDY GUY & JUNIOR WELLS 'PLAY THE BLUES' 1972 NM UNPLAYED PROMO THE CLASSIC CHICAGO BLUESMEN TRADING FIERY LICKS!
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Play the Blues Review by Bill Dahl Courtesy of All Music.com

Considering the troubled background of this album (, , and  only ended up with eight tracks at a series of 1970 sessions in Miami; two years later,  was brought in to cut two additional songs to round out the long-delayed LP for 1972 release), the results were pretty impressive. Buddy Guy contributes dazzling lead axe to their revival of "T-Bone Shuffle"; Junior Wells provides a sparkling remake of 's "My Baby She Left Me," and Guy is entirely credible in a grinding  mode on the Southern soul stomper "A Man of Many Words."

 &  – Play The Blues Label: – SD 33-364Format: , LP, Album, PR Presswell Pressing Country:Released:Genre:Style: Tracklist Hide Credits A1A Man Of Many Words Written-By –  Written-By –  4:00A2My Baby Left Me (She Left Me A Mule To Ride) Written-By –  Written-By –  3:07A3Come On In This House / Have Mercy Baby Written-By –  Written-By –  4:19A4T-Bone Shuffle Written-By – * Written-By – * 4:16A5A Poor Man's Plea Written-By –  Written-By –  3:11B1Messin' With The Kid Written-By –  Written-By –  2:11B2This Old Fool Written-By –  Written-By –  4:43B3I Don't Know Written-By –  Written-By –  4:26B4Bad Bad Whiskey Written-By – * Written-By – * 4:12B5Honeydripper Written-By –  Written-By –  3:29 Companies, etc. Phonographic Copyright ℗ –  Phonographic Copyright ℗ –  Recorded At –  Recorded At –  Overdubbed At –  Mixed At –  Lacquer Cut At –  Pressed By –  Manufactured By –  Published By –  Published By –  Published By –  Published By –  Published By –  Published By –  Credits Bass – * (tracks: A1), * (tracks: B2, B5),  (tracks: A2 to B1, B3, B4) Body Percussion [Foot Tapping] –  (tracks: B2, B5) Design –  Drums –  (tracks: A1),  (tracks: A2 to B1, B3, B4),  (tracks: B2, B5) Engineer [Overdub] –  (tracks: A1, B2),  (tracks: A1, B2) Engineer [Re-mix] –  Harmonica –  (tracks: B2, B5) Lacquer Cut By – * Organ, Piano – * (tracks: A2, A3, A5, B3, B4) Photography By –  Piano –  (tracks: A1, A4, B1),  (tracks: B2, B5) Producer –  (tracks: A1 to B1, B3, B4),  (tracks: A1 to B1, B3, B4),  (tracks: B2, B5),  (tracks: A1 to B1, B3, B4) Recorded By –  (tracks: B2, B5),  (tracks: A1 to B1, B3, B4) Rhythm Guitar –  (tracks: B2, B5) Rhythm Guitar, Slide Guitar [Bottleneck Guitar] –  (tracks: A1 to B1, B3, B4) Supervised By [Overdub and Re-mix] –  Tenor Saxophone –  (tracks: A1 to B1, B3, B4) Vocals, Harmonica –  (tracks: A1 to B1, B3, B4) Vocals, Lead Guitar, Rhythm Guitar –  Notes Presswell pressing as per label matrix suffix PR and runout.

Yellow labels with ATCo Pinwheel logo.

AtCo SOUL 1 company inner sleeve

Some copies may have PROMOTIONAL DJ COPY /Suggested Cuts for Airplay label.

Some copies may include “Whatever’s Fair Atlantic Soul Explosion ‘72” compilation record offer folded insert, see release pix.

A1 to B1, B3, B4 recorded at Criteria Studios, Miami, Florida in October 1970.
B2, B5 recorded at Intermedia Studios, Boston, Mass. in April, 1972
The overdubs on A1 and B2 were recorded at Atlantic Recording Studios, New York, N.Y. in April 1972
Album remixed at The Hit Factory, New York, N.Y. in May 1972

On labels: ℗ 1972 Atlantic
On back sleeve: ℗ 1972 Atlantic Recording Corporation Barcode and Other Identifiers Rights Society (A1 to B3): BMI Rights Society (B4, B5): ASCAP Matrix / Runout (Label side A): ST-C-722543 PR Matrix / Runout (Label side B): ST-C-722544 PR Matrix / Runout (Side A runout etched): ST-C-722543 A AT/GP PR Matrix / Runout (Side B runout etched): ST-C-722544-C AT/GP PR