IMPORTANT NEWS!

Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.

(ROLLING STONES -After Math)-seedy side of rock & roll-E3-LP

Sold Date: February 26, 2014
Start Date: April 14, 2012
Final Price: $26.99 (AUD)
Seller Feedback: 6425
Buyer Feedback: 68

This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.




DESCRIPTION ITEM: VINYL 12" LP 33 1/3 RPM
TITLE: After-Math
COUNTRY: OZ
CAT No: DECCA, SKLA-4786
COVER: (Grade at EXCELLENT+) small ss back cvr
LABELS: (Grade at NEAR MINT+)
VINYL: (Grade at NEAR MINT+)
TRACKS:
1. "Mother's Little Helper" 2:45
2. "Stupid Girl" 2:56
3. "Lady Jane" 3:08
4. "Under My Thumb" 3:41
5. "Doncha Bother Me" 2:41
6. "Goin' Home" 11:13 7. "Flight 505" 3:27
8. "High and Dry" 3:08
9. "Out of Time" 5:37
10. "It's Not Easy" 2:56
11. "I Am Waiting" 3:11
12. "Take It or Leave It" 2:47
13. "Think" 3:09
14. "What to Do" 2:32
PERSONNEL:
The Rolling Stones
Mick Jagger – lead vocals, harmonica, percussion, lighting
Keith Richards – guitars, backing vocals
Brian Jones – guitars (including slide guitar on "Doncha Bother Me"), backing vocals, marimbas on "Under My Thumb" and "Out of Time", bells, Appalachian dulcimer on "Lady Jane" and "I Am Waiting," sitar on "Paint It, Black", koto on "Take It Or Leave It", harmonica on "High and Dry" and "Goin' Home", keyboards
Charlie Watts – drums, percussion, marimba
Bill Wyman – bass guitar, marimba, organ

Additional musicians
Jack Nitzsche – percussion, piano, organ, harpsichord
Ian Stewart – piano, organ
COMMENT: Biography by Stephen Thomas Erlewine
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them. Over the course of their career, the Stones never really abandoned blues, but as soon as they reached popularity in the U.K., they began experimenting musically, incorporating the British pop of contemporaries like the Beatles, Kinks, and Who into their sound. After a brief dalliance with psychedelia, the Stones re-emerged in the late '60s as a jaded, blues-soaked hard rock quintet. The Stones always flirted with the seedy side of rock & roll, but as the hippie dream began to break apart, they exposed and reveled in the new rock culture. It wasn't without difficulty, of course. Shortly after he was fired from the group, Jones was found dead in a swimming pool, while at a 1969 free concert at Altamont, a concertgoer was brutally killed during the Stones' show. But the Stones never stopped going. For the next 30 years, they continued to record and perform, and while their records weren't always blockbusters, they were never less than the most visible band of their era -- certainly, none of their British peers continued to be as popular or productive as the Stones. And no band since has proven to have such a broad fan base or far-reaching popularity, and it is impossible to hear any of the groups that followed them without detecting some sort of influence, whether it was musical or aesthetic.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

BULK POSTAGE SAVINGS

WITHIN AUSTRALIA

1 LP:
ALL AUSTRALIAN STATES=$8.95

2-3LPs:
NSW=$11.95
VIC=$14.95
QLD/SA/TAS=$16.95
NT/WA=$17.95

4-17 LPs:
NSW (4-7 LPs) =$12.95
NSW (8-11 LPs) =$13.95
NSW (12-14 LPs) =$14.95
NSW (15-17 LPs) =$15.95
ALL OTHER STATES=$18.95 (5kg Prepaid Parcel Post Satchel)

NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

OUTSIDE AUSTRALIA -REGISTERED POST

Overseas parcels need to be REGISTERED and this cost is included in the basic post cost on your invoice. This is available for parcels up to 2.0kg. (about 7 LPs).

BENEFITS…
Compensation of up to $100.00AUD.
Unique identification number.
Proof of posting.
A signed record of delivery to most countries.

NOTE: For parcels over 2.00kg (8 or more LPs) OR of value over $100.00AUD, there will be a need for INSURANCE, which is an extra $8.95 AUD added to the basic post cost. Email me for exact costs.

Prices below are for REGISTERED POST

RUSSIAN FEDERATION RESIDENTS ONLY:
Please DO NOT pay for this until I send you an invoice.
Due to an eBay system fault/limitation with their postage calculator, the postage cost to you is NOT “Asia/Pacific” cost BUT “Rest of World” cost.
Refer to POSTAGE COSTS below for the “Rest of World” cost.
Of course, if this cost does not suit you, please DO NOT buy/bid on this item.

1 LP:
NEW ZEALAND=$19.95
ASIA/PACIFIC=$22.95
AMERICAS/MIDDLE EAST=$24.95
REST OF WORLD=$28.95

2-3 LPs:
NEW ZEALAND=$27.95
ASIA/PACIFIC=$33.95
AMERICAS/MIDDLE EAST=$38.95
REST OF WORLD=$49.95

4-7 LPs or more:
Email me for current Registered post cost.

NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

PAYMENT METHOD

WITHIN AUSTRALIA
Preferred Payment methods…
Internet Bank Deposit
Money Order,
Personal Cheque (waiting period 5 days till cleared)
Paypal in $AUD

OUTSIDE AUSTRALIA
PayPal in $AUD.

M4U GUARANTEE

I strive to provide an accurate grading to ensure a quality product.
But sometimes an error is made.
If you consider this is the case, then please contact me for the refund of your purchase.


FEEDBACK

When you get your item, please examine or test it.
If you are satisfied, then leave some positive feedback for me.
This lets me know you have got it and all is OK.
I will then leave positive feedback for you.
If you consider that you are not satisfied, then please contact me for the refund of your purchase.
If there is a problem, it can be resolved.

MY OTHER ITEMS

To view my other items, go to the top of this page and in the top right hand corner
click “VISIT STORE” logo.
You will find many specific artist categories. This will make your search must faster!!! Of course, when you are in my store you can always type in the artist name you want and click "search".


Powered by