PETE LA ROCA

Basra

SEALED limited edition 45 rpm 180 gram Vinyl 2 LP set. Blue Note/Music Matters BNLP 4205-45N. Stereo, limited edition 45 rpm 180 gram Vinyl 2 LP reissue. COVER & VINYL: MINT still sealed, never played, heavy gatefold cover.

Mastered by Kevin Gray and Steve Hoffman from the original master tapes.

BLUE NOTE The Definitive 45 rpm Reissue Series LIMITED EDITION.

Pete La Roca was one of those musicians with a long but under-sung career. He was a sideman to some great Blue Note leaders including saxophonists Sonny Rollins, Jackie McLean, and Joe Henderson, but he only ever recorded one date (1965's Basra) under his own name during the label's heyday, and indeed only three records total as a leader over a 50-year career. He was a drummer in the background in almost every sense.

Everything that La Roca did before making Basra was a prelude in his career, and all of his later accomplishments are anti-climatic in comparison with this album. In 1965 La Roca, a respected but somewhat obscure drummer gathered together an unbelievable quartet comprised of Joe Henderson, pianist Steve Kuhn and bassist Steve Swallow for the Basra album. This was the only time that this group ever played together yet they sound very much like a major band that had been performing this music for years. Henderson is in astounding form, inspiring the other musicians to create famous versions of "Lazy Afternoon," "Eiderdown" and "Malaguena," renditions that are not only memorable but became the definitive way to play these songs.

La Roca contributed three colorful originals that deserved to become standards while his very stimulating drumming helped to bring out the very best in the players. But it is Henderson who lifts Basra into the cosmos, making the album magical and one of the must-hear recordings of the mid-'60s!

TRACKS:

Malaguena

Candu

Tears Come From Heaven

Basra

Lazy Afternoon

Eiderdown

***FACTORY SEALED***NEVER PLAYED***

 

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RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED. NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

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