RON CARTER

All Blues

SEALED UK import limited edition 180 gram Vinyl LP. CTI/Pure Pleasure Records PPAN CTI 6037. Stereo, limited edition reissue. COVER & VINYL: MINT still sealed, never played, gatefold cover.

180-gram vinyl gatefold LP

Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

"Bassist Ron Carter had long been Creed Taylor's first-choice bassist on record dates stretching as far back to the classic Gil Evans recording Out of the Cool in 1960. Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet. And it was Ron Carter's dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI album since 1970 into the overdrive that its soloists are often given sole credit for.

"Surprisingly, though, Ron Carter's second CTI recording, All Blues, fell well below the radar. It was hardly noticed when it was first issued in early 1974 (his 1973 CTI debut, Blues Farm, which was hardly a hit, still remains better known). Interestingly, it's probably among the best of the albums the bassist waxed for the CTI label between 1973 and 1976. This is due in no small measure to the commanding presence of tenor saxophonist Joe Henderson on 'A Feeling,' '117 Special,' 'Rufus' and 'All Blues.' Carter here also solidifies a simpatico musical kinship with pianist Roland Hanna, who he'd first played with on a European tour in 1969.

"Hanna is especially featured on the florid trio feature, 'Light Blue' (not the Monk piece), as well as Carter's bop-y 'Rufus' (not the Archie Shepp piece). Not surprisingly, Ron Carter dominates the proceedings, with his especially distinctive bass helming any number of attractive solo features (not to mention the overdubbed bass 'solo' of 'Will You Be Mine'). — Jazzonline

Recording: October 1973 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA
Production: Creed Taylor

RON CARTER (bass) JOE HENDERSON (tenor sax) RICHARD TEE, ROLAND HANNA (keyboards) BILLY COBHAM (drums)

A1 A Feeling 3:20 A2 Light Blue 6:45 A3 117 Special 7:05 B1 Rufus 5:11 B2 All Blues 9:35 B3 Will You Still Be Mine 3:58

***FACTORY SEALED***NEVER PLAYED***

 

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RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED. NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

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