MILES DAVIS

Miles Smiles

SEALED German import limited edition 180 gram Vinyl LP. Columbia/Speakers Corner ACOL 9401. Limited edition reissue. COVER & VINYL: MINT still sealed, never played.

Audiophile re-release with original label and cover artwork.

180 gram virgin vinyl pressing from Pallas in Germany.

MILES DAVIS (trumpet) with Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams.

Except for the taping of a live performance at the Portland Festival, Miles Davis' discography for 1966 only lists the recordings made for the LP Miles Smiles. How strange when on considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties. The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles' "number one" in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as "Freedom Jazz Dance" by Eddie Harris and Jimmy Heath's "Gingerbread Boy." Every second of the nine-minute-long "Footprints" by Shorter is an absolute highlight, while the drumming of the young Tony Williams in "Freedom Jazz Dance" is full of vitality, with a quick pulse and even described as "threatening" in the liner notes. This music is neither "new stream" nor "old guard" but good modern jazz according to Anthony Tuttle. That's exactly what Miles Smiles was upon its release 40 years ago – and that's what it is to this day!

A1 Orbits 4:35 A2 Circle 5:52 A3 Footprints 9:44 B1 Dolores 6:20 B2 Freedom Jazz Dance 7:11 B3 Ginger Bread Boy 7:40

***FACTORY SEALED***NEVER PLAYED***

 

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RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED. NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

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