Cold Mountain (Music from the Miramax Motion Picture) [180-gram Double Vinyl LP] [Gatefold Jacket]
Track Listing: 1 Wayfaring Stranger - Performed By Jack White 2 Like a Songbird That Has Fallen - Reeltime Travelers 3 I Wish My Baby Was Born - Tim Eriksen, Riley Baugus and Tim 4 Scarlet Tide - Alison Krauss 5 The Cuckoo - Tim Eriksen and Riley Baugus 6 Sittin' on Top of the World - Performed By Jack White 7 Am I Born to Die? - Tim Eriksen 8 You Will Be My Ain True Love - Alison Krauss 9 I'm Going Home - Sacred Harp Singers at Liberty Church 10 Never Far Away - Performed By Jack White 11 Christmas Time Will Soon Be Over - Jack White 12 Ruby with the Eyes That Sparkle - Stuart Duncan and Dirk Powell 13 Lady Margaret - Cassie Franklin 14. Great High Mountain - Jack 14 Anthem - Gabriel Yared 15 Ada Plays - Gabriel Yared 16 Ada and Inman - Gabriel Yared 17 Love Theme - Gabriel Yared 18 Idumea - Sacred Harp Singers at Liberty Church 2015 double 180-gram vinyl LP pressing housed in a gatefold jacket.  The soundtrack of the 2003 film Cold Mountain was produced by T Bone Burnett, and features original compositions from Jack White, Sting, and Elvis Costello. Jack White, who performs five songs on the soundtrack, also had a role in the movie.  The album won the BAFTA Award for Best Film Music and the World Soundtrack Award for Best Original Soundtrack of the Year, and was nominated for the Academy Award for Best Original Score and the Grammy Award for Best Compilation Soundtrack Album. Never before released on vinyl.
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Miramax hops on the old-timey bandwagon with the release of the soundtrack for Anthony Minghella's Civil War epic Cold Mountain.  Like O Brother, Where Art Thou?'s dark, older sibling, the latest collection of blues, ballads, and laments from producer T-Bone Burnett is a veritable dictionary of traditional country and Americana, but with a weightier muse. Jack White opens the record with a stark rendition of "Wayfaring Stranger" featuring Nashville heavyweights Stuart Duncan, Norman Blake, and Dirk Powell.  For the most part, the White Stripes frontman successfully transplants himself into the genre, utilizing his throaty warble on Howlin' Wolf's "Sittin' on Top of the World" like a dust-bowl carny, and channeling fellow tenor Ralph Stanley on "Great High Mountain."  However, it's the self-penned "Never Far Away" that elevates White above his garage rock trappings. With its delicate front-porch picking and wistful lyrics, it manages to walk the line between heartache and puppy love with a sweetness that's genuinely moving.  That same bleeding heart pumps through Alison Krauss' delivery of Elvis Costello's powerful "Scarlet Tide," a ballad of devastating beauty that works almost like a spiritual.  Recovering songwriter Sting contributes the record's only bad apple, the bland "You Will Be My Ain True Love."  Krauss does her best to paint the tune in period colors, but Sting -- who insists on singing harmony -- keeps the piece firmly entrenched in the very nonsepia-toned world of adult-contemporary pop. Unfortunately, the orchestral work for the film is hastily assembled as if it were an afterthought. While it may lack the initial punch of Tim Eriksen's "I Wish My Baby Was Born" or either of the shape-note tunes provided by the Sacred Harp Singers at Liberty Church, Burnett clusters composer Gabriel Yared's understated score at the end of the record, delegating it as filler, which is unfair, as its quiet power mirrors the songs as well as the characters. ~ James Christopher Monger


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