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1968 Red Stars Over Hollywood Volumes 1, 2 & 3 Myron Fagan Vinyl 3-LP Record VG+
Vinyl / Jacket Grade Per Goldmine Standard: VG+ / VG+
MYRON FAGAN --------------------ABOUT THE SPEAKER---------------------- “Who’s Who in the Theater” has always been the Bible of the People in the Legitimate Theater. It never played Favorites ■ it told no lies ■ it Glorified nobody. It always was an unbiased HISTORY of the men and women in the Theater. It recorded only those who proved their worth in the one — and only one — testing place of the Theater: BROADWAY: That “Who’s Who” records the plays Myron C. Fagan wrote, directed and produced . . . Dramas, Comedies, Melodramas, Mysteries, Allegories, Farces — many of them the most resound- ing “HITS” of their years. He arrived on Broadway in 1907, 19 years old, the youngest playwright in the history of the American Theater. In the following years he wrote and directed plays for many of the GREATS of those days . . . Mrs. Leslie Carter, Wilton Lackaye, Fritz Leiber, Alla Nazimova, Jack Barry- more, Douglas Fairbanks, Sr., E. H. Sothern, Julia Marlowe, Helen Morgan, etc., etc. He directed and produced plays in association with such Broadway Immortals as Charles Frohman, Belasco, Henry W. Savage, Lee Shubert, Abe Erlanger, George M. Cohan, etc., etc. In just the 5 years between 1925 and 1930 he wrote, personally directed, and produced twelve plays: “The White Rose,” “Thumbs Down,” “Two Strangers From Nowhere,” “Mismates,” “The Fascinating Devil,” “The Little Spitfire,” “Jimmie’s Women,” “The Great Power,” “Indiscretion,” “Nancy’s Private Affair,” “Smart Woman,” and “Peter Flies High.” During his early years, Mr. Fagan was also Dramatic Editor for “The Associated Newspapers,” including the New York Globe and various Hearst newspapers. But in 1916 he took a “sabbatical” from the Theater and served as Director of Public Relations for Charles Evans Hughes, the Republican Candidate for the Presidency — he refused a similar post offered him for the Hoover campaign in 1928 . . . thus, Mr. Fagan’s career encompassed the Theater, Journalism and National Politics, and he is a proven expert in all those fields. In 1930, Mr. Fagan came to Hollywood, where he served as Writer-Director with Pathe Pictures, Inc., then owned by Joseph P. Kennedy, father of the late President Jack Kennedy, and also at 20th Century-Fox, and other Hollywood Film Studios. But he also continued in the Broadway Legitimate field. In 1945, at the urgent request of John T. Flynn, the famous author of “The Roosevelt Myth,” “While We Slept,” “The True Story of Pearl Harbor,” etc., Mr. Fagan attended a meeting in Washington, where he was shown a set of Micro Films and Recordings of the SECRET meetings at Yalta attended only by Franklin Roosevelt, Alger Hiss, Harry Hopkins and Stalin, Molotov and Vishin- sky, when they hatched the plot to deliver the Balkans, Eastern Europe and Berlin to Stalin. As a result of that meeting, Mr. Fagan wrote two plays: “Red Rainbow,” in which he revealed that entire plot, and “Thieves Paradise,” in which he revealed how those men plotted to create the “UNITED NATIONS” to be the “housing” for a so-called Communist One-World Government. At the same time, Mr. Fagan launched a “one-man” crusade to unmask the Red Conspiracy in Hollywood to produce Films that would aid that “One World Government” plot. Out of that came into being the “Cinema Educational Guild,” created by the Presidents of 100 Women’s Clubs, to alert all of the American people to their grave danger. As a result of the work of this C. E. G. organiza- tion, headed by Mr. Fagan, in 1947, came the Congressional Hearings, at which more than 300 of Hollywood’s, (also Radio and TV) mo$>t famous Stars,. Writers and Directors were unmasked as the chief activists of the Red Con< spiracy. That was when the infamous “Hollywood Ten” were sent to prison. It was the most sensational event of that decade! From Jhat time on Mr. Fagan has devoted all his time and efforts to writing! monthly “News-Bulletins” for C.E.G. in which he has kept up the fight to alert the American people to the plot to destroy the sovereignty of the United States, and the ensuing enslavement of the American people in a “United Nations” One-World Government. “Red Stars Over Hollywood" confirms the fact that Myron Fagan is the leading authority on first-person knowledge concerning the successful subversion of the movie-making industry. Standing practically alone he has confounded those who plot the destruction of America via the persuasive propaganda of glamorous Hollywood. In this new and power- ful expose, Mr. Fagan again proves himself a giant in th,6 struggle to preserve this nation. Without such men our people would have long since been coerced into a one world animal farm. Arch E. Roberts, Lt. Col., AUS, ret.
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