Sold Date:
January 7, 2025
Start Date:
December 31, 2024
Final Price:
$55.00
(USD)
Bid Count:
1
Seller Feedback:
227
Buyer Feedback:
0
It's a delight to present this MINT CONDITION/(played-maybe-three/four-times), gorgeous 45rpm record, 'TMEF 536,' crafted in France, 1966. It could just about be labeled "New,"given its pristine condition.
(We checked cuts once on a Bang & Olufsen Beogram RX turntable).
SONGS: "You Keep Me Hanging On, Remove This Doubt, You Can't Hurry Love, Put Youself In My Place."
The sound is CLEAR and powerful, able to rock anyone's socks off!
In any case, I doubt future buyers will see the likes of this special RARE edition offered ANYWHERE, ANYTIME, in this spectacular state. (And watch for the FOUR other Tamla MINT records from France I'm posting for sale–––all incredibly beautiful glossy front covers and clean-as-a-whistle grooves––coming to my ebay in NEXT FEW DAYS.)
Good luck on acquiring! Shipping is FedEX, 3-day/insured, and FREE. -------
(FROM WIKIPEDIA)
"You Keep Me Hangin' On" is a song written and composed by . It was first recorded in 1966 by American Motown group , reaching number one on the .
The song has since been interpreted by many performers. American rock band released a cover version in June the following year, which reached number six on the Billboard Hot 100. Wilson Pickett recorded it in 1969. English singer covered "You Keep Me Hangin' On" in 1986, reaching number one on the Billboard Hot 100 in June 1987. In 1996, a version recorded by American singer reached number two on the US Billboard chart.
In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of the six songs to reach number one by two different musical acts, for the Supremes and Wilde versions. The ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks releases by their all-time UK downloads and streams.
Background []"You Keep Me Hangin' On" was originally recorded in 1966 by for the label. The single is rooted in proto- and , compared to the Supremes' previous single, "", which uses the elements akin to . The song's signature guitar part is said to have originated from a -like radio sound effect, typically used before a news announcement, heard by . Dozier collaborated with and to integrate the idea into a single.
Many elements of the recording, including the guitars, the drums, and 's vocals were , a production technique which was established and popularized concurrently by (H–D–H) and other premier producers of the 1960s such as (see ) and . H–D–H recorded the song in eight sessions with the Supremes and session band before settling on a version deemed suitable for the final release.