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YOU ARE VIEWING THE DELUXE BOX SET OF WILCO'S "THE WHOLE LOVE", RELEASED IN AN EXTREMELY LIMITED RUN OF 300 FOR RECORD STORE DAY 2012.

A REVIEW OF WILCO'S THE WHOLE LOVE

Wilco is one of those bands you can never sleep on.

Nearly a decade removed from their most esteemed album, Yankee Hotel Foxtrot, circumstances have changed for the Chicago-based rockers. There was a time in which Wilco couldn't do anything without causing everyone to stand up and take notice.

My senior year in high school was the year A Ghost Is Born came out, and everyone was talking about that record. It was everywhere. You couldn't escape the buzz from that album if you bought real estate under a giant boulder.

But if you were one of those, like me, who soon tired of the Wilco hype, you eventually got your wish. It wouldn't be fair to say the hype died, but I don't remember the previous two albums generating the same level of hysteria we saw with Ghost.

But now it is 2011 and I've got to eat my words. I finally decided to give Wilco an in-depth listen, and I see what the big deal is. If there's a new wave of hype over the latest Wilco record, don't expect to see me run for cover. Because if there's any justice, The Whole Love should start a revolution of its own.

The Whole Love seems to strike a medium between the two extremes the band painted in the 2000s. It's certainly more level headed than Yankee Hotel Foxtrot and A Ghost is Born, but is more adventurous than their last effort, Wilco (the album). The opener, "Art of Almost," builds up slowly, leaving you wondering what exactly this album has in store for you. But when the extended guitar solo kicks in, you know you're in for a truly unique ride.

As a listener who appreciates variety, The Real Love is an easy sell. This album has it all, from sprawling epics to clashing rockers and well crafted pop nuggets

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