AYNSLEY DUNBAR RETALIATION~To Mum~NR MINT 1970 BLUE THUMB BLUES LP~JOHN MAYALL Product Description AYNSLEY DUNBAR RETALIATION
"TO MUM" BLUE THUMB RECORDS - BTS 16

BEAUTIFUL COPY OF THIS ORIGINAL LP FROM 44 YEARS AGO!!
COVER IS EXCELLENT WITH ONLY LIGHT WEAR AND A SMALL DRILL-HOLE IN THE UPPER LEFT CORNER.
VINYL IS NEAR MINT - OUR HIGHEST RATING! - AND LOOKS VIRTUALLY UNTOUCHED!

To Mum From Aynsley And The Boys marked the bands second release from 1970 and found the band shifting styles somewhat with the addition of keyboardist Tommy Eyre, who added a layered more R&B feel to the album and the production work of John Mayall.

From the British blues boom of the 1960s emerged some exceptional individual musicians; Cyril Davies, Eric Clapton and Peter Green being among the most notable. But there was no doubt that the Aynsley Dunbar Retaliation took the prize as the most talented blues band, one with no weak links. Although rarely mentioned in the same breath as Ginger Baker, Keith Moon or John Bonham, all the musicians knew that Aynsley Dunbar was a world-class drummer in any popular genre, easily a match for the better-known names. Together with bassist Alex Dmochowski, they formed a rhythm section unmatched on the blues scene for its drive, finesse and the ability to swing. In Victor Brox, the Retaliation had one of Britain s finest blues singers, a multi-instrumentalist and prolific composer. Uniquely among the blues bands, the majority of the Retaliation s recorded output was self-penned, most of it written by Brox. And guitarist John Morshead provided a master class in less is more ; a blues player of taste and fluency rivalled only by Peter Green. 

1. Don't Take The Power Away 2. Run You Off The Hill 3. Let It Ride 4. Journey's End 5. Down,Down And Down 6. Unheard 7. Sugar On The Line 8. Leaving Right Away

 
 
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY

MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale

EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play

VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play

VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.

VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.

VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.

Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like

Fair = you are getting this record just to own but not to play

Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

 

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