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PREORDER ITEM - DUE FOR RELEASE 24th JULY (SUBJECT TO CHANGE BY THE LABEL) ORDERS WILL BE SHIPPED AS SOON AS THE STOCK ARRIVES
SLEAFORD MODS
KEY MARKETS
HARBINGER150COL
Nottingham duo the Sleaford Mods are due to release their third ‘proper’
album on July 10th via abstract-punk label Harbinger Sound on vinyl, CD
and download.
The album will be housed in a gatefold sleeve designed by Steve Lippert
and was mastered by Matt Colton at Alchemy. Everything else was done by
Sleaford Mods. “Key Markets” was a large supermarket bang in the centre
of Grantham from the early 1970's up until around 1980,” explains Jason
Williamson. “My mum would take me there and I'd always have a large coke
in a plastic orange cup surrounded by varnished wood trimmings and big
lamp shades with flowers on them. Beige bricks with bright yellow points
of sale and large black foam letters surrounded you and this is why we
called the album 'Key Markets'. It's the continuation of the day to day
and how we see it, the un-incredible landscape.” “The album was recorded
in various periods between summer 2014 through to October of that year.
We worked fast as we normally do, the method was the same as the other
albums and like the other two, the sound has naturally moved itself
along. 'Key Markets' is in places quite abstract but it still deals
heavily with the disorientation of modern existence. It still touches on
character assassination, the delusion of grandeur and the pointlessness
of government politics. It's a classic. Fuck em.”
Sleaford Mods are: Jason Williamson – words Andrew Fearn – music
1. Live Tonight
2. No One's Bothered
3. Bronx in a Six
4. Silly Me
5. Cunt Make It Up
6. Face To Faces
7. Arabia
8. In Quiet Streets
9. Tarantula Deadly Cargo
10. Rupert Trousers
11. Giddy on the Ciggies
12. The Blob
The duo have released a
stream of a new track from the album today called 'No One's Bothered',
"partly a comment on the ongoing car crash that is human behaviour under
Capitalism, a fading sense of any connection or unified relationship
with each other. Alienation is almost accepted," says Willamson.
"Musically it reminds me of those early Meteors records, the more
stripped version of Psychobilly that was happening around 81/82.”
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