Sold Date:
December 9, 2016
Start Date:
November 9, 2016
Final Price:
£29.99
(GBP)
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MALA
MIRRORS
BWOOD0140LP
1. Kotos Feat. Asociacion Juvenil Puno
2. Dedication 365
3. Cusco Street Scene
4. They’re Coming
5. Shadows
6. Cunumicita
7. Take Flight
8. The Calling
9. Inga Gani
10. Looney
11. Markos Swagga
12. Zapateo Feat. Colectivo Palenke
13. Sound Of The River Feat. Sylvia Falcón
14. 4 Elements
Limited 3xLP box + CD + insert + MP3 download code + incense stick
Mirrors is the second album by endlessly influential South London
producer Mala. It follows his 2012 Brownswood release where Gilles
Peterson invited the producer to soak up Cuba’s music and culture to
turn the results into Mala In Cuba. But Mirrors is less Mala In Cuba Mk
II and more the realisation of a creative method that works for this
most understated and intuitive producer: digging deep into the roots of a
culture, recording local musicians and sounds, and using the recordings
as source material and storyboard for a record.
The product of repeated visits to dive into Peru’s music, it revolves
around tempo and flow, working local Afro-Peruvian percussionists,
grassroots tap dancers and an Andean soprano into its fourteen tracks.
Mala went there for a month, visiting Lima along with Cusco and the
Sacred Valley just outside of the capital. “I was introduced to music
from the jungle, music from the mountains, Andean sounds, native sounds,
Afro-Peruvian music,” says Mala. “It all goes back to the roots and the
rhythms and I related instantly. That primal rhythm is in all of us.”
Dancers bring another sound to Mirrors’ palette. Colectivo Palenke are
masters of Peru’s stomping battle-dance, zapateo, and their feet-first
percussion graces the track titled ‘Sabateo’. On ‘Sound of the River’,
meanwhile, you can hear field recordings of a stream running through the
Sacred Valley and soprano-anthropologist Sylvia Falcon. It’s a fragile
and human performance that soothes and uplifts in equal measure, and
it’s a most subtle production.“
Mirrors is a bridge joining Croydon and Lima. It creates a link between
traditional instruments made from donkey jawbone and dried-out pumpkins
and the contemporary box of tricks inside Mala’s laptop. Like all
bridges it links the past to the present, giving a clear view of where
Mala has been – and where he’s going next.
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