BRAND NEW 
MILES DAVIS ASCENSEUR POUR L'ECHAFAUD (LIFT TO THE SCAFFOLD)


This listing is for one, brand new Vinyl.  Please note these are new but may have a slight storage damage to top (photo to show example) or the manufacturers sealed wrap has come off.
Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. These complete recordings, including multiple alternate takes, evoke the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, whether on four takes of the ballad/blues "Nuit sur les Champs-Élysées," the last version a bit more swinging than the others; his probing one-note sound with the whispering horn of Davis during "Assassinat" and "Final"; and especially on his solo tracks, the slow walking "Ascenseur" (aka "Evasion de Julien") and the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on the hard-swinging and freewheeling "Motel," the hotter "Sequence Voiture," and "Diner au Motel." These selections with the entire quintet featuring Wilen effectively realize chase scenes or mind gears crazily turning. At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively, but the band can get kinda blue on takes of "Le Petit Bal," with Davis and Wilen more unified up front. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music. ~ Michael G. Nastos, Rovi

A

Generique L' Assassinat de Carala Sur l'Autoroute Julien dans l'Ascenseur Florence sur les Champs-Elysees Diner au Motel Evasion de Julien Visite du Vigile Au Bar du Petit Bac Chez le Photographe du Motel B 1. On Green Dolphin Street 2. Fran-Dance 3. Stella By Starlight

Not quite what you are looking for, keep an eye on my shop as always adding new ones.
Happy for collection from Rainham, Essex.  Cash on collection please.
If you wish to purchase more than one item from me, please add to your shopping basket and request a total invoice, to ensure you receive any discounts.
Note this is a buy it now item, and requires immediate payment. It will still be available to other buyers even after you commit to purchase until payment has been made
Please see my other listings as always happy to combine postage and packaging where possible, visit my shop!
Check out my !
Be sure to add me to your !