Sold Date:
June 18, 2018
Start Date:
June 15, 2018
Final Price:
$26.00
(USD)
Bid Count:
2
Seller Feedback:
5430
Buyer Feedback:
21
Reprise PRO 636
NEAR MINT
1st Class International: $24 (+$5 per additional record you win)
Domestic Media Mail: $5 (any additional records shipped for free)
If you have any special requests, please make sure that they are noted before bidding.
Our
current auctions come from the estate of an East Tennessee man named
Don Fendley whose DJ career began in New York during the late-1960s at a
Fire Island botel called The Blue Whale. Fendley had become frustrated
with the starting-and-stopping of the botel jukebox, so he suggested to
the owners that he could bring along some of his own 45s and a couple
turntables. The music quickly became a hit and by 1970 a neighboring
restaurant called The Sandpiper reacted by expanding its hours to
accomodate late-night dancing. Fendley was hired there, and pretty soon,
a MAJOR dance scene developed around his inspired selection of obscure
high-energy funk/soul!
We've spoken with several people with
first-hand accounts of that earliest period, and they all say
(emphatically!) that the New York disco scene did not exist before Don
Fendley (and another DJ named Ray Yeates) came along.
And here are a few other comments we discovered online (note: Fendley's name is often mispelled):
DJ Lary Sanders:
"it
was like experiencing something supernatural while Don Findlay, the
Sandpiper's first disc-jockey, created a musical masterpiece for those
of us lucky enough to be on the cutting-edge and inside the most
prestigious club on the Island, if not the world! Tom Moulton was there
too, debuting his reel to reel tapes that summer for the who's who list
of upstart fashion designers, models, socialites, celebrities,
entrepreneurs and professionals of all walk. It was under the esoteric
influence of Findlay and Moulton that everyone united on this one very
special dance floor"
12 West owner Alan Harris:
"I would have
to say that Don Finley was God for that period. There was nothing
better than seeing everyone sing along to 'What's Going On' and 'Ain't
No Mountain High Enough.' He knew when to interject those records to
create the maximum sensual effect, and people began to feel comfortable
dancing in one another's arms"
DJ Barry Lederer:
"The
Sandpiper was really THE place to be. It was a DJ's dream to play there
as all the 'right' people went there to dance. I mean designers, record
executives, DJ's and all else. It's hard to explain, but the Fire Island
was what Studio 54 was later on. It was the place to be. Tom Moulton
made tapes there. The year prior to Tom was 1971 and a DJ named Don
Finlay played the Sandpiper. This wasn't his only year there, but his
best! Though many people don't know of him"
As noted, famed remix
master Tom Moulton pioneered the use of the mix tape, presenting his
first reel to Don Fendley at The Sandpiper in the summer of 1972. The
pre-formulated mix tape allowed a DJ to avoid live mistakes by
perfecting crossfades, balancing levels, and sometimes extending songs
through editing. A DJ would then lend the tape to a club to serve as
their 'performance'. Don Fendley immediately followed suit, committing
some epic sequences of killer soul to mix tapes which, 40 years later,
now serve as one-of-a-kind snapshots of the era.
Fendley
continued at the Sandpiper throughout the early 1970s, but alternated at
Manhattan spots like The 10th Floor, Sanctuary and The Continental
Baths. During the mid-1970s, he was playing Le Jardin and Hurrah's
(there's even a story posted online about his desperate attempt to
recover part of his record collection from Studio 54 the morning after
it was raided by FBI agents!).
His career took on an extra
dimension around 1973 when he began creating mix tapes for use at top
fashion shows. Fendley would meticulously craft a programme of music to
suit the style, mood, and variety of a particular fashion line. He
became so expert at this, that virtually every well-known designer hired
him for their shows. In addition, he was even moonlighting as a DJ for
celebrity parties by MIck Jagger, Jackie Onassis, Joel Schumacher,
George-Paul Rosell, Halston and many others. In the mid-1980s, he
returned to his Tennessee hometown where, sadly, he passed away in 2012.
In the coming months, we will be offering more from this record
collection, along with the forementioned reel-to-reel mix tapes. In the
meantime, we would welcome any further info regarding Mr. Fendley's
career.