Marshall Tucker Band Where We All Belong Vinyl 2 LP Capricorn 2C 0145 1st Press
The Marshall Tucker Band Where We All Belong Vinyl 2 LP Set - Capricorn 2C 0145 First Pressing (1974) One LP is Live
Condition: VG+ Vinyl and VG Cover. Vinyl was tested on all sides and plays very well. Cover is fully intact with light wear on spine and corners, with one cutout corner. Includes one Capricorn and one plain inner sleeve.
Where We All Belong is the third album by The Marshall Tucker Band. It is a double album; disc one is a studio album and disc two is a live album, featuring extensive jamming by the band and guest fiddle player, Charlie Daniels, on "24 Hours at a Time". Album two was recorded live at the Performing Arts Center in Milwaukee, Wisconsin on July 31, 1974. Album one was recorded in 1974 in Macon, Georgia at Capricorn Studios.
Track listing
Studio Album
A1This Ol' Cowboy6:42 A2Low Down Ways2:57 A3In My Own Way7:17
B1How Can I Slow Down3:19 B2Where A Country Boy Belongs4:32 B3Now She's Gone4:38 B4Try One More Time4:56
Live Album
C1Ramblin'5:35 C224 Hours At A Time13:17
D1Everyday (I Have The Blues)11:30 D2Take The Highway6:56
Personnel Doug Gray – lead vocals, percussion Toy Caldwell – electric and acoustic guitars, steel guitar, lead vocals on "This Ol' Cowboy" and "Everyday (I Have the Blues)" Tommy Caldwell – bass guitar, backing vocals George McCorkle – electric and acoustic guitars, banjo Jerry Eubanks – flute, alto, baritone and tenor saxophone, backing vocals Paul Riddle – drums
Additional musicians Charlie Daniels – fiddle on “24 Hours At a Time” and "This Ol' Cowboy" Elvin Bishop – slide guitar on "Where a Country Boy Belongs" Johnny Vernazza – slide guitar on "Where a Country Boy Belongs" Billy Sanders – harmonica, rhythm guitar Paul Hornsby – piano, organ, clavinet Earl Ford – trombone Jerry Joseph – conga Steve Madaio – trumpet Sam McPhearson – harp Stein – fiddle _____________________________________________
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.
MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.
NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects.
VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear.
VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits.
GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.
GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.
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