Description:
New and Sealed 180 Gram Half Speed Mastered Black Vinyl - Limited Edition Classic 12" Vinyl Audiophile LP - High Definition Premium Virgin Vinyl Pressing for Super Fidelity - Shipping will be USPS and is free.  Shipped in packaging designed for LPs

A1 Death On Two Legs (Dedicated To ...) 
A2 Lazing On A Sunday Afternoon 
A3 I'm In Love With My Car 
A4 You're My Best Friend 
A5 '39 
A6 Sweet Lady 
A7 Seaside Rendezvous 

B1 The Prophet's Song 
B2 Love Of My Life 
B3 Good Company 
B4 Bohemian Rhapsody 
B5 God Save The Queen

DetailsDistributor:Fontana DistributionRecording Type:StudioRecording Mode:StereoSPAR Code:n/a

Album Notes
Queen: Freddie Mercury (vocals, piano); Brian May (guitar, harp, ukulele, background vocals); John Deacon (electric piano, acoustic & electric basses); Roger Taylor (percussion, background vocals).
Recorded at Sarm Studios, Roundhouse Studios, Olympic Studios, Scorpio Studios, Landsdowne Studios, London, England and Rockfield Studios, Wales.
Queen: Freddie Mercury (vocals, piano); Roger Taylor (vocals, drums, percussion, background vocals); Brian May (guitar, background vocals); John Deacon (keyboards, bass guitar).
Though they began their career practicing an artier, more theatrical variant on Led Zeppelin's heavy rock sound, Queen was always capable of much more. Ultimately, Freddie and the boys were popsters at heart, and capable ones to boot. A NIGHT AT THE OPERA is where they begin to show their eclecticism and compositional facility. The album title is probably a reference to the FM rock anthem "Bohemian Rhapsody," which begins as an existential ballad before moving into a mock-operatic section featuring scores of overdubbed Freddie Mercurys.
"Rhapsody" is just the tip of the iceberg here. "Lazing on a Sunday Afternoon" is a music-hall ditty that owes a debt to the Kinks. "'39" is a surprisingly poignant folk-rocker written and sung by Brian May. "You're My Best Friend" is pure '70s AM melodic pop. Queen even ventures into vaudeville territory (given Mercury's show-biz leanings, not as much of a stretch as one might think) on the fatalistic, old-timey "Good Company." There are several souped-up rockers here as well, but it's A NIGHT AT THE OPERA's winning stylistic experimentation that makes it a milestone in Queen history.