Sold Date: May 16, 2020
Start Date: May 9, 2020
Final Price: $19.99 (USD)
Bid Count: 1
Seller Feedback: 432
Buyer Feedback: 40

Crass ‎– Stations Of The Crass - Vinyl X2 LP - Original 1983 U.K. Pressing

FYI: Even though Ebay gives a seller 7 different catagories to grade their records in. They do not actually define what those catagories mean, so I will do it:
Mint: Never played, brand new, still in shrink wrap. Near Mint: Like new condition, opened, plays w/out any skips or drags. Excellent: Lightly used, minor skips & not many of them. Very Good Plus: Maybe 1 track unplayable due to scratches or wear. Very Good: Maybe 1/4 of the tracks unplayable or badly scratched due to mishandling.  Good Plus: Maybe 1/2 of the tracks unplayable or badly scratched due to mishandling.  Good: Unplayable record, good only for Nostalgic decoration & reminiscence. 
Track List:
Side One: 
A1Mother Earth                 (1 minor skip) A2White Punks On Hope (sounds good, no skips) A3You've Got Big Hands (sounds good, no skips) A4Darling                              (sounds good, no skips) A5System                         (sounds good, no skips) A6Big Man, Big M.A.N.         (sounds good, no skips) A7Hurry Up Garry                (sounds good, no skips)
Side Two:
B1Fun Going On                        (1 minor skip) B2Crutch Of Society            (sounds good, no skips)  B3Heard Too Much About    (sounds good, no skips) B4Chairman Of The Bored    (sounds good, no skips)  B5Tired                                   (sounds good, no skips) B6Walls                                   (sounds good, no skips)   B7Upright Citizen                    (sounds good, no skips)
Side Three:
C1The Gasman Cometh                          (2 skips) C2Demoncrats                                       (2 skips) C3Contaminational Power                  (2 skips) C4Time Out                                          (sounds good, no skips) C5I Ain't Thick, It's Just A Trick        (sounds good, no skips)
Side Four: 33 RPM's
D1System                                 (has trouble playing this track)   D2Big Man, Big M.A.N.                 (has trouble playing this track)   D3Banned From The Roxy         (has trouble playing this track)   D4Hurry Up Garry                 (has trouble playing this track)   D5Time Out                                 (has trouble playing this track)   D6They've Got A Bomb         (sounds good, no skips) D7Fight War, Not Wars         (sounds good, no skips)         D8Women                                      (sounds good, no skips) D9Shaved Women                          (sounds good, no skips)  D10You Pay                                      (sounds good, no skips) D11Heard Too Much About          (sounds good, no skips)  D12Angels                                  (sounds good, no skips) D13What A Shame                  (sounds good, no skips) D14So What                                  (sounds good, no skips) D15G's Song                                  (sounds good, no skips) D16Do They Owe Us A Living?         (sounds good, no skips) D17Punk Is Dead                              (sounds good, no skips)
Group:  Crass were a British English art collective and punk rock band formed in Epping, Essex, England in 1977 who promoted anarchism as a political ideology, a way of life and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic approach to its albums, sound collages, leaflets, and films.
Crass spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards, coordinated squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop amalgamating icons of perceived authority such as the Christian cross, the swastika, the Union Jack and the ouroboros.
The band was critical of the punk subculture and youth culture in general. Nevertheless, the anarchist ideas that they promoted have maintained a presence in punk. Due to their free experimentation and use of tape collages, graphics, spoken word releases, poetry and improvisation, they have been associated with avant-punk and art punk.