This is the 1972 clouds repress of the 1969 album. Good DJ copy.

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Willie Colon – Guisando / Doing A Job
This is the 1972 clouds repress of the 1969 album. Good DJ copy.
Vinyl: VG Cleaned, play tested (plays with some noise - crackles and pops, esp. at beginning of ea. side and between songs, but does not overpower the music). Surface has some marks, but still has shine, no skips. Jacket: VG (front shows aging, corner dings, tape, wrinkles; back has stains, writing, rubber stamp, see pics). Labels: VG+ (see pics).

Willie Colon – Guisando / Doing A Job
Label: Fania Records – SLP 370 Format: Vinyl, LP, Album, Reissue, Stereo
Country: US
Released: 1972 (reissue of 1969 album)
Genre: Latin
Style: Salsa, Boogaloo, Son
A1 Guisando
A2 No Me Den Candela
A3 El Titan
A4 Oiga Senor
B1 I Wish I Had A Watermelon
B2 Te Están Buscando
B3 Se Baila Mejor

Published By – Fania Publ. Lead Vocals – Hector LaVoe Piano – Mark Dimond Producer – Jerry Masucci Recording Supervisor – Johnny Pacheco Rights Society: BMI Matrix / Runout (A side runout etched): SLP-370-A 1-30-69 Matrix / Runout (B side runout etched): LP-370-B 1-30-69
Guisando (literally "cooking up a stew") is the third studio album of Willie Colón & Héctor Lavoe issued in 1969 by Fania Records. Guisando was the first Colón-Lavoe album in which they shared the credits and the album cover (which was Colón’s second favorite in terms of design). The Latin jazz / salsa track “I Wish I Had A Watermelon” is a response to the 1962 instrumental “Watermelon Man” by Herbie Hancock and Mongo Santamaría’s subsequent cover version. Features great solo by Mark Dimond on “Te Están Buscando” (with lyrics warning Mark to be careful carrying the drugs because the police will bust him). Crazy, raw trombone solos by Willie Colón throughout. “The Colón band did not seem to have a problem with another trip into the studio. ... Consequently, they were more than up for rushing back to the studio to record Guisando. Guisando was sticking very close to the gangster-tough guy imagery that had powered the first two albums, but there was a progression in the works: smoother production values and, by degrees, a more worldly outlook. …”  Marc Shapiro: Passion and Pain: The Life of Hector Lavoe (2007).