Sold Date: March 24, 2021
Start Date: April 19, 2019
Final Price: $29.98 (USD)
Seller Feedback: 3557
Buyer Feedback: 76

3-11-2021


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JOAN ARMATRADING (LOT OF 5 ) LPS DOES NOT INCLUDE "BACK TO THE NIGHT" That is pictured

1-
 ‎– Me Myself I Label:  ‎– SP-4809,  ‎– SP 4809 Format: , LP, Album,  Released:

COVER-VG+++
VINYL VG+++ in original inner sleeve
Tracklist A13:16A23:00A33:05A43:31A5 Backing Vocals [Vocal Backing] – ,  4:19B13:14B24:49B33:36B43:40B52:44 Companies, etc. Phonographic Copyright (p) –  Copyright (c) –  Recorded At –  Mastered At –  Pressed By –  Record Company –  Published By –  Credits Acoustic Guitar [12 String] – * Acoustic Guitar [6 String] –  Arranged By [Strings], Conductor [Strings] – * Art Direction, Design –  Bass –  (tracks: A1, A4),  (tracks: A2, A3, A5 to B5) Drums –  Engineer –  Engineer [Assistant Engineer] –  Guitar –  (tracks: A1, A2, A4 to B5),  (tracks: A1, A2, A4 to B5), * (tracks: A3) Management –  Mastered By –  Organ –  Photography By –  Piano –  (tracks: B1),  (tracks: A1 to A3, A5, B2 to B5), (tracks: A4) Producer –  Saxophone –  Written-By – 

2-Joan Armatrading ‎– Show Some Emotion-SP 4663/LP

COVER-VG+++

VINYL-Near MINT (white label )in original inner sleeve

Tracklist A1Woncha Come On Home2:39A2Show Some Emotion3:25A3Warm Love3:02A4Never Is Too Late4:25A5Peace In Mind3:20B1Opportunity3:22B2Mama Mercy2:48B3Get In The Sun3:20B4Willow4:54B5Kissin' And A Huggin'4:42 Companies etc Recorded At –  Mastered At –  Pressed By –  Published By –  Phonographic Copyright (p) –  Copyright (c) –  Credits Acoustic Guitar –  (tracks: A1 to A4, B1 to B5) Arranged By [Strings], Conductor [Strings] –  (tracks: A3, B4) Art Direction –  Backing Vocals –  (tracks: B1, B3),  (tracks: B1, B3) Bass –  (tracks: A2, A4, A5, B2 to B4),  (tracks: A3, B1, B5) Design –  Drums –  (tracks: A2, A4, A5, B2 to B4),  (tracks: A3, B5), (tracks: B1) Electric Guitar –  (tracks: A2, A4, A5, B2 to B5) Electric Piano [Rhodes] –  (tracks: A2 to A5, B2, B4) Engineer –  Engineer [Assistant] – * Lead Guitar [Acoustic] –  (tracks: A3),  (tracks: B1) Mbira [Thumb Piano] –  (tracks: A1) Organ – * (tracks: A2, A4, B2, B3),  (tracks: A5) Photography By [Sleeve] –  Piano –  (tracks: B5) Piano [Acoustic] –  (tracks: A5) Producer –  Saxophone –  (tracks: B2, B5) Slide Guitar –  (tracks: B1) Vocals –  Written-By –  Notes ℗© 1977 A&M Records, Inc.; all selections © 1977 Irving Music, Inc. 

 variant of  by same catalog #. 

Custom inner sleeve contains lyrics/credits/photos 

Recorded at Olympic Studios, London 

1st cat#: sleeve; 2nd: labels
3-
 ‎– To The Limit Label:  ‎– SP-4732 Format: , LP, Album 
Country: Released:
COVER&VINYL-MINT SEALED but for saw cut upper right for PROMO

Tracklist A13:40A23:39A34:24A44:09A54:50B13:55B23:25B33:44B44:47B54:56 Companies, etc. Phonographic Copyright (p) –  Copyright (c) –  Copyright (c) –  Mastered At –  Credits Acoustic Guitar, Words By, Music By –  Art Direction –  Bass –  Design –  Drums –  Electric Guitar – * Engineer [Mastering Engineer] –  Lyricon –  Organ, Accordion – * Photography By –  Piano –  Producer, Engineer –  Notes This release contains both Columbia Records Pressing Plant, Santa Maria (side A) and Columbia Records Pressing Plant, Terre Haute (side B) details etched in runouts.

Recorded at Olympic Studios, London
Mastered at the Mastering Lab, Los Angeles
© 1978 A&M Records, Inc.
Copyright © 1978 Rondor Music (London) Ltd.
Controlled in the U.S. and Canada by Irving Music, Inc. (BMI)
℗ 1978 A&M Records, Inc.
Printed in U.S.A.

Published by Irving Music, Inc. (BMI)

A = Side 1; B = Side 2
4-
 ‎– Walk Under Ladders Label:  ‎– SP-4876 Format: , LP, Album, R=Indianapolis Pressing 
Country: Released:
COVER-VG+++
VINYLVG+++ to Near MINT in original inner sleeve
Tracklist A13:04A2 Backing Vocals – *, *, *Guitar – *Horns –  3:02A3 Horns – ,  3:49A4 Guitar – *Soloist [Acoustic Solo] – *Soloist [Electric Solo] –  3:47A5 Guitar [Acoustic 12 String] – Guitar [Acoustic 6 String] – Piano –  3:32B1 Backing Vocals – *, *, *Harmony Vocals [Harmony] – Keyboards – Saxophone – Tambourine –  4:00B2 Acoustic Guitar – *Percussion – Soloist [Guitar Solo] –  3:26B3 Acoustic Guitar – *Bass – Drums –  3:23B4 Guitar – Performer [Stick] – Voice [The Bear] –  2:59B5 Electric Piano – *Talking Drum –  4:13 Companies, etc. Phonographic Copyright (p) –  Copyright (c) –  Copyright (c) –  Pressed By –  Credits Art Direction –  Bass –  (tracks: A1 to B2, B4, B5) Design – ,  Drums –  (tracks: A1 to B2, B4, B5) Engineer –  Engineer [Assistant Engineer] –  Guitar –  (tracks: A2, A3, B3),  (tracks: A1, A3, A4, B1, B2, B5) Mastered By –  Organ –  (tracks: A2, A3, B2, B3) Other [Hair] – Gregor Schumi Percussion –  (tracks: A1, A5, B2) Photography By [Back Cover & Inner Sleeve Portrait] –  Photography By [Front Cover & Inner Sleeve Photography] –  Producer –  Songwriter [All Songs Written By] –  Synthesizer –  (tracks: A1, A2, A4, A5, B4, B5) Notes Letter R next to A&M logo at the bottom of label that denotes an  pressing. See also: 

Recorded at the Town House, London, July 1981.
Mastered at Warner Bros. Recording Studios, Burbank.

© 1981 A&M Records, Inc.
Printed in U.S.A.
℗ 1981 A&M Records, Inc.

All songs © 1981 Rondor Music (London) Ltd.
Administered in the U.S.A. and Canada by Irving Music, Inc. (BMI)

Andy Partridge appears courtesy of Epic Records.
Sly Dunbar and Robbie Shakespeare appear courtesy of Island Records.
Dick Cuthell appears courtesy of Chrysalis Records.

Color picture inner sleeve includes lyrics. Barcode and Other Identifiers Barcode: 07502148761 Matrix / Runout (Side A label): (SP-04876-A) Matrix / Runout (Side B label): (SP-04876-B) Rights Society: BMI Pressing Plant ID (On labels): R
-
 ‎– The Shouting Stage Label:  ‎– SP-5211,  ‎– SP 5211 Format: , LP, Album, Remastered, EMW - Electrosound Group Midwest Pressing
Country: Released:
COVER-VG+++
VINYL-Near MINT in original inner sleeve
Tracklist A1 Drums – Soloist [Solo] – * 4:13A2 Drums – Keyboards [Keys] – Trumpet –  4:14A3 Drums – Guitar – Percussion –  3:45A4 Piano – Saxophone [Sax] – Strings –  5:07A5 Drums – Guitar – Percussion –  5:27B1 Backing Vocals [Bac Voc] – , *Drums –  3:46B2 Backing Vocals [Bac Voc] – , *Drums – Organ – Saxophone [Sax] –  4:02B3 Drums – Keyboards [Keys] –  3:58B4 Drums –  5:01B5 Strings –  2:09 Companies, etc. Phonographic Copyright (p) –  Pressed By –  Recorded At –  Mixed At –  Mastered At –  Credits Art Direction –  Artwork By [Illustrations] – David Band Bass –  (tracks: A1 to A3, A5 to B5) Design –  Guitar –  (tracks: A1, A2, B1 to B4) Keyboards [Keys] –  (tracks: A1, A3, A5, B1, B4, B5) Mixed By [Mix Assistant] – , * Photography – Andrew Catlin Producer, Songwriter, Arranged By –  Recorded By, Mixed By –  Remastered By [Remastered In The U.S. By] –  Notes ℗ 1988 A&M Records, Inc. 
© 1988 A&M Records, Inc.
All Rights Reserved.
Printed in the U.S.A.
Published by Almo Music Corp. (ASCAP).
Recorded at Bumpkin Studios.
Mixed at Olympic Studios.
Remastered in the U.S.
All lyrics © 1988 Rondor Music (London) Ltd., administered for the U.S. and Canada by Almo Music Corp. (ASCAP).


This LP is pressed on translucent vinyl. Barcode and Other Identifiers Barcode: 0 7502-15211-1 7 Matrix / Runout (Side A label matrix): SP-05211-A Matrix / Runout (Side B label matrix): SP-05211-B Matrix / Runout (Side A / etched [except: A&M "trumpet"]): AM SP 05211-A ES1• [A&M "trumpet"] - EMW - Matrix / Runout (Side B / etched [except: A&M "trumpet"]): AM SP 05211-B ES12• [A&M "trumpet"] - EMW - Pressing Plant ID (Printed on labels): B


ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
 
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.