Sold Date:
November 17, 2020
Start Date:
November 10, 2020
Final Price:
$40.00
(USD)
Bid Count:
1
Seller Feedback:
158
Buyer Feedback:
83
Working diligently with my librarian
hat on. I am really proud of how well we took care of our things and
collectables…just kinda forgot. We have hundreds of quality pieces…some seldom
seen especially in the U.S. Some are rare or at least hard to find. I welcome
International Buyers…I know you have to pay high taxes for both countries …and
it takes forever, but collecting is like that, I know.
If the record/tape/book/toy/Objet d'art or a whatnot, is a mess - you will know about it and see it, if it
was a cut out, I will show and tell.
Nonsmoking home, original owners and a few fine pieces from local collector friends who took care of their things as well.
(This one you are bidding on 2020)
Psychocandy
The Jesus And Mary Chain – Psychocandy
Label:
Blanco Y Negro – 240 790-1, Blanco Y Negro – BYN 7
Format:
Vinyl, LP, Album
Country:
UK & Europe
Released:
Nov 1985
Genre:
Rock
Style:
Noise, Indie Rock
Tracklist
A1 Just Like Honey 3:00
A2 The Living End 2:14
A3 Taste The Floor 2:54
A4 The Hardest Walk 2:36
A5 Cut Dead 2:45
A6 In A Hole 3:01
A7 Taste Of Cindy 1:39
B1 Never Understand 2:58
B2 Inside Me 3:08
B3 Sowing Seeds 2:47
B4 My Little Underground 2:30
B5 You Trip Me Up 2:22
B6 Something's Wrong 4:00
B7 It's So Hard 2:35
Companies, etc.
Record Company – Warner Communications
Phonographic Copyright (p) – WEA Records Ltd.
Copyright (c) – WEA Records Ltd.
Recorded At – Southern Studios
Pressed By – Record Service Alsdorf
Manufactured By – Record Service GmbH
Published By – Warner Bros. Music Ltd.
Credits
Backing Vocals – Karen*, Laurence*
Bass – Douglas Hart
Composed By – Reid*, Reid*
Drums – Bobby Gillespie
Engineer – John Loder
Guitar, Vocals – William Reid
Photography By [Photos] – Alastair Indge, Bleddyn Butcher, Chris Clunn, Mike Laye, Rona McIntosh, Stuart Cassidy
Producer – The Jesus And Mary Chain
Vocals, Guitar – Jim Reid
Words By, Music By – Jim Reid, William Reid
Notes
℗ 1985 WEA Records Ltd. © 1985 WEA Records Ltd.
Manufactured in Germany by Record Service GmbH, Alsdorf
Presse en Allemagne par Record Service GmbH, Alsdorf
[Warner logo] A Warner Communications Co.
________________________
First GEMA/BIEM editions with 'Chequered Flag' label. Issued with PE-lined b&w printed photo/lyric inner sleeve.
Psychocandy describes 1986+ editions without chequered flag on the label.
Barcode and Other Identifiers
Barcode: 0 22924 07901 6
Label Code: LC 4281
Rights Society: GEMA/BIEM
Other (UK Cat#): BYN 7
Other (Vinyl Cat#): 240 790-1 Ⓤ
Other (Tape Cat#): 240 790-4
Price Code (France): WE 381
Price Code: Ⓤ
Matrix / Runout (Runout Side A - Variant 1): R / S Alsdorf 240790-1 AX
Matrix / Runout (Runout Side B - Variant 1): R / S Alsdorf 240790-1 B4
The Jesus and Mary Chain (henceforth “JAMC”) was the musical project of Jim and William Reid, who were (a) Scottish, (b) brothers, and (c) the foremost technological and scientific innovators of the modern rock era. Before they came along, many people still assumed that in order to make aggressive, energetic noises, the members of rock bands had to actually move around, do guitar windmills, and look engaged. The JAMC did not like this situation, because those poses tended to be either uncool or boring, and often made one look like a complete twat.
But after a brief scientific study of their equipment, it came to the JAMC’s attention that electric guitars, when paired with high amplifier volume and harmonic distortion, could create feedback, thereby producing aggressive noises mostly on their own, and freeing their actual players to stand around looking half dead, depressed, and generally too contemptuous and disgusted to really bother playing-- all of which seemed, in 1985 and in the particular case of the JAMC, totally super-awesome.
Obviously the drummer for such a group couldn’t sit behind a big kit looking like he knew what he was doing, so the JAMC stood Bobby Gillespie (yes, that one) up behind only two drums-- a floor tom and a snare-- and had him bash away like he was pissed off at them but either too bored or too drunk to finish them off. A similar approach was taken to bass guitar and vocals.
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