Sold Date:
April 23, 2021
Start Date:
April 16, 2021
Final Price:
$20.50
(USD)
Bid Count:
2
Seller Feedback:
187
Buyer Feedback:
0
Working diligently with my librarian
hat on. I am really proud of how well we took care of our things and
collectables…just kinda forgot. We have hundreds of quality pieces…some seldom
seen especially in the U.S. Some are rare or at least hard to find. I welcome
International Buyers…I know you have to pay high taxes for both countries …and
it takes forever, but collecting is like that, I know.
If the record/tape/book/toy/Objet d'art or a whatnot, is a mess - you will know about it and see it, if it
was a cut out, I will show and tell.
Nonsmoking home, original owners and a few fine pieces from local collector friends who took care of their things as well.
(This one you are bidding on 2021)
The Cure – In Between Days
Label:
Elektra – 0-66882
Format:
Vinyl, 12", 33 ⅓ RPM, Single, AR
Country:
US
Released:
1985
Genre:
Electronic, Rock
Style:
Alternative Rock, New Wave, Synth-pop
Tracklist
Hide Credits
A In Between Days (LP Version) 2:55
B1 In Between Days (Extended Version) 3:55
B2 Stop Dead (Previously Unreleased)
Mixed By – Howard Gray
4:02
Companies, etc.
Phonographic Copyright (p) – Elektra/Asylum Records
Copyright (c) – Elektra/Asylum Records
Manufactured By – Elektra/Asylum/Nonesuch Records
Published By – APB Music Ltd.
Lacquer Cut At – Atlantic Studios
Mastered At – Sheffield Lab Matrix – △10503
Pressed By – Allied Record Company – B-21805
Pressed By – Allied Record Company – B-21806
Credits
Cover [Cover By] – Parched Art
Lacquer Cut By – D.K.*
Other [Make Up By] – Yashi
Producer [Produced By] – Allen*, Smith*
Written-By – Robert Smith
Notes
Allied Record Company version.
Lables:
[Track A] (Vocal/LP Version) From the Elektra LP "The Head On The Door"
[Track B2] (Unreleased Track)
[Tracks A to B2] Produced by Robert Smith & Dave Allen
----------------------------------------------------
℗ © 1985 Elektra/Asylum Records
Printed in U.S.A.
Plus Bonus LP Track Stop Dead 0-66882"
Pressing and lacquer cutting credits are identified in runout stampings.
Barcode and Other Identifiers
Matrix / Runout (Side A label): ST-ED-66882-A-AR
Matrix / Runout (Side B label): ST-ED-66882-B-AR
Matrix / Runout (Side A runout etched; 'ɑ', ATLANTIC STUDIOS D.K. stamped): ST-ED-66882-A2 S̷T̷ ̷E̷D̷ 5̷0̷8̷5̷ A̷-2̷ ̷ɑ B-21805-A2 SLM△10503 1-1 ATLANTIC STUDIOS D.K.
Matrix / Runout (Side B runout etched; ATLANTIC STUDIOS D.K. stamped): ST-ED-66882-B2 S̷̷̷T̷̷̷ ̷̷̷E̷̷̷D̷̷̷ 5̷̷̷0̷̷̷8̷̷̷5̷̷̷ B̷-̷̷̷2̷̷̷ ̷̷̷B-21806-B2 SLM△10503-X 1-1 ATLANTIC STUDIOS D.K.
Rights Society: PRS
The Cure were most consistently defined by their predilection for darkness. However, at the height of their powers, the band displayed an uncanny knack for housing their melancholy moodiness in irresistible pop melodies. “In Between Days” – the highlight from 1985’s The Head on the Door – finds the group close to their peak.
There’s a buoyancy to the rhythm of “In Between Days” that perfectly augments the song’s considerable melodic gifts. By the time that Robert Smith’s vocals enter, the song has already unleashed no less than four killer hooks – an embarrassment of riches that is underpinned by the track’s propulsive beat.
Smith’s performance is one of his most richly emotive. The subtle touches of his self-harmonized vocals underscore the most appealing melodic turns of a song that is virtually “all chorus.” To many, The Cure are epitomized by the dark tracks that made them formative figures on the goth scene, but at their core, they were one hell of a pop band.
Attribution: http://strangecurrenciesmusic.com/category/a-century-of-song/
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