SOUTHWEST F.O.B. / SMELL OF INCENSE~ULTRA RARE FIRST US STEREO PRESSING 68´

Sold Date: March 10, 2024
Start Date: February 29, 2024
Final Price: £43.00 (GBP)
Bid Count: 5
Seller Feedback: 190
Buyer Feedback: 0


ORIGINAL ULTRA RARE FIRST STEREO US  PRESSING SOUTHWEST F.O.B. ~ SMELL OF INCENSE 

ON HIP (5)-HIS 7001.   ,1968


First cat.nr. on cover, second on label. Matrix / Runout: Side 1 HIL 0017A X5BV 129976 1D Matrix / Runout: Side 2 HIL 0018B X5BV 129977 1D





ORIGINAL US RECORDS WITH CLEAN ORIGINAL HIP LEBELS 1968

ORIGINAL US THICK SLEEVE 1968

THE FIRST AND THE ONLY ONE RECORD.

ONE OF UKNOWN MAGIC BANDS.

DYNAMIC AND BEAUTIFUL PSYCH ROCK.

BEAUTIFUL ANALOG SOUND ON HIP(5) NOT INFERIOR COMPRESSED DIGITAL CD SOUND.


REVIEW OF THE RISINGSTORM:

Northeast Texas heads Southwest F.O.B. can’t claim the same sort of critical attention lauded on such fellow statesmen as the  or , but their one record, Smell of Incense, remains an indispensable slice of Lone Star psychedelia. Much more commercially-minded than any of the aforementioned collectives, the band nevertheless reveals an exciting instrumental virtuosity and willingness to draw FM gold out of esoteric regions. Thankfully, songwriters Dan Seals and John Colley betray little of the sickening soft-rock aspirations that would later drive them into their roles as England Dan and John Ford Coley, and show some surprisingly good taste in outside material.

The F.O.B.’s heavy, barnstorming take on the  Smell of Incense is perhaps the clearest example of the group’s hip tastes and knack for redefinition; as strong as the original may be, the F.O.B. manage to take it in subtle new directions that streamline the song’s eccentric appeal, essentially rebuilding the rhythm section from the ground up. Zeke Durrell’s drumming really makes this recording; dig the intricacies between sections and those explosive runs following the hi-hat break just before the final chorus. You could never call the F.O.B. slick, but these cats are clearly no amateur musicians.

Another of the major highlights here is Seals and Colley’s And Another Thing, though its length, at just-under twelve minutes, may try the patience of some listeners – especially considering that about a quarter of those minutes are dedicated to a dizzying, tom-heavy drum solo. The cut never loses its drive, though; even the weird and loopy guitar improvisation in the middle manages to stick close to the song’s heavy rhythmic center. If you dig the warped, astral jams off  then there should be a lot for you to like here, though the band’s lyrics are never as interesting as what Bill Miller or Tommy Hall were writing around this time. Beggar Man may be one of the worst offenders in this regard, a woefully naïve and romanticized view of urban poverty hinting at the flower child sentiments of the decade.

There are all sorts of notable musical flourishes across this album which stand out in the course of a listen, however, and many lay among the local horn section (itself rather unusual in these interim years between early-sixties frat rock and the approaching Chicago sound) of Dan Seals on saxophone and Randy Bates on trumpet. Bates’ background in mariachi music colors his playing across the record, adding a sharp Texas accent to the band’s thick polychromatic sound. On occasion Seals and Bates hit a rather tepid Los Angeles brass sound, such as on the band’s melodramatic non-album recording of Paul Simon’s 59th Street Bridge Song, but such moments are reassuringly infrequent and in general the two add, rather than detract, from the overall group dynamic.



 THIS IS  IS THE ORIGINAL, AUTHENTIC, FIRST US STEREO PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING. ULTRA RARE .


:  PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from SOME OTHER auction. What you see is what you'll get.  GUARANTEED

IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded! We  grade records under the strong, diffuse room light or discrete sunlight.

WE WILL ALWAYS PREFER TO GRADE OUR RECORDS FAIRLY AND PROFESSIONALLY.


CONDITION:

VI LISSTENED VINYL:

VINYL:

ON THE SIDE A IN THE MIDDLE OF THE LAST SONG  THERE IS ONE LIGHT SUPERFICIAL VISIBLE LINE AROUND 0,7 MM . 4 OR 5  OF LIGHT POPS YOU CAN HERE TWO TIMES . 

ON THE SIDE B ALMOST ON THE END OF THE LAST SONG THERE IS ONE SMALL BUBBLE 2MM(PRESSING FAILURE)

ONE VERY SOFT POPS AND ONE LESS SOFT POPS. NOTHING SIGNIFICANT.

OTHERWISE SHINY VINYL WITH SOME VERY, VERY LIGHT AND SUPERFICIAL ABRASIONS-MOSTLY SLEEVE SCUFFS -ARE (BARELY)VISIBLE ,BUT ARE PROBABLY INAUDIBLE, AND DO NOT AFFECT VISUAL INTEGRITY OR BEAUTY OF THE VINYL. 

BEAUTIFUL VINYL.

WE GRADE VINYL VG++



SLEEVE:

SLEEVE HAVE SOME WEAR ON THE EDGES(SEE PICURE)

SLEEVE HAVE SOME TYPICAL WEAR ON THE CORNERS(SEE PICURE)

THERE IS ONE SMALL STICKER ON THE FRONT UPP ON THE RIGHT CORNER(SEE PICTURE)

SPINE IS IN BEAUTIFUL CONDITION AND ALMOST INTACT EXEPT USUAL WEAR BY THE CORNERS.

THER IS SOME YELLOWING ON THE COVER ON THE BACK SIDE DUE TO AGES.

THERE IS ONE SMALL STAMPLE WITH THE DATE SEP 15 1971 ON THE FRONT OF THE COVER, ALMOST ON THE MIDDLE ON THE LEFT SIDE (SEE PICTURE)

OTHERWISE THICK SLEEVE IS GOOD AND IT IS GOOD FEELING.

USUAL BEAUTIFUL HEAVY THICK WHITE INNER SLEEVE PAPER WITH PLASTIC.


WE GRADE SLEEVE VG+






MPORTANT INFORMATION:








All orders valued at 50 pounds or more will be shipped fully insured against loss, damage or theft by ShipCover company?s contracted insurer at our expense,

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Doing otherwise will result in multiple shipments to the same customer and forfeiture of multiple shipping charges already payed.

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VERY IMPORTANT:

Now we are on Ebay`s auctions with many rare records

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