Sold Date: May 2, 2014
Start Date: April 27, 2014
Final Price: $24.99 (USD)
Bid Count: 1
Seller Feedback: 192
Buyer Feedback: 24

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To obtain Promo vinyl albums, 45's CD's or other promotional items you had to be a radio DJ or in the record business.  This is from the private collection of a former music industry veteran. It has been in (smoke and pet free) storage.
Shrinkwrap has fallen off while in storage, but records have never been played or removed from box.
Item box has minimal handling wear from many years in storage.
J.S. Bach 4 Orchestral Suites
Release Year: 1986   Label:  London/Decca Catalog #: 414505-1 Composer:  Johann Sebastian Bach (1685-1750) Conductor:  Karl Münchinger  Orchestra/Ensemble:  Stuttgart Chamber Orchestra  Number of Records: 2 vinyl LPs Box Set with Booklet Recorded in: Stereo  
Works on This Recording 1. Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach  Conductor:  Karl Münchinger  Orchestra/Ensemble:  Stuttgart Chamber Orchestra  Period: Baroque  Written: circa 1729-1731; Leipzig, Germany  2. Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach  Conductor:  Karl Münchinger  Orchestra/Ensemble:  Stuttgart Chamber Orchestra  Period: Baroque  Written: circa 1717-1723; Cöthen, Germany  3. Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach  Conductor:  Karl Münchinger  Orchestra/Ensemble:  Stuttgart Chamber Orchestra  Period: Baroque  Written: 1738-1739; Leipzig, Germany  Notes: Composition written: Leipzig, Germany (1738 - 1739).  4. Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach  Conductor:  Karl Münchinger  Orchestra/Ensemble:  Stuttgart Chamber Orchestra  Period: Baroque  Written: circa 1729-1731; Leipzig, Germany 
Called Ouverturen in Germany because they began with a large-scale overture a la francaise, Bach's Orchestral Suites feature a unique synthesis of the French and the Italian styles. The Leipzig Cantor did not content himself with creating sets of amiable dances - he revived the genre in his own manner, accenting the contrasts, refining the orchestration and introducing the sorts of contrapuntal elements that made the composer famous. Two centuries later, these joyous works are considered an indispensable treasure of the Baroque.