Mecano, VINYL DEBUT LP & COVER VG+ / SPANISH SYNTHPOP / NEW WAVE / Maquillaje

Sold Date: October 27, 2018
Start Date: October 27, 2018
Final Price: $24.95 (USD)
Seller Feedback: 923
Buyer Feedback: 1


Mecano, VINYL DEBUT LP / SPANISH SYNTHPOP

Label and Cat.#, CBS ‎– CBS 32604

Country: Spain

Album was originally released in 1982.  This copy is a reissue and is not a gate fold cover like other pressing(s)


***I Use The Record Grading System Provided By eBay, Please See Below For Detailed Descriptions Of Each Grade Level***

MINT (M)

NEAR MINT (NM)

VERY GOOD ++ same as EXCELLENT (VG++ or EX)

VERY GOOD+ (VG+)

VERY GOOD (VG)

GOOD+

GOOD

FAIR OR POOR (we very rarely deal with records that would grade at these levels)

Please read the item description before bidding:


RECORD CONDITION: / VG+ /// close to EX, has only very light surface marks, listen-tested and mostly plays at EX level or better.

JACKET / COVER CONDITION: / VG+ /// artwork looks great, bottom corner has light discoloration visible on front (liquid stains), the cover feels slightly coarse so it one point had some liquid but shows no signs of mold, the flaw is so slight photos will barely pick it up.

EDGE WEAR: light to medium

RECORD IMPRESSION: barely any

CREASES: several very small / light along the edges

INCLUDES: plain sleeve


TRACK LISTING:

A1Hoy No Me Puedo Levantar3:16

A2No Me Enseñen La Lección3:11

A3Perdido En Mi Habitación3:47

A4Cenando En París4:16

A5Maquillaje2:30

A6Boda En Londres3:22

B1Me Colé En Una Fiesta4:12

B2La Máquina De Vapor3:23

B3Me Voy De Casa2:16

B4254.13.264:08

B5El Fin Del Mundo5:13

B6Sólo Soy Una Persona1:45



Credits

Arranged By – Luis Cobos

Producer – Jorge Álvarez

Written-By – José María Cano (tracks: A1, A4, B4, B6), Ignacio Cano* (tracks: A1 to A3, A5 to B3, B5)



Mecano was a Spanish pop band formed in 1981 and active until 1992. Mecano became one of the most successful Spanish pop bands of all time. The band is still the best-selling Spanish band to this date, reaching over 25 million albums worldwide. They were considered by some to be avant-garde for their time and part of la Movida Madrileña countercultural movement. They had a brief comeback in 1998.


The band's lineup was singer Ana Torroja and brothers Nacho and José María Cano, who worked alongside session musicians such as Arturo Terriza, Manolo Aguilar, Nacho Mañó, Javier Quílez, Ángel Celada and Óscar Astruga. The trio's musical career spanned two distinct stages. The first, up to 1985, was essentially as a synthpop band; while on the second stage Mecano followed a more acoustic pop rock direction, with elements of ballad, dance, flamenco, bossanova, tango, salsa, rumba flamenca, bolero, pasodoble, and even reggae.


The unprecedented success also hit Hispanic America. Also, thanks to adaptations to other languages of several of their songs, they influenced non-Spanish speaking countries such as Italy and France, as with their Une femme avec une femme. That foreign song remains to this date the one which has been for the most weeks at the top of the French charts. In 2005, Mecano's music was adapted into the successful musical Hoy No Me Puedo Levantar that opened productions in Spain and Mexico. After two years, it was announced that the musical had been seen by more than 1,500,000 spectators in both countries, making it the most successful original production in Spanish of all times.


Some of their biggest number one singles include "Me Cuesta Tanto Olvidarte", "La Fuerza del Destino", "Hijo de la Luna", "Cruz de Navajas", "Une femme avec une femme" ("Mujer contra Mujer", a worldwide number one hit), and "El 7 de Septiembre".


"Mecano" is the debut album recorded by Spanish synthpop band Mecano in 1982. The album is better known in popular slang as the clock album due to the large clock that appears on the cover. The album produced the hits "Hoy No Me Puedo Levantar", "Me Cole En Una Fiesta", "Perdido En Mi Habitacion" and "Maquillaje". 





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If it's plain to see that a record needs cleaned, I will clean it. I believe in finding out the maximum potential of what the wax has to offer, I have a method I've used for years that truly works wonders. I spray the record with a cleaning solution that's made up of rubbing alcohol, dish soap (free & clear), and water. I then rinse the record off using my own method that keeps the water off of the label, if any drops still find their way they are wiped off immediately. The record is then air dried.


 


 

6. GRADING DESCRIPTIONS


Guidelines for record grading / condition of used records (based on Goldmine Grading for Records)


MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers or writing address labels. COVER: No writing, no tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.


NEAR MINT or (NM), (M-): RECORD: Record appears virtually flawless. A very minor scuff and very little else appears on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. COVER: The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is as close to perfect as can be.


(VG++), EXCELLENT or (EX): RECORD: Will have minor scuffs which are only slightly visible. There may be more than a few scuffs and NO scratches. COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits, writing on the cover or taped repairs.


VERY GOOD PLUS or (VG+): RECORD: A VG+ record shows some wear and surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. Visible flaws don't cause too much surface noise. COVER: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. Flat white paper will be somewhat yellow, but no large stains or mildew from water damage. Some minor wear to the seams or spine, but no significant tears or holes popping through. The corners will be slightly dog eared, but no crackly bends, defacing the artwork.


VERY GOOD or (VG): RECORD: A record that is good enough. They are not really going to look very good, but will PLAY very good. There will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will look like it has been played, but still have some luster. COVER: VG covers will look worn, used. There may be some seam splitting . There may be some ring wear, where the ink has begun to wear off, giving the cover a look of snow falling. There may be some writing on the cover, item description will address these issues. It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke), but should be decent.


GOOD or (G): RECORD: In the Record world 'GOOD' really means 'OK'.  A Good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. COVER: Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. May have magic marker writing on the cover but will not be in huge letters.  In essence, the cover will looked virtually trashed, but some artwork will still be noticed.