Rare David Bowie Scary Monsters Australian Import 10 Track 33 1/3rpm APL13647 NM

Sold Date: July 7, 2020
Start Date: February 17, 2020
Final Price: £58.42 (GBP)
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For Audiophiles: This Item Ships with LORICRAFT PRC6 Pro-Cleansed VINYL + Collectors Outer Sleeve + Antistatic Sleeve + Original Enclosures

Rare David Bowie Scary Monsters Australian Import 10 Track 33 1/3rpm APL13647 NM

What's Included with Rare David Bowie Scary Monsters Australian Import 10 Track 33 1/3rpm APL13647 NMVINYL CONDITIONUSED - NEAR MINT (NM)SLEEVE CONDITIONUSED - EXCELLENT (EX)LORICRAFT MODEL USEDPRC-6 L Art Du Son LORICRAFT CLEAN 5*STARSYes All Discs/Sides ANTISTATIC SLEEVE INCYes All Discs OUTER COLLECTORS COVER INC12inch CLEAR

DESCRIPTION DETAIL

Rare David Bowie Scary Monsters Australian Import 10 Track 33 1/3rpm APL13647 EX   1980 1st Early Edition Complete with Inlay Lyric Orig Poly Paper Sleeve!!   David Bowie  Scary Monsters Label:RCA Victor  APL1 3647, RCA Victor ?– APL1-3647 Format:Vinyl, LP, Album Country:Australia Released:Sep 1980 Genre:Electronic, Rock Style:New Wave, Pop Rock Tracklist A1 It's No Game (Part 1) Translated By [Japanese] – Hisahi Miura Voice – Michi Hirota 4:17 A2 Up The Hill Backwards Acoustic Guitar – Tony Visconti 3:13 A3 Scary Monsters (And Super-Creeps) Acoustic Guitar – Tony Visconti 5:10 A4 Ashes To Ashes Guitar – Chuck Hammer 4:24 A5 Fashion 4:48 B1 Teenage Wildlife Guitar – Chuck Hammer 6:55 B2 Scream Like A Baby 3:35 B3 Kingdom Come 3:42 B4 Because You're Young Guitar – Pete Townshend 4:51 B5 It's No Game (Part 2) 4:20 Companies, etc. Manufactured By – RCA Limited Australia and New Zealand Distributed By – RCA Limited Australia and New Zealand Published By – Essex Published By – Control (6) Recorded At – Power Station Credits Backing Vocals – Chris Porter, David Bowie, Lynn Maitland, Tony Visconti Bass – George Murray Cover – Edward Bell Design Concept [Cover] – Duffy*, Bowie* Guitar – Carlos Alomar, Robert Fripp (tracks: A1 to A3, A5, B1, B3, B5) Mastered By – DB* Music By, Lyrics By – Bowie* (tracks: A1 to B2, B4, B5), Tom Verlaine (tracks: B3) Percussion – Dennis Davis Piano – Roy Bittan (tracks: A2, A4, B1) Producer, Recorded By – David Bowie, Tony Visconti Recorded By [Assistant] – Jeff Hendrickson, Larry Alexander Synthesizer – Andy Clark (tracks: A4, A5, B2, B4) Vocals, Keyboards – David Bowie Notes First Australian edition   "Made in Australia" on the spine "Manufactured by RCA Limited, Sydney, Australia" on labels "Manufactured for/by and distributed by RCA Limited, Sydney, Australia and Auckland, New Zealand." on rear cover.   Fold out insert   For revised edition with altered publishing on labels see: Scary Monsters   Recorded: Power Station, New York Cat# appears on labels as APL1-3647 Barcode and Other Identifiers Matrix / Runout (A-side, machine-stamped (DB is hand-scratched), variant 1): APL1 3647-A A1A1 DB Matrix / Runout (B-side, hand-etched, variant 1): HQLI 3647-B A1D14 DB BA Other (Australian Release Code): A980F This Record includes the Loricraft PRC-6 Deep Cleanse Package: See Below for Details •  Loricraft PRC6 Record Cleaning Machine is Loricraft’s latest offering in the Vinyl Cleaning Marketplace and is the standard that other cleaners are measured by. • The bigger chassis houses a larger pump that provides the same suction as other models but is quieter. • The forward/reverse facility aids the cleaning process to practically eliminate bound in dirts and cleaning agents. • Vacuum suction is concentrated in a tiny nylon nozzle tip that rides on a nylon thread, thus focusing the suction action and protecting the record surface at the same time. • The antistatic nylon thread is manually drawn out a few millimetres before each cleaning so that the record is only ever touched by a small, clean, soft surface. • L’Art du Son cleaning fluid is used. This is diluted with distilled water at a factory set percentage applied to surface of record and brushed into grooves to soak and lift out dirt prior to extraction. • Less than a minute is all it takes to clean each LP side thoroughly, leaving the grooves completely dry. • Guaranteed Sound Improvement and Greater Clarity (static free) than an uncleansed competitor product*   *Comparing for equal Year/Label/Condition/Origin Increased Signal Clarity Reduced Noise • Prevents any Stylus Fluff Detritus Build Up when Playing! Static attraction eliminated between sleeve and platter. Distortion removed and Sound Levels Reproduced to Restore 100 percent of groove potential. • For Discernably higher perfomance delivering DE FACTO Audible Reproduction on higher end Turntables. • The aim “silence tone arm” from non studio mastered rumble and tonal imperfections due to worked in detritus fingerprint,  and that which the factory production originally enabled*. • Therefore your Record is Quieter between tracks and brighter clearer with marginal increase of source improvements levels across the original mastering & recording spectrum.    *Effects on Unnecessary overtrack travel (elevated tracking due to detritus) caused through prior usage and/or  the further removal of factory print (bound dust and static) from non Sterile Production Environment (steam dust attracted at cooling stage and cooled into pressing)

CONDITION:1980 1st Ed - Sleeve EX Vinyl NM/M Complete with Inner Sleeve Printed and Cellophane Sleeve includes fold out inlay 12" single sided Lyric Sheet EX

Item is in Vinyl Condition: USED - NEAR MINT (NM) / Sleeve (Cover) Condition: USED - EXCELLENT (EX)  (original) but highly collectable music on Vinyl that can only give pleasure and gather value as the years go by!

Rare and hard to find from the Vinyl Condition: RCA  series.

Buyers please bear in mind the items are collectibles and are of excellent original recorded quality.

100% Vinyl Condition: RCA  original and genuine guaranteed!

CODEVinyl Gradings MMint:  Absolutely perfect in every way. Unused.NM Near Mint: The vinyl looks glossy and clearly has only been played a few times. There are no marks on the vinyl.EXExcellent: Odd very light marks where the vinyl has been in and out of the inner sleeve a few times, or small signs of use generally.VG+Very Good+ Further faults are acceptable, but these dont compromise the record visually or audibly. A little rub, light inaudible marks, a little background crackle.VGVery Good: Some light pops clicks, light visible scratches. Still listenable and Visually Pleasing , However it is visually and audibly USEDGGood:  Used with Poor Audible Quality

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