Various – Streets Of Fire - OSTR LP, Aus Original, Inner, VINYL MINT
Sold Date:
November 25, 2020
Start Date:
November 16, 2020
Final Price:
$21.99
(AUD)
Seller Feedback:
7051
Buyer Feedback:
200
Up for auction is a copy of Various – Streets Of Fire - OSTR LP, Aus Original, Inner, VINYL MINT
The record has been cleaned using a Loricraft Record Cleaning Machine. This
is a vacuum record cleaning system which has been around for many years
and works incredibly well. So the record will arrive in the best
possible condition and I'm sure you'll hear the difference, it'll sound
superb. Hope you enjoy it!
NOTE: Postage
has changed to calculated cost for Australian buyers and includes a
$1.50 charge for the mailer i.e. it now varies depending on your
location and is calculated automatically by eBay. I still offer a
postage cap of $18.50, so please email me before paying if you want to
take advantage of this offer, it's certainly worthwhile if you're buying
5 or more records. Also eBay currently has a tendency to overcharge for
postage, so feel free to contact me with any questions. Cheers.
CONDITION
Vinyl = M
Sleeve = VG+
Grading is according to Goldmine Magazine
grading standards (full details at the bottom of the listing). All
vinyl is graded conservatively, VG indicates a well cared for record,
Mint is rarely used and reserved for new records or those in
exceptionally good condition.
All records have been stored in and will be posted with an outer sleeve. Records will also be posted in a stiff cardboard mailer to ensure they reach you in perfect condition.
ALBUM DETAILS
Various – Streets Of Fire - OSTR
Label:MCA Records – 5492-1
Format:Vinyl, LP, Compilation
Country:Australia & New Zealand
Released:1984
Genre:Rock
Style:Rock & Roll, Doo Wop, Pop Rock, Rockabilly
Tracklist
A1 –Fire Inc. Nowhere Fast
Backing Vocals – Eric Troyer
Bass – Steve Buslowe
Coordinator [Production Coordinator] – Don Ketteler, Janet Weber
Drum Programming – Joe Stefko
Drum Programming, Electronic Drums – Jim Bralower*
Engineer – Artie Payson*, Bill Sheniman*, Greg Edward, Neil Dorfsman, Shelly Yakus
Engineer [Assistant] – Garry Rindfuss, Julian Stoll, Rob Eaton*
Guitar – Dave Johnstone*, Michael Landau
Lead Vocals, Backing Vocals – Holly Sherwood, Rory Dodd
Mastered By – Greg Calbi
Piano – Roy Bittan
Producer [Assiciate], Mixed By – John Jansen
Producer, Written-By, Arranged By, Keyboards [Additional] – Jim Steinman
Synthesizer – Larry Fast 6:02
A2 –Marilyn Martin Sorcerer
Backing Vocals – Lori Perry (2), Sharon Celani
Bass – Kenny Edwards
Drums – Russ Kunkel
Engineer [Assistant] – Tom "Gordo" Gondolf
Guitar – Waddy Wachtel
Lead Vocals – Marilyn Martin
Piano – Bill Payne
Producer – Jimmy Iovine
Recorded By, Mixed By – Shelly Yakus
Written-By – Stevie Nicks 5:06
A3 –The Fixx Deeper And Deeper
Engineer – Stephen W. Tayler
Producer – Rupert Hine
Tape Op – Andy Scarth*
Written-By, Bass – Dan K. Brown
Written-By, Drums, Percussion – Adam Woods
Written-By, Guitar – Jamie West-Oram
Written-By, Keyboards – Rupert Greenall
Written-By, Vocals – Cy Curnin 3:45
A4 –Greg Phillinganes Countdown To Love
Guitar – David Williams (4)
Mixed By – John Arrias
Producer – Richard Perry
Producer, Lead Vocals, Backing Vocals [All], Instruments [All] – Greg Phillinganes
Recorded By – Michael Brooks
Synthesizer, Drum Programming – Anthony Marinelli, Brian Banks
Written-By – Kenny Vance, Marty Kupersmith 3:00
A5 –The Blasters One Bad Stud
Bass – John Bazz
Drums – Bill Bateman
Guitar – Dave Alvin
Piano – Gene Taylor (2)
Producer, Lead Vocals – Phil Alvin
Producer, Recorded By, Mixed By – Pat Burnette
Saxophone – Lee Allen, Steve Berlin
Written-By – Jerry Leiber, Mike Stoller* 2:28
B1 –Fire Inc. Tonight Is What It Means To Be Young
Backing Vocals – Eric Troyer
Bass – Steve Buslowe
Coordinator [Production Coordinator] – Don Ketteler, Janet Weber
Drum Programming – Joe Stefko
Drums – Max Weinberg
Drums, Drum Programming – Jim Bralower*
Engineer – Artie Payson*, Frank Filipetti, Greg Edward, Neil Dorfsman, Shelly Yakus
Engineer [Assistant] – Garry Rindfuss, Julian Stoll, Rob Eaton*
Guitar – Dave Johnstone*, Michael Landau
Lead Vocals – Laurie Sargent
Lead Vocals, Backing Vocals – Holly Sherwood, Rory Dodd
Mastered By – Greg Calbi
Mixed By – Bob Clearmountain
Piano – Roy Bittan
Producer [Associate] – John Jansen
Producer, Written-By, Arranged By, Keyboards [Additional] – Jim Steinman
Synthesizer – Larry Fast 6:58
B2 –Maria McKee Never Be You
Drums – Stan Lynch
Engineer [Assistant] – Alan Weidel
Guitar – Mike Campbell
Lead Vocals – Maria McKee
Producer – Jimmy Iovine
Producer, Written-By, Recorded By, Mixed By, Guitar – Tom Petty
Recorded By, Mixed By – Don Smith
Steel Guitar – Ray Austin
Written-By, Piano, Bass – Benmont Tench 4:06
B3 –Dan Hartman I Can Dream About You
Backing Vocals – Joe Pizzulo, Winston Ford
Bass – Eddie Watkins*
Drums [Additional] – Art Wood
Engineer [Additional] – Bobby Gerber, Gabe Veltri, Julian Stoll, Shelly Yakus
Guitar [Additional] – Richie Zito
Mixed By – Humberto Gatica
Percussion – Bobbye Hall
Piano [Acoustic] – Bill Payne
Producer – Jimmy Iovine
Producer, Recorded By, Written-By, Vocals, Backing Vocals, Instruments – Dan Hartman 4:07
B4 –Ry Cooder Hold That Snake
Backing Vocals – Bobby King, Willie Greene Jr.
Bass – Tim Drummond
Drums – Jim Keltner
Harmonica – John "Juke" Logan
Percussion – George "Baboo" Pierre
Producer, Written-By, Lead Vocals, Guitar – Ry Cooder
Recorded By, Mixed By – Allen Sides
Saxophone – Steve Douglas
Written-By, Keyboards – Jim Dickinson 2:36
B5 –The Blasters Blue Shadows
Bass – John Bazz
Drums – Bill Bateman
Piano – Gene Taylor (2)
Producer, Guitar, Vocals – Phil Alvin
Producer, Recorded By – Pat Burnette
Saxophone – Lee Allen, Steve Berlin
Written-By, Guitar – Dave Alvin 3:17
Credits
Coordinator [Music Coordinator] – Amy Ross (2)
Coordinator [Production Coordinator] – Janet Weber
Engineer [Sound Supervisor] – Michael Tronick, Rick Kline, Shelly Yakus
Executive-Producer – Joel Silver (3)
Mastered By – Stephen Marcussen
Photography By – Edie Baskin
Production Manager [Associate] – Elaine K. Thompson
Supervised By – Jimmy Iovine
POSTAGE & PACKAGING NOTE: Postage
has changed to calculated cost for Australian buyers and includes a
$1.50 charge for the mailer i.e. it now varies depending on your
location and is calculated automatically by eBay. I still offer a
postage cap of $18.50, so please email me before paying if you want to
take advantage of this offer, it's certainly worthwhile if you're buying
5 or more records. Also this is the first time I've changed postage
since I opened the shop so please feel free to contact me if you
encounter any issues or feel you've been over charged. Cheers.
All
records come with an outer sleeve and will be posted in a dedicated
cardboard mailer to insure it reaches you safely. Local pickup from
inner west Sydney is also welcome.
RETURNS
As
always I offer a full money back guarantee if you're not satisfied with
your purchase. Please just contact me if there are any issues and I
will try and sort it out to your satisfaction. Also returns are welcome,
please note that depending on the nature of the problem, return postage
costs maybe at the buyers expense, but bid with confidence as I am yet
to have an item returned.
ADDITIONAL INFORMATION
All vinyl has been cleaned using a Loricraft Record cleaning machine and generally sounds as good as new (if not better!)
Feel free to contact me with any questions and also please check out my other auctions. Good luck and happy bidding!
GRADING
Grading is as per Goldmine Magazine grading standards, with items being graded conservatively.
SS : Still Sealed - in factory-fresh condition
M : Mint - perfect, possibly unplayed
NM : Near Mint - a near perfect, may have just a few light surface scratches
VG+
: Very Good Plus - has some superficial signs of use that don't affect
play. Only well cared for records will grade out to VG+. Will satisfy
all but the most demanding collector.
VG
: Very Good - a used, reasonable copy. There will be obvious signs of
wear and the possibility of light surface noise between tracks or during
quiet passages, but still quite nice.
VG- : Very Good Minus - significant wear and marks and usually quite noticeable surface noise.
G+ : Good Plus - In the record world, 'Good' is not good! From here on down (Fair, Poor), we're talking about beat-up records.