Sold Date: September 16, 2018
Start Date: September 13, 2018
Final Price: $34.00 (USD)
Bid Count: 5
Seller Feedback: 18960
Buyer Feedback: 15

  UPDATE:    Good news!   The buyer who tried to mar our reputation, as well as others, has now been removed from the eBay community.  It remains to be seen whether his so-called friends will continue his dirty work, but as of now, we are elated to report that his other two eBay IDs are also suspended.   Thank you to the many sellers and customers who offered their support, as that helped tremendously during our efforts to get the job done.  Now on to more pleasant things...

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  ORIGINAL early '70s pressing in SHRINK WRAP

                                    +
                   SONG TITLES STICKER!
      ..|/\|...............................................|/\|..                          
     
  
                 Emerson Lake And Palmer             Brain Salad Surgery
            ..|/\|...............................................|/\|..                                  USA - ATLANTIC RECORDS - SD 19124


1973 vintage collectible STILL IN FACTORY CELLOPHANE ...includes the very scarce custom song titles STICKER on outer cellophane of front cover...
Includes the scarce double sided LP info & lyrics inner sleeve
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sound effects of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is (cosmic) sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the hard-rock audience in ways that little of their previous "Trilogy" album did. Indeed, "Karn Evil 9" is the piece and the place where Keith Emerson and his keyboards finally matched in both music and flamboyance the larger-than-life guitar sound of Jimi Hendrix. This also marked the point in the group's history in which they brought in their first outside creative hand, in the guise of ex-King Crimson lyricist Pete Sinfield. He'd been shopping around his first solo album and was invited onto the trio's new Manticore label, and also asked in to this project as Lake's abilities as a lyricist didn't seem quite up to the 20-minute "Karn Evil 9" epic that Emerson had created as an instrumental. Sinfield's resulting lyrics for "Karn Evil 9: First Impression" and "Karn Evil 9: Third Impression," while not up to the standard of his best Crimson work, were better than anything the group had to work with previously -- he was also responsible for Emerson's choice of title, persuading the keyboardist that the music he'd come up with was more evocative of a carnival and fantasy than the pure science fiction concept that Emerson had started with. And Greg Lake pulled out all the stops with his heaviest singing voice in handling them, coming off a bit like Peter Gabriel in the process. And amid Carl Palmer's prodigious drumming, it was all a showcase for Emerson, who employed more keyboards and more sounds here -- including electronic voices -- than had previously been heard on one of their records. The songs (except for the light-hearted throwaway "Benny the Bouncer") are also among their best work -- the group's arrangement of Sir Charles Hubert Parry's setting of William Blake's "Jerusalem" manages to be reverent yet rocking (a combination that got it banned by the BBC for potential "blasphemy"), while Emerson's adaptation of Alberto Ginastera's music in "Tocatta" outstrips even "The Barbarian" and "Knife Edge" from the first album as a distinctive and rewarding reinterpretation of a piece of serious music. Lake's "Still...You Turn Me On," the album's obligatory acoustic number, was his last great ballad with the group, possessing a melody and arrangement sufficiently pretty to forgive the presence of the rhyming triplet "everyday a little sadder/a little madder/someone get me a ladder." And the sound quality was stunning, and the whole album represented a high point that the trio would never again achieve, or even aspire to -- after this, each member started to go his own way in terms of creativity and music....
    Jerusalem
   Toccata
  Still...You Turn Me On
   Benny the Bouncer
  Karn Evil 9: 1st Impression - Part 1
   Karn Evil 9: 1st Impression - Part 2
   2nd Impression
   3rd Impression

                 CONDITION: The cover: rated: MINT in factory cellophane + custom song titles sticker on outer shrink wrapper hardly EVER found complete in how it was released!  There are no delete marks, no split seams, no bends, and no writing  ...

The vinyl: Rated: M- smooth and clear over both sides so plays spotless!
                  A cool addition to anyone's music library!






  SEE: SELLERS OTher items for similar cool sounds for "head" people...   EFFICIENT/CAREFUL GRADING All imperfections are noted both cover & record   NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!