WHITE PROMO 1969 double Lp THE BEE GEES ~ ODESSA ~ UK POPSIKE psych RED VELVET

Sold Date: July 25, 2021
Start Date: July 20, 2021
Final Price: $85.00 (USD)
Bid Count: 16
Seller Feedback: 21215
Buyer Feedback: 186


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Very Rare & MINT (((WHITE LABEL PROMO))) ORIGINAL!

1969 ORIGINAL 2xLP GRAND CONCEPTUAL POPSIKE GEM ..|/\|...............................................|/\|..

...ODESSA...


..|/\|...............................................|/\|.. USA - ATCO RECORDS (WHITE LABEL PROMOTIONAL)



MINTY CLEAN DOUBLE VINYL

The original 1969 DOUBLE LP ADVANCED RELEASE PROMOTIONAL first release
in red fuzzy velvet thick gatefold jacket...
 (see full details below)

1969 WHITE LABEL PROMO PRE-RELEASE
        ............................................................................
        The red velvet is usually found well worn and missing ~~
        here is a survivor with NO wear starting

STILL IN FACTORY CELLOPHANE - MEGA RARE!
        ............................................................................
Barry, Robin, and Maurice Gibb weren’t intent on making the kaleidoscopic interconnection of Sgt. Pepper or writing a proper rock opera like Tommy. Instead, the Bee Gees took what they considered to be a collection of simple ballads with deep emotional messages and touched them with grandiose arrangements, orchestral movements, and acute studio perfection. The result is without question one of the finest baroque pop works ever, and something of a signpost hinting at the rise of progressive rock, which would follow in the coming decade.

Odessa is a textured record that blends different stylistic grounds with grace. “Melody Fair” takes a gently strummed acoustic folk base and builds on it a mass of strings. The laidback rural rollick of “Marley Purt Drive” bears echoes of Dylan and the Band. “Whisper Whisper” is psychedelic-skewered swinging 1960s pop to the core, presented in two parts. The centerpiece across Odessa, as always with the Bee Gees, is the Gibb harmonies, perhaps best highlighted on the epic “I Laugh in Your Face,” which was originally scheduled as a throwaway B-side but might be the best song on the album


While Odessa provides a wonderful musical experience, the original album is just as often remembered for its packaging. The double album came wrapped in a red flocked cover. Shortly after its release, it was alleged that workers at the plant that was making the covers were suffering from allergic reactions to the flocking, and the beautiful cover was discontinued. Subsequent reissues came in a more traditional sleeve

Odessa begins appropriately with the title track “Odessa (City on the Black Sea)”. The stirring tale of shipwreck in the Baltic Sea seems to be the beginning of a concept album, especially when the album’s spectacular packaging is considered. But there is no concept at work among the 17 tracks. In fact, Barry Gibb announced to an expectant press at the time, “It won’t have an overall format … there won’t be any sound effects, just ballads with an emotional message.”

        Once you stop worrying about concepts and just enjoy the songs, you’re in for a great listening experience. One classic pop song follows another. There are intense Robin Gibb performances on “Black Diamond,” and “Lamplight”, and equally impressive performances by brother Barry Gibb on the hit “First of May”, and “Sound of Love.” In fact it was the decision to release “First Of May,” instead of “Lamplight” as the first single that led Robin to leave the band in late 1968 for a solo career, only to return to his brothers in 1970.

        Odessa (City On The Black Sea)
        You'll Never See My Face Again
        Black Diamond
        Marley Purt Drive
        Edison
        Melody Fair
        Suddenly
        Whisper Whisper
        Lamplight
        Sound Of Love
        Give Your Best
        Seven Seas Symphony
        With All Nations (International Anthem)
        I Laugh In Your Face
        Never Say Never Again
        First Of May
        The British Opera



Recording sessions

12 July 1968, IBC Studios (London)
"I Laugh In Your Face"

13-14 August 1968, Atlantic Recording Studios (New York City)
"Whisper Whisper” (As completed is a composite of three sections recorded at the start of the sessions. The "Odessa" album has an edit of the three sections with vocals and orchestra recorded in England).

15 August 1968, Atlantic Recording Studios (New York City)
"Marley Purt Drive" (A different vocal (with the same lyrics) and a bit of orchestration at the end were recorded in England to form the finished version heard on "Odessa").

20 August 1968, Atlantic Recording Studios (New York City)
"Give Your Best" (Only new vocals were added in England).
"Sound Of Love" (It was finished in England with the addition of a new vocal and orchestration).

21 August 1968, Atlantic Recording Studios (New York City)
"Edison" (The last song the Bee Gees did at Atlantic was "Barbara Came to Stay", a song that would change quite a bit back in England. The basic New York instrumental track remained, but Barry Gibb’s rhythm guitar was mixed out, and an organ was added. Most significantly the lyrics were completely rewritten, resulting in a change of title to "Edison").

3 October 1968, Trident & IBC Studios (London)
"Black Diamond"

17 October 1968, Trident & IBC Studios (London)
"You’ll Never See My Face Again" & "Suddenly" (Further additions in December created the finished versions).

26-27 October 1968, Trident & IBC Studios (London)
"Melody Fair" (A mix of the state on October 27, showed the Mellotron was mixed out later).

24 November 1968, IBC Studios (London)
"First Of May"

Most likely between November 24 and December 7, 1968, IBC Studios (London)
"Odessa (City On The Black Sea)" (A major work that took a few sessions. At heart it is two long verses and choruses, but those are surrounded by other vocal and instrumental sections. The instrumental track is led by the unusual combination of a flamenco guitar by Maurice Gibb and a cello by Paul Buckmaster. The song was called "Odessa on the White Sea" in an early version, and Barry Gibb identifies the ship in a spoken intro as a Dutch ship called 'Onstrauss' and the date as February 14, 1866).
"Lamplight" & "Never Say Never Again"



  CONDITION:
The cover: rated: MINT in FACTORY CELLOPHANE  very fragile gatefold cover in fuzzy red velvet with gold leaf lettering ...a lavish production such as this cost a fortune to manufacture in high quantities.  No wear to the gold leaf printing which is always a wear problem. The insides of gatefold is rated UNOPENED ... altogether, very solid/clean all over ...No split seams, full colors, no bends, no writing
The vinyl: Rated: M- = looks completely top copy ! Has NO marks, no scuffs
    highly glossy shine and plays flawless! All 4 WHITE PROMO labels are clean



...ODESSA...




A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!