1978 Sire Records SRK 6049 vinyl release. Vinyl plays very good plus; does not skip. Jacket is whole; corner dent; ringwear; ruboff at the edges; no bar code. Includes 20 by 30 inch poster; inner sleeve with lyrics.

Album Features Artist: Renaissance, Annie HaslamFormat: AlbumRelease Year: 1978Record Label: SireGenre: Art Rock, Prog, Rock & Pop

Track Listing
Side 1

1. Opening Out
2. Day of the Dreamer
3. Closer Than Yesterday
4. Kindness (At the End)

Side 2

5. Back Home Once Again
6. She Is Love
7. Northern Lights
8. A Song for All Seasons

DetailsPlaying Time: 45 min.Producer: David HentschelDistributor: SireRecording Type: StudioRecording Mode: Stereo

Album Notes
Personnel: Michael Dunford (vocals, guitar, acoustic guitar, acoustic 12-string guitar, electric guitar, 12-string guitar); Jon Camp (vocals, guitar, electric guitar); John Tout (vocals, keyboards); Annie Haslam (vocals, bass guitar, percussion); Terence Sullivan (vocals, drums, percussion); Royal Philharmonic Orchestra (strings, horns).Recording information: Advision, C.T.S (11/1977-01/1978); Trident Studios, London, England (11/1977-01/1978).Photographer: Hipgnosis.Arrangers: John Tout; Jon Camp; Terence Sullivan; Louis Clark; Michael Dunford; Annie Haslam; Renaissance; Harry Rabinowitz.

The next to last album by Renaissance as a full-time, ongoing group, A Song for All Seasons was a courageous effort in its time, wearing its classically based progressive rock colors proudly on its sleeve amid the punk and new wave booms that were sweeping across the musical landscape. Vocalist Annie Haslam and pianist John Tout generated some memorably beautiful moments, ably supported by the Royal Philharmonic Orchestra and conductor/arranger Harry Rabinowitz.

The first two tracks, "Opening Out" and "The Day of the Dreamer," ultimately promise a little more in the way of classically based lyricism than the album delivered; and the harder rocking moments are only fitfully interesting, despite the best efforts of bassist Jon Camp and guitarist Michael Dunford. But the pop tracks here, most notably "Northern Lights," "Back Home Once Again," and the acoustic guitar-driven "Closer Than Yesterday" are appealing on a level that was mostly new to the group. A few more numbers like those, interspersed with the more ambitious works on this album, and Renaissance might have found that wider following that always eluded them.

But ultimately the album pulls in one or two too many directions at once, especially on the moody "She Is Love." For a finale, the title track, "A Song for All Seasons," (clocking in at almost 11 minutes) plunges us back into heavily orchestrated art-rock head-first and several yards deep, and succeeds better than most of the group's ambitious suites and song cycles of the second half of the '70s. The album has some gorgeous moments, but coming out at the end of the '70s, it was timed about as poorly as any LP ever issued, in terms of finding an audience -- which doesn't stop modern audiences from savoring its appeal or those moments, three or four decades on. ~ Bruce Eder